A
CLOCKWORK ZOMBIE: Ludovico’s Technique 2.0
A Literary
Deadworld for the
All
Flesh Must Be Eaten RPG, inspired by “A Clockwork Orange”
By TexasZombie
Original (non-Eden) concepts © 2004, eviloverlord668@yahoo.com
No copyright infringement is intended
to Burgess’ “A Clockwork
WARNING:
Some language and ideas herein may be offensive to some. Exercise personal responsibility and read at
your own risk.
“”Righty-right! What’s it going to be then, eh?” There was me, that is,
Your Humble Narrator, and my two remaining droogs, Lydon and Vadim. Ox was still nearby, O My Brothers, but why
the old Oxiwoxi was trying to snuff us, we couldn’t quite pony. We’d tolchocked Ox like
good when he began growling like a great beast arrrrrrrraaggghhh and launched
on Lydon to strangle him with his bolshy great rookers. Vadim clopped Ox again and again and again
with his shlaga while I razrezzed the bezoomy malchick with my nozh again and
again. And all for naught, My
Brothers, though Ox’s krovvy flowed like dark red wine into the gutter. It was like the other stories we’d viddied
in the gazettas over the last week. Real chepooka, those
stories. Bezoomy. Stories about vecks and malchicks and
Nadsats that wouldn’t snuff it when you tolchocked their gullivers and
vredded out their keeshkas.
Chepooka. Vonny bolshy yarblockos
to all that cal. But, amazement and
amazements, O My Brothers. That is
exactly what we viddied when we gave Ox the old ultra-violence. Oozhassny.
Real oozhassny. And so, O My Brothers, we
fled, the three of us, back to the old Muni Waterworks building with Ox
following close behind, bellowing and razrezzing, intent on oobying the lot
of us. And here we remain, Y.H.N,
Lydon and Vadim. Odin of us must itty
fast for help, and like soon, before old Ox smashes in the door and snuffs
the lot of us. I’ve my razor-edge nozh
ready to razrez and vred Ox when we open the door. Lydon is the swift, so he’ll summon the
rozzes and we’ll let them viddy what a little of the old ultra-violence is
like with old Ox. “Righty-right. What’s it going to be then, eh? Ready, little Lydon?” |
Background
This Deadworld evolved out of a separate project – a
detailed examination of the world and society of “A Clockwork Orange” by
Anthony Burgess (1962). In the process
of developing a glossary and Nadsat-to-English dictionary I decided to expand
the world of “A Clockwork Orange” slightly to include zombies of a sort. Everything is better with zombies. Even Clockwork
But keep watching – I’ll get the original project
done eventually.
A CLOCKWORK ZOMBIE
Building a Better Monster
Following the failure of the
Ludovico Technique and the subsequent upheavals in government and society, a
better way had to be developed to deal with the ever-rising rates of violent
crime and political offenses.
A variety of methodologies
were introduced, but none were fully successful. One, however, showed some promise to at least
reduce the number of violent and subversive people on the street: Ludovico’s Technique 2.0.
The plan was simple. Since most of the troublesome members of
society used both legal and illegal drugs, and the success of subliminal
suggestion had been too readily demonstrated by the Russian Empire as evidenced
by the prevalence of the Nadsat gangs, a combination of the two concepts was suggested.
Carefully tailored drugs
developed from the research gleaned from the first Ludovico Technique were
introduced into the public drug supply.
These drugs left the user highly susceptible to hypnotic suggestion. At the same time, subliminal messages were
broadcast from stationary concealed speakers, in microsecond bursts of static
in the Worldcasts, and from the police-autos of the Millicents.
The concept was simple: reinforce behaviors that would lead to
acceptance of the State’s Peace and an inhibition toward disturbing the same.
What the creators of the
Ludovico Technique 2.0 didn’t count on, however, was the even stronger
suggestive influence of the very criminal elements they were trying to control.
A new monster was born, more
destructive and dangerous by far than the Nadsat gangs the roving bands of
barely-controllable rozzes. These new
monsters would fight to the death and beyond, the new drugs mixing with old
drugs in unforeseen combinations and with unforeseen effects. And the minds behind the blazing eyes of the
monsters were filled with images and desires of horrible and animalistic
violence. Nothing mattered to the
monsters. Not even death itself.
Fortunately (?) some of the
programming did actually take in the
monsters. They hate Nadsats. And they hate Rozzes. And Millicents. And the State’s Peace. Everyone else is second-rate as far as the
monsters are concerned. Given the choice
between a Nadsat or representative of the State and anyone else, the monsters
always go after the former, leaving the latter for later. Most of the time.
