NEW ADDITIONS
NEW FILMS ADDED OVER THE LAST MONTH OR SO!!
Jiang Hu
Mysterious Cities of Gold
World of Hammer
Kung Fu Hustle
Nightmare Man
Day of the Triffids
Maniac Cop
I'm Not Scared
Full Contact
The Strange Vice of Mrs. Wardh
The Case of the Scorpion's Tail
Breaking News
PTU
God of Gamblers II
Taeguki: Brotherhood of War
Silmido
Thriller: Series 1
Thriller - They Call Her One Eye
Castle Freak
Pedicab Driver
Two Crippled Heroes
Perfume of the Lady in Black
R-Point
Arahan
Ghost house
No Comment
R-Point
King of Beggars
Undead: Dir. Michael Spierig & Peter Spierig. A storm of alien meteorites descends on the outback and leads to the zombification of most of the glum citizens of small fishing community. A couple of cops, a crazy survivalist and a girl who's been voted 'Miss Catch of the Day' fight them off with much decapitation, lopping of limbs and exploding bodies. This film looks surprisingly slick considering it was made for peanuts by the Spierig twins from New Zealand, the computer effects especially, considering they were done on a home computer. Good fun if not overly derivative. Widescreen. (2003)
Bumfights: Cause for Concern: Vol. 1: Banned in the UK for a video release. BBFC justifies this with the following statement: Bumfights - Cause for Concern consists substantially of camcorder footage of homeless people ('bums') being abused, assaulted, and humiliated. These scenes are intercut with footage of street brawls and soft pornography. Under the Video Recordings Act 1984 the Board must have special regard to any harm to those likely to view a video and to any harm to society through the behaviour of those viewers afterwards. The Act singles out particular elements as being potentially harmful including criminal behaviour and violent behaviour or incidents. The BBFC guidelines for '18' rated works state that the Board may "cut or reject... any detailed portrayal of violent or dangerous acts which is likely to promote the activity" (page 16). The Board's guidelines for violence also state as particular concerns "callousness towards victims, encouraging aggressive attitudes[and] taking pleasure in pain and humiliation" (page 9). In the Board's view, the video breaches these guidelines by exploiting the physical and other vulnerabilities of homeless people. The Board considered the possibility of cuts. However, given the extent of the unacceptable material, cuts were not considered a viable option on this occasion. (2002)
MPD Psycho: Vol. 1 and 2: Tajuu jinkaku tantei saiko - Amamiya Kazuhiko no kikan. Dir. Takeshi Miike. A typically crazy TV mini series from Miike. Widescreen subtitled. (2000)
2LDK:
Dir. Yukihiko Tsutsumi. This is the companion piece to Kitamura's Aragami made
using the same principals... 2 actors, 1 location and 1 fight. Nozomi is a
college graduate, in the big city of Tokyo for the first time. She hopes to
parlay her high school stage experience into a career as a genuine actress. So
far, she has merely functioned as a country girl pin-up, the symbol of a naive
young virgin. Lana is a seasoned pro, having spent time performing in movies
that are far from legitimate. Hoping to leave her horrible past behind and start
anew in Japan's metropolis, she has only managed to secure her reputation as a
sexually indiscriminate woman. These two ladies share a condominium owned by the
talent agency they work for, and for a while, things appear to be working out.
While Nozomi's shy reserve has a tendency to drive Lana nuts, the party girl is
also a pain in her introverted roommate's behind. As luck would have it, both
girls are up for the lead role in a major motion picture, Yakuza Wives, and each
is also interested in the same man. When a casual conversation over dinner
escalates into an all out battle of wills, the gals decide there is more to this
war than who gets the part or who lands the guy. This is a struggle for
personality survival, and our ferocious female fighters will duel to the death
to determine who is supreme mistress of their 2LDK (two bedrooms, living room,
dining room, kitchen) domain. Widescreen subtitled. (2003)
Dirija Para a Vida: Dir. Unknown. Brazillian Paramedics with camcorders record at the scene footage of HUGE pileups with bodies scattered everywhere. After the feature your treated to image stills of the same. Really for the death heads amongst us. This one is quite rare these days as the original master source was stolen. (1995)
Atrocidades: Dir. Unknown. Japanese Death Files of carnage in the same vein as faces, traces, facez of Death etc... threre are. Concentrating on the Japanese Death Toll this is a Brazillian import containing Portuguese subtitles. If you've heard of Death file Yellow, Death file black etc, then this is a compilation of them all. Enjoy. (1992)
Black Cat: aka. Out of the Depths - Demons 6. Dir. Luigi Cozzi. This is Luigi Cozzi's "The Black Cat" and not the Fulci one by the same name. A horror movie in production resurrects a witch called Levana, who is the main evil character in the movie. Levana tries to take over our world so that evil can be spread everywhere, but the only one in her way is Anne, who is to play Levana in the movie. Now, the battle of good and evil begins. Fullscreen (1989)
Hero: Extended Director's Cut: Dir.
