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ESPANA CANI
Count Action Length (beats)
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1-88 ### PART I ### 88
Note: in Part I, the action should suggest the entrada (entrance) of the
corrida (bullfight). Showy rises, flamenco steps, claps, poses and so on are
especially appropriate here, as if this were the festivities preceeding the
corrida, when the matador (bullfighter) shows his prowess of movement and
technique, playing to the crowd. The woman has her opportunity to present a
flamenco dancer, and to suggest a mood of approaching danger. The bull has not
yet entered the ring. Beats 69-88 should suggest the bull being released.
1-32 rising 32
33-36 transition/traveling 4
37-68 travel 32
37-52 travel 16
53-68 caping 16
69-84 rising 16
85-88 lunge or dip 4
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89-158 ### PART II ### 70
Note: in Part II, the action should suggest toying with the bull, with lots of
caping, Banderillas (spears stuck into the bull), Coupes de Pique (poking
the bull to annoy it) and so on.
89-120 travel 32
89-106 travel 18
107-120 ? 14
121-144 flamenco 24
121-132 flamenco 12
133-136 flamenco 4
136-144 flamenco 8
145-158 caping 14
145-156 caping 12
157-158 hold 2
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159-244 ### PART III ### 86
Note: Part III should feature actions suggesting that the corrida is engaged
in earnest. Beats 159-190 can feature more caping and taunting actions, but
the action should suggest more serious encounters. Beats 191-206 show a pause
in the action -- and the mood -- before the final encounters in beats 217-234
and the slaying of the bull during beats 235-242.
159-190 travel 32
191-206 separations 16
217-234 travel (Fregolina?) 28
235 hold * 1
236-243 ending 8
244 rest 1
* time filler
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