Clockwork Zombies
Nadsat:
Bezoomy Bratchnies
English: Madmen, Monsters
Power |
Description |
Weight |
Life-like (0) |
Weak Spot |
All (0) |
Getting Around |
Life-Like, The Lunge (6) |
Strength |
Strong
Like Bull, Damage Resistant (10) |
Senses |
Like a
Hawk (2) |
Sustenance |
Weekly,
All Flesh Must Be Eaten (4) |
Intelligence |
Animal
Cunning, level 2, Teamwork (8) |
Spreading the Love |
One
Bite and You’re Hooked (2)* |
Special Powers |
Dr. Doolittle (5) No Pain (1) Rage (-2) |
Power |
36 |
Attributes Dead Points 15 Str 4 Int 1 Dex 2 Per 3 Con 2 Wil 2 Spd 4 Essence 9 Skills: Brawling 2 Attack: Bite Damage D4X2 (4) Half damage from all
attacks except fire and chemicals. *Exposure to
government-altered chemicals and subliminal conditioning accompanied by the
old ultra-violence. Thereafter, on any
given day when all three conditions are met, the person is considered to have
been “bitten” (albeit by chemicals, violence, and hypnosis). See below for
details. |
Bezoomy Bratchny Appearance
The undead appear much as
they did in life, mainly because they aren’t really totally quite dead. They’re more, like, living-impaired. Definitely brain damaged. Unfortunately for all involved, Ludovico’s
Technique 2.0 cannot be reversed. One
you change, you stay changed. You may
even be dead, but you’ll be a Bezoomy Bratchny until some bolshy malchick
stomps your gulliver into mush with his flip bolshy great boots.
Many of these individuals
will appear to be injured due to their ability to shrug off massive amounts of
damage. As such they may well appear
horrible, but they won’t appear to be rotting until they’re actually dead, and,
well, rotting.
Becoming a Bezoomy Bratchny
A person can become a bolshy
great bezoomy bratchny by meeting the following preconditions:
1. The person must be exposed to the altered
drugs. Any given mesto serving such
chemical entertainments has a base 20% chance to have the altered drugs.
2. The person must be subjected for at least two
weeks to the subliminal propaganda of the State. This is pretty much anyone who is on the
streets or in a public place such as the Park or an autobus.
3. After this, the person
must make a simple Willpower check every two days. The first failure results in the person
acquiring a -2 to all rolls involving social interactions, but a +2 to all
combat rolls.
4. After this stage is reached, the person must
make a difficult Willpower check every two days. Failure results in the person acquiring the
same characteristics as described under Special Aspects: Rage (Atlas of the
Walking Dead, Eden Studios, 2003) on page 104.
This condition persists for 1D4 weeks.
5. Each week of the Rage state, the person must
make a difficult Willpower check.
Failure to do so will result in the person becoming a Bezoomy Bratchny. At the end of the 1D4 week period of Rage,
the person will become a Bezoomy Bratchny anyway, so it’s just a matter of
time, right right right?
MONSTERS VS.
MONSTERS
Characters in A Clockwork
Zombie will tend, by the very nature of the setting, to be 1) very violent; and
2) very odd. Extra experience points
should be given to Cast Members who attempt to speak Nadsat and other Clockwork
dialects and who readily and gleefully engage in a bit of the old
ultra-violence now and then.
Crasting is okay too, but if
all a veck does is crast then he’s just a plain old prestoopnick and where’s
the fun in that, eh? EH? Now, crasting a Durango 95 and tearing up the
highways and byways and the State’s Own Roads while flaunting the State’s Peace
isn’t bad. At least such an endeavor has
a hint of style.
Rozzes and Millicents are
just as vicious as Nadsats, most having been recruited from Nadsat ranks. Regular old chellovecks out on their oddy
knocky for a peet at the old coffee mesto have just as much to fear from Rozzes
and Millicents as they do from Nadsats.
AFMBE Archetype Life Points Qualities |
Gear Personality I’ll
slooshy you scream blue murder, thou poogly wretch! I’ll viddy your krovvy flowing in the
gutters I will. Now
off or you’ll snuff it, veck!” Quote Note: Although
there is no mention especially of Nadsat females, the possibility is hinted
at several times. WDR, 2004, eviloverlord668@yahoo.com
|
A CLOCKWORK WORLD
SOCIETY AND
CULTURE
The society and culture of A
Clockwork Orange (ACO)
Nadsats
The Nadsats are the
disaffected teenagers of A Clockwork Orange.
