Simon & Garfunkel's
Parsley, Sage, Rosemary And Thyme

Parsley, Sage, Rosemary And Thyme Buy Parsley, Sage, Rosemary And Thyme
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Album information

Album title: Parsley, Sage, Rosemary And Thyme
Date of album release: October 10, 1966
Album producer: Bob Johnston
Entrance of album to Billboard Pop Chart: November 12, 1966
Highest position held by album in Billboard Pop Chart: #04
Number of songs: 12
Notes: The United Kingdom release of Parsley, Sage, Rosemary And Thyme included 11 tracks. The absent track, being "Homeward Bound", had appeared already on the previous Sounds Of Silence album. The song version is the same version found on the United Kingdom album release of Sounds Of Silence.

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Album synopsis

     Sounds Of Silence is Simon & Garfunkel's second recorded album, but the first album that sold well both in the United States and in the United Kingdom.
     With the exception of Anji, all the songs (music and lyrics) are written and composed by Paul Simon.


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Track listing

Click on a song title to view the respective lyrics.

Track listing and approximate lengths (mins:secs):

  1. Scarborough Fair / Canticle
  2. Patterns
  3. Cloudy
  4. Homeward Bound
  5. The Big Bright Green Pleasure Machine
  6. The 59th Street Bridge Song (Feelin' Groovy)
  7. The Dangling Conversation
  8. Flowers Never Bend With The Rainfall
  9. A Simple Desultory Philippic (Or How I Was Robert McNamara'd Into Submission)
  10. For Emily, Whenever I May Find Her
  11. A Poem On The Underground Wall
  12. The 7 O'Clock News / Silent Night
3:10
2:44
2:14
2:28
2:43
1:55
2:38
2:13
2:11

2:03
1:56
2:00

Total time: 27:03
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Track One: Scarborough Fair / Canticle
Arranged by Paul Simon and Art Garfunkel
(c) 1966 Paul Simon (BMI)

[Simon and Garfunkel:]
Are you going to Scarborough Fair?
Parsley, sage, rosemary and thyme.
Remember me to one who lives there?
She once was a true love of mine.


[Garfunkel-1:]
Tell her to make me a cambric shirt:
Parsley, sage, rosemary and thyme;
Without no seams nor needle work,
Then she'll be a true love of mine.

[Simon-1:]
On the side of a hill in the deep forest green.
Tracing of sparrow on snow-crested brown.
Blankets and bedclothes the child of the mountain
Sleeps unaware of the clarion call.


[Garfunkel-2:]
Tell her to find me an acre of land:
Parsley, sage, rosemary and thyme;
Between the salt water and the sea strand,
Then she'll be a true love of mine.

[Simon-2:]
On the side of a hill a sprinkling of leaves.
Washes the grave with silvery tears.
A soldier cleans and polishes a gun.
Sleeps unaware of the clarion call.


[Garfunkel-3:]
Tell her to reap it with a sickle of leather:
Parsley, sage, rosemary and thyme;
And gather it all in a bunch of heather,
Then she'll be a true love of mine.

[Simon-3:]
War bellows blazing in scarlet battalions.
General order their soldiers to kill.
And to fight for a cause they've long ago forgotten.


[Simon and Garfunkel:]
Are you going to Scarborough Fair?
Parsley, sage, rosemary and thyme.
Remember me to one who lives there?
She once was a true love of mine.

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Track Two: Patterns
by Paul Simon
(c) 1965 Paul Simon (BMI)

The night sets softly
With the hush of falling leaves,
Casting shivering shadows
On the houses through the trees,
And the light from a street lamp
Paints a pattern on my wall,
Like the pieces of a puzzle
Or a child's uneven scrawl.

Up a narrow flight of stairs
In a narrow little room,
As I lie upon my bed
In the early evening gloom.
Impaled on my wall
My eyes can dimly see
The pattern of my life
And the puzzle that is me.

From the moment of my birth
To the instant of my death,
There are patterns I must follow
Just as I must breathe each breath.
Like a rat in a maze
The path before me lies,
And the pattern never alters
Until the rat dies.

And the pattern still remains
On the wall where darkness fell,
And it's fitting that it should,
For in darkness I must dwell.
Like the color of my skin,
Or the day that I grow old,
My life is made of patterns
That can scarcely be controlled.

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Track Three: Cloudy
by Paul Simon
(c) 1966 Paul Simon (BMI)

Cloudy
The sky is gray and white and cloudy,
Sometimes I think it's hanging down on me.
And it's a hitchhike a hundred miles.
I'm a rag-a-muffin child.
Pointed finger-painted smile.
I left my shadow waiting down the
   road for me a while.

Cloudy
My thoughts are scattered and they're cloudy,
They have no borders, no boundaries.
They echo and they swell
From Tolstoy to Tinker Bell.
Down from Berkeley to Carmel.
Got some pictures in my pocket and a lot
   of time to kill.

Hey sunshine
I haven't seen you in a long time.
Why don't you show your face and
   bend my mind?
These clouds stick to the sky
Like floating questions, why?
And they linger there to die.
They don't know where they are going, and,
   my friend, neither do I.