We're Going to Eat You:
Butterfly Murders: Dir. Tsui Hark. Widescreen subtitled (1979)
From Beijing with Love:
Crimewave: Dir. Sam Raimi. Fullscreen (1985)
Sex with a Smile: 40 gradi all'ombra del lenzuolo. Dir. Sergio Martino. Sergio Martino's Italian sex-comedy that is a collection of 5 short stories starring Edwige Fenech, Tomas Milian, Barbara Bouchet, Sydne Rome, Aldo Maccione & Dayle Haddon. Fullscreen (1976)
Sex with a Smile
2: Spogliamoci così senza pudor. Dir. Sergio Martino. Sergio
Martino's follow-up to SEX WITH A SMILE. The 4 short stories in this Italian
Sex-Comedy all revolve around marriage infinitely and star Ursula Andress,
Barbara Bouchet, Johnny Dorelli, Alberto Lionello, Aldo Maccione & Nadia Cassini.
Fullscreen (1976)
Sexy Schoolteacher: L'Insegnante. Dir. Nando Cicero. Italian sex comedy starring the gorgeous Edwige Fenech. Fenech plays titular the Schoolteacher who is hired to tutor the son of a rich business man. needless to say the young man falls for his teacher and tries tries to 'win her affections' eventually succeeding. A fantastically sexy entry into this interesting genre. Widescreen (1975)
Delirium: Au -Dela du desir. Dir. Renato Polselli. This is the Ultra-Rare alternate and more explicit French version of Polselli's classic film. Widescreen French Language no subtitles. (1972)
L'Amante del Vampiro: The Vampire and the Ballerina. Dir. Renato Polselli. This is the original Italian language version of an early Renato Polselli horror. Black & White Fullscreen Italian language no subtitles. (1960)
Libido: Dir. Ernesto Gastaldi & Vittorio Salerno. As a young child Christian suffered a traumatic experience that has scared his psyche forever. His father, a sexual deviant, set up his bedroom with mirrors on the walls and chains on the bed. One evening things get out of control as Christian sees his father murder his mistress while she is chained to the bed. Soon after his father is believed to have thrown himself from a cliff. Twenty years have gone by. Christian and his wife return to the villa along with his attorney Paul, and his sexy wife Brigitte. Soon Christian begins to feel there is someone else in the villa. Someone who he begins to believe is his father. Torn between terror and the suspicion that someone is trying to trick him for his large inheritance Paul’s grip on reality is fading. Soon Paul’s wife is found dead and Paul becomes totally insane. One of the most famous of the early Italian thrillers or giallo films and the first film directed by one of Italy’s premier writers of the giallo Ernesto Gastaldi. Gastaldi, best know for penning such classics as THE HORRIBLE DR. HITCHCOCK, THE WHIP AND THE BODY and TORSO took on the directors chores as result of a bet proving that a well written story is more important then technical ability. Among the cast is famed Italian actor Giancarlo Giannini in his first film, Luciano Pigozzi, who under the pseudonym Alan Colins is very familiar to fans of Euro cinema, and Mara Maryl, the real wife of Gastaldi, plays the sexy Brigitte. Fantastic early Giallo. Fullscreen Black & White Italian language no subtitles. (1965)
Parties Fines:
Education of the Baroness. Dir. Gérard Kikoïne. The story is about a
baron and a baroness who have a weekend of Pleasure. The prudish baroness played
by Brigitte Lahaie gives a believable performance. When the Baron leaves for the
weekend a couple of charming thugs come to play with the baroness and maid all
well directed and erotic. Meanwhile the baron on his adventure takes advantage
of a woman who's car has broken down. He later gets taught some lessons from
another woman with a whip. This movie is a classic and well worth a look. Great
Brigitte Lahaie vintage XXX. Widescreen English (1977)
Black Belly of the Tarantula: La Tarantola dal ventre nero. Dir. Paolo Cavara. Inspector Tellini investigates serial crimes where victims are paralyzed while having their bellies ripped open with a sharp knife, much in the same way tarantulas are killed by the black wasp. As suspects keep dying, Inspector directs his attention to a spa all the victims had a connection with. A fantastically rare Giallo from the co-director of Mondo Cane, never available in English and only subtitled in an awful VSoM print. This version has the quality of the Spanish DVD with added English subtitles. An amazing and very rarely seen Gaillo. Italian language with English subtitles. (1971)