Theirs is a violent subculture with a dialect so different from their
parents’ as to be a separate language.
Nadsat is derived from the Russian word for “teen” as in numbers, but is
used in ACO to describe teenager gang members.
Amoral at best, sadistically criminal and sociopathic at worst, the
Nadsats terrorize the nighttime streets of their cities in a constant war with
other Nadsat gangs and State authority.
Bog help the lewdies caught in the middle.
Nadsat
Nadsat is the
Slavic-influenced version of English spoken by the Nadsat gangs. Anyone who speaks Nadsat can also speak
English, but the reverse is not true.
The State attributes this to subliminal influence of foreign nations, but
it could just as well be a secret coded language to make it difficult for
non-teenagers to overhear discusses and understand what they say to each other.
Generation Gap
The older (post-teens) and
younger (pre-teens) don’t seem to use Nadsat in everyday speech, but popular
culture still contains many references to things Slavic (the Korova, the
Glories of the Jugoslav Beaches, magazines in Nadsat, etc.). The Nadsat and the pre-teens are referred to
as Modern Youth and are described uniformly as violent and sociopathic. It is also indicated that Modern Youth has
been studied for “nearly a century”.
This indicates that the Nadsat subculture may be more widespread than
the State would like to think.
Names
Names are likely to have a
Slavic component. Other names are more
traditional, but likely to gain attention.
An example is the fence, Will the English, a fence operating out of the
Muscleman Coffee Mesto.
The World
It is likely that the
balance of power has changed in the world.
The golden oldie song “You Blister My Paint” could indicate that a
nuclear war took place previously. The
Durango 95 autocar was probably meant to be a 1995 model when ACO was written
in 1962. This setting can be Orthodox
(~2001) or unorthodox (~2098) depending on taste. A prior nuclear war could also explain the
distance in time with less technological advancement than might otherwise have
been the case.
The City
When thinking of the city,
think of a cross between “The Crow: City of Angels” and “1984”. Architecture is a mixture of traditional
English and post-modern utilitarianism.
Everything is run-down and tattered.
The streets are littered with trash and mined with potholes and cracked
pavement.
Everyday Life
The homes of the Dignified
Labourers are shabby, furniture tending towards tattered and faded, as are
clothes. Simultaneous, the lewdies in
Oldtown live in relative luxury with little contact with the rest of the
world. The same stands true for the
Sophistos that make up the technological and wealthiest classes. The middle class has almost disappeared. You are either an Owner (1% of the
population) or a Dignified Labourer (97% of the population, including the
homeless, alcoholics, drug addicts, criminal recidivists, and anarchists living
in the woods). The remaining 2% is the
middle class.
Religion
Religion is still present
(i.e. The Church of England) but is largely scorned by the younger
generation. God, “Bog” in Nadsat, is
referred to as “Bog And All His Holy Angels And Saints”. The capitalization of every word is meant to
represent scorn. At the same time, there
are old men singing “the filthy songs of their fathers” and calling out for
“Holy Mother of God and all the Brits and Saints in Heaven, Preserve Us!” This could also indicate that a plague had
previously reduced the population of
Technology and Technological Decline
Technology has advanced
somewhat, as noted by references to men on the moon and men in orbit around the
earth. On the other hand, people still
die from flu epidemics and it is indicated that books (especially science
books) have become irreplaceable, valued only by the old). Other references indicate that reading is
declining and that society is changing faster and faster, presumably leading to
the apathy present throughout ACO. It is
never stated if autobuses require drivers.
Taxis, police vehicles and taxis do.
Government
The politics of ACO indicate
an oppressive government resorting to increasingly stern measures to control
crime. Repeated references are also made
to subversive literature. The Ludovico
Technique was developed to free up prison space for political offenders. Rozzes and Millicents are just as brutal as
the Nadsat gangs from which they are often recruited. Rozzes tend to be like riot police whereas
Millicents will actually conduct criminal investigations on the odd occasion.
Music
Songs and music of the time
also indicate both a strong Slavic influence and at least one seems to indicate
that a nuclear war took place in the past.
