=============================================================================== ESPANA CANI Count Action Length (beats) -------------------------------------------------------------------------------- 1-88 ### PART I ### 88 Note: in Part I, the action should suggest the entrada (entrance) of the corrida (bullfight). Showy rises, flamenco steps, claps, poses and so on are especially appropriate here, as if this were the festivities preceeding the corrida, when the matador (bullfighter) shows his prowess of movement and technique, playing to the crowd. The woman has her opportunity to present a flamenco dancer, and to suggest a mood of approaching danger. The bull has not yet entered the ring. Beats 69-88 should suggest the bull being released. 1-32 rising 32 33-36 transition/traveling 4 37-68 travel 32 37-52 travel 16 53-68 caping 16 69-84 rising 16 85-88 lunge or dip 4 -------------------------------------------------------------------------------- 89-158 ### PART II ### 70 Note: in Part II, the action should suggest toying with the bull, with lots of caping, Banderillas (spears stuck into the bull), Coupes de Pique (poking the bull to annoy it) and so on. 89-120 travel 32 89-106 travel 18 107-120 ? 14 121-144 flamenco 24 121-132 flamenco 12 133-136 flamenco 4 136-144 flamenco 8 145-158 caping 14 145-156 caping 12 157-158 hold 2 -------------------------------------------------------------------------------- 159-244 ### PART III ### 86 Note: Part III should feature actions suggesting that the corrida is engaged in earnest. Beats 159-190 can feature more caping and taunting actions, but the action should suggest more serious encounters. Beats 191-206 show a pause in the action -- and the mood -- before the final encounters in beats 217-234 and the slaying of the bull during beats 235-242. 159-190 travel 32 191-206 separations 16 217-234 travel (Fregolina?) 28 235 hold * 1 236-243 ending 8 244 rest 1 * time filler ===============================================================================
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