A Lizard in a Woman's Skin: Una Lucertola con la pelle di donna - Schizoid. Dir. Lucio Fulci. Fully Uncut version. Brazilian beauty Florinda Bolkan (DON'T TORTURE A DUCKLING) stars as Carol Hammond, a woman fearing she has lost her mind. Despite the repeated assurance of her psychiatrist Dr. Kerr (George Rigaud), Carol finds it quite difficult to shake her recurring nightmares of perversity and horror. Things take a dramatic turn for the worse when Carol's latest nightmare- in which she stabs her disruptive, noisy hippie neighbor Julia (Anita Strindberg, a star of many giallos of this period)- becomes all too real. Carol is soon apprehended when some of her belongings (including a paper knife and a fur coat) have turned up missing, only to be found at the crime scene. But it wouldn't be a giallo if things were so simple. Contained in the increasingly complex latticework of the murder are an unfaithful husband (Jean Sorel), a murderous, psychotic hippie and an ugly case of blackmail involving a member of the Hammond family. As the investigation progresses, Carol's nightmares continue and more bodies pile up, until the true murderer is discovered. The greatest film of Fulci's Career (in my opinion) and probably one of the most important entries into the Giallo genre as a whole. Widescreen (1971)
Your Vice is a Locked Door and Only I Have the Key: Gently Before She Dies - Il Tuo vizio è una stanza chiusa e solo io ne ho la chiave. Dir. Sergio Martino. Fantastic Giallo from Sergio Martino (Case of the Scorpion's Tail - All the Colours of the Dark) Starring the fabulous Edwige Fenech and Anita Strindberg. The great Luigi Pistilli stars as Oliviero Rouvigny, an alcoholic writer who mentally and physically torments his beautiful wife (Anita Strindberg) until a series of brutal murders start occurring. All clues point to Oliviero as the demented killer but he knows he is innocent… or he thinks he is. As the bloody bodies pile up Oliviero starts to believe he is going mad. The sexy Edwige Fenech soon turns up to spice things up. Widescreen Subtitled (1972)
Murder to the Tune of Seven Black Notes: The Psychic - 7 note in nero. Dir. Lucio Fulci. Still relatively unknown Giallo from Fulci that is much underrated but very rarely seen. A newly married woman, who possesses psychic abilities, begins having strange visions upon moving into her new marital home. She sees visions of a woman being brutally killed and walled up inside the living room. Acting on her vision, she breaks open the wall and finds a skeleton. Her husband becomes the prime suspect for the murder, whilst his wife and her therapist investigate the matter in order to clear his name. A superb Giallo from Fulci, maybe even one of his finest films! Widescreen (1977)
Murder in Paris: Bogeyman and the French Murders. Dir. Ferdinando Merighi. Francine,a prostitute working out of Madame Colettes high class brothel,is brutally murdered. It appears that Antoine,a local petty criminal known for his violent temper is the guilty party.He is duly captured and sentenced to death.He protests his innocence and vows revenge on the guilty party(who we have already seen escaping unnoticed from Francines murder scene). Antoine manages to escape from police custody(just before he was to be sent to the guillotine!!),but during his escape he is decapitated in a motor bike accident. Antoine's decapitated head is acquired by a Professor Waldemar who wants to perform some experiments on Antoines eyeballs to ascertain if he is indeed the murderer. The Professor is soon on the end of a gruesome throat slashing himself! - is it Antoine back from the grave exacting his revenge? Decent if not obscure Giallo with an all star cast, consisting of Barbara Bouchet, Rosalba Neri, Anita Ekberg among others. (1973)
Ghost Dormitory: Extreme 3D: Haunted Dorm. Thai Horror in 3D. You'll need regular green/red 3D glasses to watch this one! English subtitles (2004)
Headhunter: Extreme 3D: Thai Horror in 3D. You'll need regular green/red 3D glasses to watch this one! English subtitles (2004)