Singer/Group |
Song (or Album) |
Notes |
Berti Laski |
“You Blister My Paint” |
Golden oldie; Slavic name |
Johnny Zhivago |
“Only Every Other Day” |
Slavic name |
The Heaven Seventeen |
|
|
Goggly Gogol |
|
Slavic name |
Luke Sterne |
|
Slavic name |
Johnny Burnaway |
|
|
Stash Kroh |
|
Slavic name |
The Mixers |
|
|
Ed and Id Molotov |
Lay Quiet Awhile with Ed and Id Molotov |
Slavic name |
Ike Yard |
“Honey Nose” |
|
|
“Night After Day After
Night” |
Howling falsetto duet |
Ned Achimota |
“That Day, Yeah, That Way” |
|
The Macon ( |
|
No more |
The Esh Sham Sinfonia led
by L. Muhaiwir |
|
Middle Eastern? |
THE OLD
ULTRA-VIOLENCE
Hand Weapons
Weapon |
Damage |
EV |
Cost |
Aval |
Cut-throat Britva |
D4(2) X Str** |
1/1 |
£5 |
C |
Small Nozh |
D4(2) X Str** |
1/1 |
£12 |
C |
Large Nozh |
D6(3) X Str** |
2/1 |
£40 |
U |
Flick-type Nozh |
D4(2) X Str** |
1/1 |
£20 |
R |
Oozy |
D8(4) X Str& |
2/1 |
£20 |
C |
Slaga |
D8(4) X Str& |
2/1 |
£20 |
C |
Bolshy Big Boots^ |
D6(3) X Str + 1 |
1/1 |
£50 |
U |
**Stabbing/slashing weapon
as described in core rulebook on page 132.
&Weapon can be used
two-handed for additional damage as described in core rulebook on page 132.
^Steel-toed,
steel-reinforced heavy leather boots.
Ranged Weapons
Weapon |
Range |
Damage |
Cap |
EV |
Cost |
Aval |
Pooshka |
4/15/30/90/180 |
D6X6 |
6 |
2/1 |
NA* |
R |
*It is Illegal for most
civilians to possess Pooshkas, although many do anyway.
Armor
Armor Type |
Armor
Value |
EV |
Cost |
Aval |
Bolshy Big Boots* |
D6+1 (4) |
1/1 |
£50 |
U |
Jelly Mould** |
(D8X2)+17 (25) |
0/0 |
£30 |
U |
Heavy Leather Coat |
D6 +1 (4) |
10/5@ |
£200 |
U |
*Feet and lower legs only;
also used as a weapon
**Yarbles only, but the
Height of Fashion
@Light encumbrance per core
rulebook
eMail comments to: eviloverlord668@yahoo.com
All Flesh Must Be Eaten,
icons, personalities, and images are copyright 2000 Eden Studios. All Flesh
Must Be Eaten is a trademark of Eden Studios. Use of the All Flesh Must Be
Eaten trademark on this site has been expressly granted by Eden Studios, but Eden exercises no editorial review or
responsibility for the content of this site. Requests for such permission
should be directed to Eden Studios. None of my work is their fault. They’re nice folks.
References
·
A Clockwork
·
Blood
Crazy. Clark, Simon. 1995, 2001.
Leisure Books,
Afterward
Anthony Burgess died in
1993.
APPENDIX 1
NADSAT
Nadsat to English (including common cultural
terms from the novel and from the
To the best of
my knowledge, this is the most extensive Nadsat and related term dictionary
online.
“Right,” said Dr
Brodsky. “It’s association, the oldest
educational method in the world. And
what really causes you to feel ill?” “Those grazhny sodding
veshches that come out of my gulliver and my plot,” I said, “that’s what it
is.” “Quaint,” said Dr Brodsky,
like smiling, “the dialect of the tribe.
Do you know anything of its provenance, Branom?” “Odd bits of old rhyming
slang,” said Dr Branom, who did not look quite so much like a friend any
more. “A bit of gipsy talk, too. But most of the roots are Slav. Propaganda.
Subliminal penetration.” “All right, all right, all
right,” said Dr Brodsky, like impatient and not interested any more… A Clockwork |
Word Translation/Use
NADSAT ENGLISH
Appy polly loggy Apology
Baboochka Old
woman
Baddiwad Bad
Banda Band
Be the hokey fly By the Holy Ghost
Bezoomy Mad
Biblio Library
Bitva
Bog God
Bogman Priest
(see Godman and Charlie)
Bolnoy Sick
Bolshy Big
Bratchny Bastard
Brat Brother
Bratty Brother
Biggy Celebrity
(n.)
Britva Razor
Brooko Belly
Brosay Throw
Bugatty Rich
C of E Church of
England
Cancer Cigarette
Cantora Office
Carman Pocket
Chai Tea
Charlie Chaplain/Priest
(see Bogman and Godman)
Chasha Cup
Chasso Prison
guard
Cheena Woman
Chelloveck Fellow
Chepooka Nonsense
Choodessny Wonderful
Chumble Mumble
(v.)
