PETER ELLENSHAW TRIBUTE |
Pictures gallery from the film : 20.000 Leagues Under the Sea (1954)
Director: Richard Fleischer
Dir Fotopraphy: Franz Planer
Production Design: Harper Goff
Special effects: Robert A.
Mattey John Hench Joshua Meador
Matte artist: Peter Ellenshaw
Special Photographic effects: Ralph
Hammeras
Director of photography: visual
effects unit: Charles Bovel
Miniature technician: Warren
Wray Hamilton
Back projection: supervisorAndy
Lane
Model sculptor: Chris Mueller
Visual effects supervisor: second
unit: Fred Sersen
Titles designer: Albert Whitlock
Director of photography: second
unit: Edward Colman
Special processes: Ub Iwerks
" For the slaves loading the ship
scene, we nedded hundreds os slaves and only had thirthy extras.
This shot was to have five different exposures on one piece of film.
Luckily, I had been taugght by
master Pop Day, and during the seven years I worked for hum he made sure
thata I was not hist an artist, but undertood how the effects process worked.
The camerra was mounted into a dark shed . The black matte (mask)
was carefully cut into five separate pieces, each part was lined up so
that we could photograph the same thirty or so extra people in four differente
places, of course, rewinding the film after each take. We took only
one piece of mask away for each exposure, as no time was there more that
one removed. The fifth mask was for the ship, to be painted later at the
studio."
By the book : Ellenshaw under glass.
Ellenshaw and Ub Iwerk into the
dark shed.
The final scene with the group of
slaves composed and the painted elementes, ship, ocean, distant mountains,
and foreground tree.