Cloudy,
Cloudy.

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Track Four: Homeward Bound
by Paul Simon
(c) 1966 Paul Simon (BMI)

I'm sitting in the railway station.
Got a ticket to my destination.
On a tour of one-night stands
My suitcase and guitar in hand.
And ev'ry stop is neatly planned
For a poet and a one-man band.
Homeward bound,
I wish I was,
Homeward bound,
Home where my thought's escaping,
Home where my music's playing,
Home where my love lies waiting
Silently for me.

Ev'ry day's an endless stream
Of cigarettes and magazines.
And each town looks the same to me,
The movies and the factories
And ev'ry stranger's face I see
Reminds me that I long to be,
Homeward bound,
I wish I was,
Homeward bound,
Home where my thought's escaping,
Home where my music's playing,
Home where my love lies waiting
Silently for me.

Tonight I'll sing my songs again,
I'll play the game and pretend.
But all my words come back to me
In shades of mediocrity
Like emptiness in harmony
I need someone to comfort me.
Homeward bound,
I wish I was,
Homeward bound,
Home where my thought's escaping,
Home where my music's playing,
Home where my love lies waiting
Silently for me.
Silently for me.

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Track Five: The Big Bright Green Pleasure Machine
by Paul Simon
(c) 1966 Paul Simon (BMI)

Do people have a tendency to dump on you?
Does your group have more cavities than theirs?
Do all the hippies seem to get the jump on you?
Do you sleep alone when other sleep in pairs?
Well there's no need to complain,
We'll eliminate your pain.
We can neutralize your brain.
You'll feel just fine
Now.
Buy a big bright green pleasure machine!

Do figures of authority just shoot you down?
Is life within the business world a drag?
Did your boss just mention that you'd better shop around
To find yourself a more productive bag?
Are you worried and distressed?
Can't seem to get no rest?
Put our product to the test.
You'll feel just fine
Now.
Buy a big bright green pleasure machine!

You better hurry up and order one.
Our limited supply is very nearly gone.

Do you nervously await the blows of cruel fate?
Do your checks bounce higher than a rubber ball?
Are you worried 'cause your girlfriend's just a little late?
Are you looking for a way to chuck it all?
We can end your daily strife
At a reasonable price.
You've seen it advertised in Life.
You'll feel just fine
Now.
Buy a big bright green pleasure machine.

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Track Six: The 59th Street Bridge Song (Feelin' Groovy)
by Paul Simon
(c) 1966 Paul Simon (BMI)

Slow down, you move too fast.
You got to make the morning last.
Just kicking down the cobblestones.
Looking for fun and feelin' groovy.

Hello lamppost,
What cha knowing?
I've come to watch your flowers growing.
Ain't cha got no rhymes for me?
Doot-in' doo-doo,
Feelin' groovy.

Got no deeds to do,
No promises to keep.
I'm dappled and drowsy and ready to sleep.
Let the morning time drop all its petals on me.
Life, I love you,
All is groovy.

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Track Seven: The Dangling Conversation
by Paul Simon
(c) 1966 Paul Simon (BMI)

It's a still life watercolor,
Of a now late afternoon,
As the sun shines through the curtained lace
And shadows wash the room.
And we sit and drink our coffee
Couched in our indifference,
Like shells upon the shore
You can hear the ocean roar
In the dangling conversation
And the superficial sighs,
The borders of our lives.

And you read your Emily Dickinson,
And I my Robert Frost,
And we note our place with bookmarkers
That measure what we've lost.
Like a poem poorly written
We are verses out of rhythm,
Couplets out of rhyme,
In syncopated time
And the dangling conversation
And the superficial sighs,
Are the borders of our lives.

Yes, we speak of things that matter,
With words that must be said,
"Can analysis be worthwhile?"
"Is the theater really dead?"
And how the room is softly faded
And I only kiss your shadow,
I cannot feel your hand,
You're a stranger now unto me
Lost in the dangling conversation.
And the superficial sighs,
In the borders of our lives.

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Track Eight: Flowers Never Bend With The Rainfall
by Paul Simon
(c) 1965 Paul Simon (BMI)

Through the corridors of sleep
Past the shadows dark and deep
My mind dances and leaps in confusion.
I don't know what is real,
I can't touch what I feel
And I hide behind the shield of my illusion.

So I'll continue to continue to pretend
My life will never end,
And flowers never bend
With the rainfall.

The mirror on my wall
Casts an image dark and small
But I'm not sure at all it's my reflection.
I am blinded by the light
Of God and truth and right
And I wander in the night without direction.

So I'll continue to continue to pretend
My life will never end,
And flowers never bend
With the rainfall.

It's no matter if you're born
To play the King or pawn
For the line is thinly drawn 'tween joy and sorrow,
So my fantasy
Becomes reality,
And I must be what I must be and face tomorrow.

So I'll continue to continue to pretend
My life will never end,
And flowers never bend
With the rainfall.