Clop Knock (v.)
Cluve Beak
Collocol
Coking Doing drugs
Crark Yowl
(v.)
Crast Steal (v.) or Theft
Creech Scream (v.)
Crustoodnicks Bums
Cut-throat Sharpened/honed
(as in blade)
Cutter Money
Dama Lady
Ded Old
Man
Deng Money
Devotchka Girl
Dobby Good
Domy House
Domeless Brainless
Dook Ghost
Dorogoy Valuable
Drat Fight (v.)
Drencrom Drug
Droog Friend
Drunky Alcoholic
Dva Two
Eegra Game
Eemya Name
Eggiweg Egg
Em Mum/Mother/”M”
Fagged Tired
Filly Play (v.)
Filmdrome Movie
theatre
Firegold Alcoholic drink
Flatblock Public
tenements/residences
Flip Nice; good; cool (idiom(
Forella Trout
Gazetta Newspaper
Glazz Eye
Gloopy Stupid
Godman Priest
(see Bogman and Charlie)
Golly Money
Goloss Voice
Goober Lip
Gooly Walk
(v.)
Gorlo Throat
Govoreet Speak,
talk (v.)
Grazhny Dirty
Grazzy Soiled,
dirty
Gromky Loud
Groody Breast
Gruppa Group
Guff Laugh (v.)
Gulliver Head
Guts Contents
Guttiwuts Guts
Hen-korm Chickenfeed
Hilly Cool (idiom) used by the
younger generation
Horn Cry Out (v.)
Horrorshow Good,
well
Hound-and-Horny Corny; common; unimaginative
Ice Rich loot; diamonds and
jewels
Iller Sicker
In-out-in-out Sex (v.)
Interessovat Interest
(v.)
Int Inf
Min Interior
Inferior Minister/Minister of the Interior
Intinfmin Interior
Inferior Minister/Minister of the Interior
Itty Go (v.)
Jammiwam Jam
Jeezny Life
Kartoffel Potatoes
Keeshkas Guts
Kleb Bread
Klootch Key
Knifey Drink
containing knives(see Knives)
Knives Drug(s) that
boost aggression
Knopka Push-button
Kopat Dig;
like (
Koshka Cat,
Cool (idiom)
Kot Tomcat
Krovvy Blood
Kupet Buy
(v.)
Land, In the Land Hallucinating
Lapa Paw
Launched on Attacked
Lewdies People
Lighter Drinker
Like Word to show emphasis
Litso Face
Lomtick Slice,
Piece (n.)
Love’s Young Nightmare Young criminal (n.)
Loveted Caught
Lubbilubbing Making
love (v.)
Luna the Moon
Luscious Glory Hair
Malchick Boy
Malenky Little
Mansize Large,
big
Maskies Masks
Maslo Butter
Merzky Filthy
Messel Thought
Mid of the Night At night;
Milk-plus Milk laced with
drugs
Milking Drinking
drug-laced milk (v.)
Millicent Policeman
Min Minister of the Interior;
high-ranking official
Minoota Minute
Modern Youth Nadsats and other
sociopathic juveniles
Molodoy Young
Moloko Milk
Moodge Man
Morder Snout
Mounch Snack
(v.)
Mozg Brain
Nachinat Begin
(v.)
Nadmenny Arrogant
Nadsat Teen
Nagoy Naked
Nazz Fool
(v.)
Neezhnies Underpants
Nochy Night
Noga Foot
Nozh Knife;
a flick-type Nozh is a switchblade
Nuke Scent
Nuking Smelling of
Number One Second in command of a
Nadsat gang
Ochkies Glasses
(see Otchkies)
Oddy-knocky Lonesome
Odin One
Okno Window
Old Term of endearment (adj.)
Oobivat Kill
(v.)
Ookadeet Leave
(v.)
Ooko Ear
Oomny Clever
Oozhassny Terrible
Oozy Chain
Orange Man (?) –
maybe.
Osoosh Dry
(v.)
Otchkies Eyeglasses
(see Ochkies)
Pan-handle Erection
Pee Poppa/”P”/Father
Peet Drink (v.)
Pishcha Food
Platch Cry
(v.)
