EPISODE NINETEEN – SWEET
EMOTION
INT. GELZAK CHAPEL NIGHT
Thunder and rain peal in
the night. Illuminated weakly by the moonlight, Mark Ford kneels in prayer
before the crucifix. A clattering noise sounds, and he is up, broadsword in
hands. But it’s just a rat, and he returns to his position.
TITLE CARD – SWEET EMOTION
INT. GELZAK CHAPEL DAY
Elli and Valentine inspect
the same spot where Ford was kneeling, empty now, the sun beating down.
Elli: Well, I think this place
would be perfect for the ceremony.
Valentine: But I told you, I don’t
really want anything too grand.
Elli: But Marco…
Valentine: What?
Elli: Marriage! It is grand.
Her arms flail wildly in
the air. Valentine looks totally uninterested. Elli looks dejected.
INT. BLUE LAGOON
Vahe serves Valentine and Remington.
Valentine: I married Su in the De Cantona Cathedral in the Crystal Triangle, the largest
cathedral in the country. Her father arranged it, a clear spring day, birds
singing, hope in our hearts.
Remington: I remember reading about
that in the paper.
Valentine: Yes. Weddings don’t
usually make the front pages. Except when they’re accompanied
by the murder of your war hero father.
Remington sips his coke.
Valentine: It was as if God had to
even the score somehow. For as enormous an occasion as my wedding to take
place, a tragedy of equal proportions had to occur.
Remington: Two decades have passed.
Maybe it’s time for you to move on.
Valentine: That’s easy to say. But
it’s set the tone for the rest of my life.
EXT. VALENTINE’S HOUSE
Seth helps Valentine to
load furniture and boxes on to a removal truck.
Seth: What do you think is going
to happen?
Valentine: …It’s not up to me to make
predictions.
Seth: You have absolutely no
intention of intervening?
Valentine: Not my business.
Seth: So I’m wasting my time
trying to twist your arm?
Elli appears from nowhere.
Elli: Marco, can I talk to you
for a moment?
Valentine: How long of a moment?
Elli: Well, just, we need to
talk.
Valentine: Oh, well I don’t know,
that sounds kinda long and we’re working hard right
now, we have a deadline and all.
Elli: Just leave that to Seth,
I’m sure he can handle it.
Seth doesn’t look happy
about that. Mei exits, clutching a satchel.
Valentine: I have to run Mei to college. Later, alright?
They go off. Elli,
irritated, goes back inside.
INT. BUICK
Valentine: Have fun, pet.
He kisses the top of Mei’s head as she gets out. He drives off.
EXT. STREETS
The Buick cruises along.
INT. BUICK
Valentine’s mobile phone
rings. He looks, it’s Elli, he leaves it. It keeps
ringing. At length, he answers.
Elli: Why are you ignoring me?
Valentine: Hello darling, how are
you? I’m fine.
Elli: Well?
Valentine: I’m not.
Elli: We’ve barely talked
lately. I miss you.
Valentine: Come on, I’ve been very
busy lately. You know I love you.
Elli: It doesn’t feel like it.
Valentine: I’ll check out that
chapel, eh? I wasn’t really concentrating yesterday, but I’m nearby now.
Elli: See if you can book a
date, I quite like it.
Valentine: Ok, bye.
Valentine hangs up, sighs,
and drives.
EXT. GELZAK CHAPEL
It’s a very imposing
building from the outside, elaborately decorated with sculptured murals.
Valentine enters.
INT. GELZAK CHAPEL
Valentine looks around
inside. He walks to the giant
crucifix, almost mesmerized, and places his hand on it.
Ford: Hi.
Valentine swivels, ready to
attack.
Ford: What brings you here?
Valentine: Bacman.
Hee hee.
Ford: Not anymore. I’ve kind of
let him go so to speak.
Valentine: When did you get out of
jail?
Ford: Well, I only spent a month
inside. I was able to convince the judge that there was no basis to my
conviction. I hear he went on holiday to
Valentine: So what brings you here?
Ford: Wasn’t that my line?
Valentine: I’m scouting out a place
to get married as it happens. You?
Ford: Oh well, I’m just…
preparing.
Valentine: I’d better go. It was nice
to see you again. Sorry about that whole tranquiliser dart thing…
Ford: It’s ok. You were just
doing your job.
Valentine starts to leave,
but stops, eyes widening as-
Ford: By the way… I’d advise against holding your wedding here, seeing how
tomorrow, it will be the scene of a particularly gruesome murder…
INT. RED STAR OFFICE
Valentine, Seth and
Remington are hanging out.
Remington: Ford. Yeah I remember him.
Seth: CEO of Ford Corp, right?
Remington: And he’s gonna kill a bunch of people, eh?
Valentine: He says he has found the
people who killed his parents. In two days, they will be at the church for a
christening… And that’s when it will happen.
Seth: What are you gonna do?
Valentine: What do you mean?
Seth: Well… you’re gonna stop him, right?
