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Mundus1 Part 2

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"An eye for an eye makes the whole world blind." - Mahatma Gandhi (ગાંધી)

" Who would imagine that this simple law [constancy of the velocity of light] has plunged the conscientiously thoughtful physicist into the greatest intellectual difficulties? "The Special and General Theory - Albert Einstein

Contents

  1. 1905-1906/ca.1322-1323AH A global perspective.
  2. The visual arts
  3. Foxes, then and now

Selected events of 1905 AD/1322-1333AH from around the world

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Regalia by Beaton R. KochA. Einstein Cullinan diamond
Koch lecturing on Tuberculosis at St James's Hall,Piccadilly, demolished in 1905.

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The visual arts

The first decade of the new century was of great moment in the visual arts, and the founders of modern international art had their works exhibited in these early years. Of particular relevance to 1905 was the artshow at the Salon d'Automne in Paris of a small group of artists who had called themselves the 'Les Fauves'. The French word, meaning 'wild beasts', was not meant to apply to the personalities of the artists involved. Rather, it signified the extraordinary departure from the 'civilised' norms of salon art which had been the diet of Parisians at the end of the century, and brought in a vivid display of colour applied with fresh, apparently untutored brushstrokes and brilliant, contrasting color. Three of them stood out especially; Matisse, Derain and Vlaminck. Below are two examples of paintings executed in 1905, clearly showing their radical approach, which looks for inspiration partly to the raw intensity of Van Gogh's paintings. Van Gogh had died having sold only one painting in his entire life,but his work was just coming into view in Paris at that time. Matisse went on to become one of the greatest painters of the century. Vlaminck regressed into classicism later on. Derain was to achieve fame from a series of paintings depicting views of London, in which he followed Monet, but marked them with his own, individual stamp.


Picture on the left: Portrait of Henri Matisse by André Derain
During a holiday at the fishing port of Collioure in the south of France in 1905, they painted portraits of each other. It is possible that this painting was among those Derain showed later that year in Paris in the Salon d'Automne. Matisse came late to art, having started life as a lawyer. He first met Derain in 1898 when they studied together at the Académie Carrière in Paris.

Picture on the far left: Portrait of André Derain by Henri Matisse

Matisse also knew Picasso well. Around 1905, however, Picasso, poverty stricken and penniless, had gone back to Barcelona. In that period, the so-called 'Blue' ( followed by 'Pink') period, he painted a lot of pictures containing images drawn from the circus.
Picture on the left: Cheval avec jeune homme en bleu is one example, done in watercolour and gouache,on paper.

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Foxes, then and now

A contemporary poem by John Masefield which is notable for its accomplished metre is reproduced below. As for the subject matter, a hundred years later, since 2005, most forms of fox huntinghave been banned by an act of parliament in the UK, the majority of members of that august body finally, after 700 years, considering it to be too blood thirsty a sport to stomach.


		A   Fellow  Mortal
		--------------------------
	I found a fox, caught by the leg
	In a toothed gin, torn from its peg,
	And dragged, God knows how far, in pain.

	Such torment could not plead in vain,
	He looked at me, I looked at him.
	With iron-jaw teeth in his limb.

	'Come, little son,' I said, 'Let be. . .
	Don't bite me,  while I set you free.'
	But much I feared that in the pang
	Of helping, I should feel a fang
	In hand or face. . .
		but must is must. . . .
	And he had given me his trust.
	
	So down I knelt there in the mud
	And loosed those jaws all mud and blood.
	And he, exhausted, crept, set free,
	Into the shade, away from me;

	The leg not broken . . .
		Then, beyond,
	That gin went plonk into the pond.


Photo of a fox from Countryside Alliance.

For more poems by John Masefield click here: John Masefield

John Masefield (1878-1967)Prepared for the internet from 'The Oxford Anthology of Great English Poetry Vol. II'.


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© M. E. Kudrati, 2006:This document may be reproduced and redistributed, but only in its entirety and with full acknowledgement of its source and authorship