Platties Clothes
Plenny Prisoner
Plesk Splash
Pletcho Shoulder
Plott Flesh;
body
Podooshka Pillow
Pol Sex
(n.) – male or female
Polezny Useful
Polycle Skeleton
key
Pony Understand
Poogly Scared
Pooshka Gun
Pop Old man
Pop-disk CD, Pop-music
disc
Prestoopnik Criminal
(n.)
Pretty Polly Money
Privodeet Lead/guide
(v.)
Prod Produce (v.)
Ptitsa Girl
(Idiom “Chick”)
Pyahnitsa Drunkard
Rabbit Work (v.)
or Job (n.)
Rabbiter Worker
Radosty Joy
Raskazz Story
Rasoodock Mind
Raz Time
Razdrez Upset (v.)
Razrez Rip (v.);
anger
Reasonless For no reason
Righty right Agree (v.)
Rook Hand
or arm
Rooker Hand
or arm
Rot Mouth
Rozz Policeman
SA State Aid, welfare, the
dole
Sabbath Holy Day (or
day of the week?)
Sabog Shoe
Sakar Sugar
Sammy Generous
Sarky Sarcastic
Scoteena Cow,
Beast
Scotchmen Scotch
Shaika Gang
Sharp Female (Streetwise?)
Sharries Balls
Shest Pole
Shilarny Concern;
interest (n.)
Shiny Stuff Valuable metals;
coins; jewelry
Shive Slice,
cut (v.)
Shiyah Neck
Shlaga Club
Shlapa Hat
Shlem Helmet
Shoom Noise
Shoot Fool (v.)
Sinny Movies,
film; also a film magazine
Skazat Say
(v.)
Skolliwoll School
Skorry Quick,
quickly
Skrik Scratch
(v.)
Skriking Scratching
Skvat Grab
(v.)
Sladky Sweet
Sleepers Sleeping pills
Sloochat Happen
(v.)
Slooshy Listen, hear
(v.)
Slovo Word
Smeck Laugh
(n.)
Smot Look
(v.)
Sneety Dream
Snoutie Tobacco,
snuff
Snuff It Die (v.)
Sobirat Pick
Up (v.)
Sod Bastard (idiom)
Sodding F**king (adj.)
Sophistos Upper
class; intelligencia
Soviet Advice,
order (n.)
Spat, spatchka Sleep
(n.)
Spat with Have
sex with; sleep with
Spoogy Terrified
Staja State
Jail
Stargent Prison
Starry Old,
ancient
Strack Horror
State’s Peace The
Law
Stripee hole Prison
Swoony Cool
(idiom) used by the younger generation
Synthmesc Drug
(hallucinogen)
Tally Waist
Tashtook Handkerchief
Tass Cup
Tolchock Hit,
shove, punch (v.)
Toofles Slippers
Tree Three
Twenty-to-one Violence;
fighting
Ultra-violence Violent
crime
Vareet Cook
(v.)
Vareeting Happening
(as in ‘What’s happening?’)
Vaysay Washroom,
toilet
Veck Guy
Vellocet Drug
Veshch Thing
Viddy See
(v.)
Vino Wine
Voloss Hair
Von Odor
Vred Harm
(v.)
Warble Song
Worldcast Worldwide
television broadcast
Wonderboy Looser
Yahma Hole
Yahoody Jew;
also called Hebrews
Yahzick Tongue
Yank General
Yarbles Testicles
Yarblockos Testicles
(emphatic)
Zammechat Remarkable
Zasnoot Sleep
(v.)
Zheena Wife
Zombyish Like
a zombie
Zoobies Teeth
Zvonock Doorbell
Zvook Sound
Female Slang
“A Clockwork Orange”
contains a reference to devotchkas and “ther own way of govoreeting.” This could indicate another dialect used by
young women. If anyone wants to work it
out, go for it. Just give a crark so I can check it out. Linguistics are fun.
APPENDIX 2
Vague like map of the City, to viddy
when ittying about in the nochy
and looking for a mesto or milkbar. And other veshches.
From the Korova Milkbar (1), go a few blocks East to the Duke of New York –
on
One can itty down
Other places to go and see:
·
·
Municipal Power
Plant, the Muni Power Plant
·
Priestly Place
·
·
Center (middle
of town)
·
The Filmdrome
·
Municipal Flatblock 18A, between
·
Corrective
Schools: South 4, Metro Corskol, Blue Division, The Boys of Alpha
·
Restaurants: the Ritz, the
·
MELODIA (music
mesto), in
·
State Institute
for Reclamation of Criminal Types
·
Stargent #84-F – State
Prison (
·
·
The National Gramodisc Archives
·
State Marine
Insurance
NORTH