Valentine: Why should I? It’s his
private business.
Seth stands up, aghast.
Seth: Hey! Now I… How could you?
Valentine: It has nothing to do with
me.
Seth: How can you justify
horrible murders taking place in your city? Don’t you have to stop him?
Valentine: Not my city anymore.
Seth: But-
Valentine: These people, they killed
his mother, they killed his father. Right in front of him.
He will have his revenge. I’m not gonna stand in the
way of a guy with rage like that.
Seth: What about the families of
the people he intends to kill?
Valentine: You’re sounding real
righteous there, Mr I Likes to Blow Up Government
Buildings.
Seth (bridles): It just doesn’t feel quite
right is all.
Valentine: Whatever. I’m out. If you
need me, I’ll be at my new house. Making sure Elli doesn’t bugger up my
furniture arrangements.
Remington: That’s ok. We won’t need
you.
Seth reaches for some papers.
Seth: Well actually, there is
this one case. (Shuffles papers) Racially motivated killing, vengeance wanted.
Remington: I can handle it.
Valentine (smirks): Later.
Valentine exits. Remington
leans over his books, reading, scribbling furiously.
Seth: You alright?
Remington: I can handle it.
INT. GELZAK CHAPEL
Elli walks around, sadly,
looking, touching. Ford watches her from the shadows. Dusk is falling fast. A
priest lights candles behind the altar. She turns to leave, finds Ford in her
way, looming tall and large and smiley.
Elli: Oh!
Ford: Sorry. I didn’t mean to
scare you.
Elli: Excuse me.
Ford: You’re getting married,
huh? To him. That’s right, I saw you two together
before.
Elli: And you are?
Ford: I am. Guy like that?
You’re doomed.
He leaves. Elli pouts.
BREAK
INT. RED STAR OFFICE
Seth enters, blood
spattered trench coat.
Seth: One down, two to go.
Remington: Mm-hm.
How come you’ve been checking up on Spike and Julia Ford?
Seth: Ugh.
A frustrated Seth sits
down.
Seth: You gonna
rag on me for that too? Valentine’s bitch, is that you?
Remington: Shut your face, you fool.
Seth: All the time, following
his lead, doing what he tells you... don’t you feel pathetic?
Remington slams his palm on
the table.
Remington: Alright!
Silence
Remington: What’ve we got?
Seth: Tomorrow, Gelzak Chapel. That’s all we know, ‘cause
he told us. I was trying to find some information, to see who specifically he
would be targeting. There’s a christening tomorrow, it might be a guest.
Remington: Well, let’s go to work.
INT. VALENTINE’S NEW HOUSE
In an undecorated room,
piled with boxes, Valentine and Mei sit together,
looking at some sort of scrapbook.
Valentine: Your mother never intended
to be an actress. So I was always surprised by how well she took to it.
Mei turns the page.
Valentine: She was gonna be a trader. Or, at worst, a
corporate lawyer.
He shows her a picture of
Su, looking pretty much the same as Mei.
Valentine: I forgot I even had these.
Brings back memories. Reminds me of
good times, and bad. Reminds me of love.
Mei gives him a funny “weirded out”
look. Valentine looks misty eyed. Elli, listening from around the corner looks
teary.
INT. VALENTINE’S BEDROOM
Elli and Valentine are in
bed, sitting pretty far apart and reading.
Valentine: Oh, I went back to that
chapel today.
Elli: Oh yeah!?
Valentine: Yeah. I don’t think it’s
the right place for us.
Elli rolls her eyeballs.
Valentine: Maybe something less
elaborate.
Elli: Or maybe just not at all.
Beat.
Valentine: Yeah, maybe.
Elli: That was sarcasm. I didn’t
actually mean it.
Valentine (absently): Well, we needn’t rush it,
you know.
Elli throws her book at
him, hitting him on the side of the head. Valentine turns aggressively, Elli
slumps and hides beneath the covers.
INT. RED STAR OFFICE
A newspaper drops through
the letterbox. Remington picks it up, scanning the pages.
Remington: Ooh. Desperate Housewives
is on tonight.
Seth: We should get going. Too
bad we couldn’t find out any more.
Remington: Pro bono work is its own
reward.
Seth: Yeah, that’s true.
Remington: Oh. Ah. Hmm…
Seth: ???
Remington: I think I may know who is
being targeted.
Beaufort paces back and
forth. A flunky runs past.
Beaufort: Has Clifford brought the
car around yet?
The flunky shakes his head.
Beaufort glares and the flunky runs away. The door Beaufort was pacing in front
of opens up and Shadowhite sweeps out regally.
Beaufort: Your cousin and her
husband are already at the chapel, we had better get going.
Shadowhite: It’s ok. They can’t start
without me, there’s no need to rush.
INT. SETH’S
Seth and Remington are
parked across the road from the church.
Remington: There.
A gigantic black Audi A8
with tinted windows pulls up outside the doors. Shadowhite, Beaufort and
Courtenay get out, and the car rolls away towards the parking spaces.
