"In the history of American conservation, few have worked as long and as effectively to preserve wilderness and to articulate the "wilderness idea" as Ansel Adams." Why was Ansel Adams revered by Americans as no other artist or conservationist has been? William Turnage explains: "More than any other influential American of his epoch, Adams believed in both the possibility and the probability of humankind living in harmony and balance with its environment." Through early high-country experiences (1920's), Ansel became aware of aesthetic qualities in the wilderness that he had not anticipated. "I was climbing the long ridge west of Mt. Clark...I was suddenly arrested in the long crunching push up the ridge by an exceedingly pointed awareness of the light ....I saw more clearly than I have ever seen before or since the minute detail of the grasses, the clusters of sand shifting in the wind, the small flotsam of the forest, the motion of the high clouds streaming above the peaks. There area no words to convey the moods of those moments." One spring day in 1927 he perched precariously on a cliff with his camera and the unwieldy photographic glass plates of the day. He hoped to capture an imposing perspective of the face of Half Dome, the snow-laden high country and a crystal-clear sky. Only two unexposed plates remained. With one he made a conventional exposure. Suddenly, he realized that he wanted an image with more emotional impact. "I knew so little about photography then, it was a miracle I got anything. But that was the first time I realized how the print was going to look--what I now call visualization--and was actually thinking about the emotional effect of the image...I began to visualize the black rock and deep sky. I really wanted to give it a monumental, dark quality. So I used the last plate I had with a No. 29-F red filter...and got this exciting picture."
A half-century later, "Monolith - the Face of Half Dome" remains one of Adams' most compelling studies. It bears clear witness to that "pointed awareness of the light" which he experienced on the ridge of Mt. Clark. Classic Photos | |
Moon and Half Dome, 1960 |
Moonrise, Hernandez, 1941 |
Classic Images at AnselAdams.com
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