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Track Nine: A Simple Desultory Philippic (Or How I Was Robert McNamara'd Into Submission)
by Paul Simon
(c) 1965 Paul Simon (BMI)

I been Norman Mailered, Maxwell Taylored.
I been John O'Hara'd, McNamara'd.
I been Rolling Stoned and Beatled till I'm blind.
I been Ayn Randed, nearly branded
Communist, 'cause I'm left-handed.
That's the hand I use, well, never mind!

I been Phil Spectored, resurrected.
I been Lou Adlered, Barry Sadlered.
Well, I paid all the dues I want to pay.
And I learned the truth from Lenny Bruce,
And all my wealth won't buy me health,
So I smoke a pint of tea a day.

I knew a man, his brain so small,
He couldn't think of nothing at all.
He's not the same as you and me.
He doesn't dig poetry. He's so unhip that
When you say Dylan, he thinks you're talking about Dylan Thomas,
Whoever he was.
The man ain't got no culture,
But it's alright, ma,
Everybody must get stoned.

I been Mick Jaggered, silver daggered.
Andy Warhol, won't you please come home?
I been mothered, fathered, aunt and uncled,
Been Roy Haleed and Art Garfunkeled.
I just discovered somebody's tapped my phone.
(Folk rock)
(I've lost my harmonica, Albert)

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Track Ten: For Emily, Whenever I May Find Her
by Paul Simon
(c) 1966 Paul Simon (BMI)

What I dream I had:
Pressed in organdy;
Clothed in crinoline of smoky burgundy;
Softer than the rain.
I wandered empty streets
Down past the shop displays.
I heard cathedral bells
Tripping down the alleyways,
As I walked on.

And when you ran to me
Your cheeks flushed with the night.
We walked on frosted fields of
   juniper and lamplight,
I held your hand.
And when I awoke and felt you warm and near,
I kissed your honey hair with my grateful tears.
Oh I love you, girl.
Oh, I love you.

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Track Eleven: A Poem On The Underground Wall
by Paul Simon
(c) 1966 Paul Simon (BMI)

The last train is nearly due,
The underground is closing soon,
And in the dark deserted station,
Restless in anticipation,
A man waits in the shadows.

His restless eyes leap and scratch,
At all that they can touch or catch,
And hidden deep within his pocket,
Safe within its silent socket,
He holds a colored crayon.

Now from the tunnel's stony womb,
The carriage rides to meet the groom,
And opens wide and welcome doors,
But he hesitates, then withdraws
Deeper in the shadows.

And the train is gone suddenly
On wheels clicking silently
Like a gently tapping litany,
And he holds his crayon rosary
Tighter in his hand.

Now from his pocket quick he flashes,
The crayon on the wall he slashes,
Deep upon the advertising,
A single worded poem comprised
Of four letters.

And his heart is laughing, screaming, pounding,
The poem across the tracks rebounding,
Shadowed by the exit light
His legs take their ascending flight
To seek the breast of darkness and be suckled
   by the night.

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Track Twelve: The 7 O'Clock News / Silent Night
by Paul Simon
(c) 1966 Paul Simon (BMI)

[News announcer:]
This is the early evening edition of the news.

The recent fight in the House of Representatives was over the open housing section of the Civil Rights Bill.

Brought traditional enemies together but it left the defenders of the measure without the votes of their strongest supporters.

President Johnson originally proposed an outright ban covering discrimination by everyone for every type of housing but it had no chance from the start and everyone in Congress knew it.

A compromise was painfully worked out in the House Judiciary Committee.

In Los Angeles today comedian Lenny Bruce died of what was believed to be an overdose of narcotics.

Bruce was 42 years old.

Dr. Martin Luther King says he does not intend to cancel plans for an open housing march Sunday into the Chicago suburb of Cicero.

Cook County Sheriff Richard Ogleby asked King to call off the march and the police in Cicero said they would ask the National Guard to be called out if it is held.

King, now in Atlanta, Georgia, plans to return to Chicago Tuesday.

In Chicago, Richard Speck, accused murderer of nine student nurses, was brought before a grand jury today for indictment.

The nurses were found stabbed an strangled in their Chicago apartment.

In Washington the atmosphere was tense today as a special subcommittee of the House Committee on un-American activities continued its probe into anti-Vietnam war protests.

Demonstrators were forcibly evicted from the hearings when they began chanting anti-war slogans.

Former Vice-President Richard Nixon says that unless there is a substantial increase in the present war effort in Vietnam, the U.S. should look forward to five more years of war.

In a speech before the Convention of the Veterans of Foreign Wars in New York, Nixon also said opposition to the war in this country is the greatest single weapon working against the U.S.

That's the 7 o'clock edition of the news,
Goodnight.

[Simon and Garfunkel:]
Silent night
Holy night
All is calm
All is bright
Round yon virgin mother and child
Holy infant so tender and mild
Sleep in heavenly peace,
Sleep in heavenly peace.

Silent night
Holy night
All is calm
All is bright
Round yon virgin mother and child
Holy infant so tender and mild
Sleep in heavenly peace,
Sleep in heavenly peace.

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