Seth: So if Ford is going to
kill all those guys, isn’t that good? I mean we don’t like them and they tried
to kill us, remember?
Remington: We still don’t know what
he actually plans to do. There are too many innocents in there to risk it. Come
on.
Remington gets out and Seth
follows looking, around nervously.
INT. VALENTINE’S BUICK
Valentine drives into a car
workshop courtyard.
Radio: …and in showbiz news,
President Shadowhite will today become Godfather to his cousin’s daughter. In a
statement he made to-
Valentine turns off the
radio, gets out, walks over to where his rebuilt and freshly waxed Jag is.
EXT. GELZAK CHAPEL
Remington and Seth hide around
the corner. In front of the church are two very large guards. Unarmed. But they don’t want to cause a scene… yet.
Remington: Back way?
Seth: Yeah. Do you think Ford is
already in?
Remington: How would he have got in?
INT. GELZAK CHAPEL
Neville, Beaufort and
Courtenay are seated, watching. A row of other assorted agents and government
figures in dress suits are also seated, along with some civilians. Shadowhite
is at the front, along with two other women (one with an Aerosmith
tattoo on her hip) another man and the bishop, holding a baby. A row of priests
stand watching. Among them is Mark Ford. The Bishop pours water on the baby’s
head.
Bishop: In nominee Patris et Filii
at Spiritus Sancti.
CUT TO
Seth and Remington have
climbed in through the bell tower and find priests hung in the flue.
Seth: That’s not good.
CUT TO
The bishop hands the baby
back to the mother. Ford nods. The priests pull their hoods up and file round,
blocking exits. Remington and Seth drop in from the back. Ford walks forward,
draws a claymore from his robes, hacks and maims the bishop.
Seth: Don’t do that!
Ford: Oh, I think I do that.
A priest draws a sword and
runs, screaming a war cry towards Remington and Seth. Remington draws his gun
and fires, killing the priest. Ford grabs Shadowhite and holds his sword to his
throat.
Shadowhite: Oh god, not this crap again.
Remington advances.
Remington: Step off.
Ford: Oh, you. Did Valentine
send you?
Neville frowns, she whispers in Beaufort’s
ear.
Remington: No. I just come to pray.
Ford: That’s far enough. Unless
you want our Fuhrer’s head off.
Remington: Isn’t that what you were
planning to do anyway? (Beat) I know
about your parents. I know it’s hard.
Ford: You can never understand.
Remington: Just cut him so we can
fight already.
Ford presses the blade
against Shadowhite’s throat. Shadowhite kicks, flips
Ford over his shoulder. The priests gather, and Remington shoots at them. Seth
and he rush forward. Remington punches Ford as he tries to get up. Ford drops
the claymore. Ford jumps up, uppercuts Remington, whacks him again. Remington
drops his gun. Meanwhile, Seth flicks out his spear, fights off a gang of sword
wielding priests and skewers them. He slams the doors open and shepherds
panicking people out. Shadowhite exits, wiping his throat.
Shadowhite: God bothering plebeians.
Remington pushes Ford down, punches. Ford goes to ground, swivels on his back,
kicks out, bringing Remington down too. Ford grabs Remington by the collar,
punches repeatedly, drawing blood. Seth rushes up, slashing with his spear.
Ford reacts, but not fast enough and a chunk of flesh is torn from his cheek.
Ford: Shadowhite!
Ford steals Remington’s gun
and runs out. Seth helps up Remington.
Remington: Ow.
EXT. GELZAK CHAPEL
Ford looks around, spies
someone, aims, gets run over by Valentine in the Jag. Valentine brakes hard.
Valentine: Crazy fucking priests!
He sees that it’s Ford.
Valentine: Useless. No one but the
King of Hell would ever claim the life of a bastard like Shadowhite.
Valentine gets out. Seth
and Remington come out.
Valentine: I knew you wouldn’t be
able to handle it.
Seth: What?
Valentine lights up.
Remington: You knew I’d go after him.
Valentine: I had a hunch.
Remington spits a little
blood.
Remington: Gorram
you. I averted a massacre, without your help.
He looks at Ford’s curled
up body.
Remington: Mostly.
Seth: I’ll call an ambulance.
Valentine: Cigarette? (Off Remington’s look) No? Ok.
Valentine gets back in his
car.
Remington: I don’t need you nannying me. You should get back to your woman. She needs
you much more than me.
Valentine: Oh, that’s right! Four o’
clock, time to collect Mei.
Valentine drives off.
Seth: He’s a lot cooler than
you, you know?
Remington slaps Seth on the
back of the head.
END – TALK ABOUT THINGS
THAT NOBODY CARES
Episode Twenty Preview
Valentine: When the heat gets to you,
when tempers are flaring and the stakes are high, sometimes you just have to
learn to walk away. The best option isn’t always to rise to the challenge. But
sometimes it’s fun. Next episode, Walk This Way.
Jealousy runs rife.