THE BEATLES CASSETTES



  THE BEATLES (PART 1 & 2)

CAPITOL RECORDS C4-46443



















PART 1

PROGRAM 1

BACK IN THE U.S.S.R.
DEAR PRUDENCE
GLASS ONION
OB-LA-DI, OB-LA-DA
WILD HONEY PIE
THE CONTINUING STORY OF BUNGALOW BILL
WHILE MY GUITAR GENTLY WEEPS
BLACKBIRD

PROGRAM 2

HAPPINESS IS A WARM GUN
MARTHA MY DEAR
I'M SO TIRED
PIGGIES
ROCKY RACCOON
DON'T PASS ME BY
WHY DON'T WE DO IT IN THE ROAD
I WILL
JULIA












PART 2

PROGRAM 1

BIRTHDAY
YER BLUES
MOTHER NATURE'S SON
EVERYBODY'S GOT SOMETHING TO HIDE EXCEPT ME AND MY MONKEY
HELTER SKELTER
LONG LONG LONG
REVOLUTION 1

PROGRAM 2

SEXY SADIE
HONEY PIE
SAVOY TRUFFLE
CRY BABY CRY
REVOLUTION 9
GOOD NIGHT




EDITION FROM 1988.
MADE IN USA BY CAPITOL RECORDS.

Each song on the sprawling double album The Beatles is an entity to itself, as the band touches on anything and everything it can. This makes for a frustratingly scattershot record or a singularly gripping musical experience, depending on your view, but what makes the so-called White Album interesting is its mess. Never before had a rock record been so self-reflective, or so ironic; the Beach Boys send-up "Back in the U.S.S.R." and the British blooze parody "Yer Blues" are delivered straight-faced, so it's never clear if these are affectionate tributes or wicked satires. Lennon turns in two of his best ballads with "Dear Prudence" and "Julia"; scours the Abbey Road vaults for the musique concrète collage "Revolution 9"; pours on the schmaltz for Ringo's closing number, "Good Night"; celebrates the Beatles cult with "Glass Onion"; and, with "Cry Baby Cry," rivals Syd Barrett. McCartney doesn't reach quite as far, yet his songs are stunning -- the music hall romp "Honey Pie," the mock country of "Rocky Raccoon," the ska-inflected "Ob-La-Di, Ob-La-Da," and the proto-metal roar of "Helter Skelter." Clearly, the Beatles' two main songwriting forces were no longer on the same page, but neither were George and Ringo. Harrison still had just two songs per LP, but it's clear from "While My Guitar Gently Weeps," the canned soul of "Savoy Truffle," the haunting "Long, Long, Long," and even the silly "Piggies" that he had developed into a songwriter who deserved wider exposure. And Ringo turns in a delight with his first original, the lumbering country-carnival stomp "Don't Pass Me By." None of it sounds like it was meant to share album space together, but somehow The Beatles creates its own style and sound through its mess. ~ Stephen Thomas Erlewine, All Music Guide


 

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©1998 Jordi and Amparo. ©2000 Jordi, Amparo and Jordi Jr. ©2002 Jordi, Amparo, Jordi Jr and Marian.