Yah Nark: Extreme 3D: Thai Horror in 3D. You'll need regular green/red 3D glasses to watch this one! English subtitles (2004)
Buppah Rahtree: Scent of the Night Flower. Dir. Yuthlert Sippapak. Buppah Rahtree (Chermarn Poonyasak) is a shy university student who has suffered sexual abuse at the hands of her stepfather. Seduced by rich playboy Ake Dunrongsgup (Kris Srepoomseth) solely to win a cynical bet, Buppah finds herself quickly abandoned and even worse, pregnant. Feeling pangs of guilty remorse Ake begs Buppah for forgiveness - until he finds out about her pregnancy and quickly takes up his parents' offer to attend graduate school in England. Penniless, alone and living in a slum apartment owned by greedy landlady Mrs See who runs a spiritualist scam, Buppah commits a sad suicide when she's unable to pay the rent. It's after she returns from the dead as a horribly disfigured ghost to exact a terrible dismemberment revenge on all of those who have mistreated her that Scent of the Night Flower goes from deadly serious to seriously funny. Complete with a final sting in the tale, comic out-takes under the end credits, high-decibel dialogue and a tone that literally shrieks 'I'm here, I veer, get used to it', you won't have seen anything quite like Buppah Rahtree before. Thai Language without subtitles (very easy to understand) (2004)
Arahan: Dir. Ryoo Seung-Wan. starring Seung-beom Ryu as Sang-hwan, the mentally questionable hero of this big-budgeted CGI-heavy martial arts/action/comedy. Although a cop, our hero is nevertheless one of the most bumbling, hapless, sad sacks you could ever encounter. After being viciously beaten and humiliated by a local thug, Sang-hwan seeks out the training of Tao Master Ja-woon (Sung-kee Ahn) and his Seven Masters. Even though, as Sang-hwan points out, there are only five of them. Put into training, Sang-hwan proceeds to whine like a baby, begging to learn the art of Palm Blast in an obvious attempt to arm himself so he can avenge his beating. Meanwhile, Heug-un (Doo-hong Jung), an ancient enemy of the Seven Masters, has just been unwittingly unlocked from his prison and released back into the world, determined to rule it at the point of a sword. It's up to Sang-hwan, the man with the untapped reservoir of chi, to somehow put aside his moronic tendencies and stop trying to get into fellow cop, Eui-jin's pants long enough to save the world. God help us all. A superb and visually thrilling film. Widescreen subtitled (2004)
Oldboy: Dir. Park Chan-wook. Oh Dae-su (Choi Min-shik), a grumpy businessman with a wife and a toddler daughter, is kidnapped by a group of gangsters. It turns out that they operate a private prison, and someone has paid them an astronomical amount of money to incarcerate him indefinitely. Compelled to rusticate for years and years inside a dingy, dark cell, with fried dumplings his only choice of menu, Oh is overcome with the desire for revenge. However, just when he is about to break free from his prison, he is dumped into the street. He hooks up with a young female sushi chef Mido (Kang Hye-jeong, the teenage guide from Nabi: The Butterfly), to locate the man responsible for robbing him fifteen years of his life. FANTASTIC winner of the Grand Prix at Cannes. Widescreen subtitled. (2003)
Asesino en Serio: I Murder Seriously. Dir. Antonio Urrutia. Starring Santiago Segura. Martinez is a police detective with a weird case on his hands: Gorkisolo, a priest, is responsible for a series of unique murders. He kills prostitutes by lethal orgasm! A strange mix of Thriller and Comedy. Spanish and Mexican co-production. Widescreen Spanish language without subtitles. (2002)
Who can Kill a Child: ¿Quién puede matar a un niño?. Dir. Narciso Ibáñez-Serrador. A couple of English tourists rent a boat to visit the fictitious island of Almanzora, just off the southern Spanish coast. When they arrive, they find the town deserted of adults, there's only children who don't speak but stare at them with eerie smiles. They soon discover that all the children of the island have been posessed by a mysterious force or madness which they can pass from one to another, and which makes them attack and murder their elders, who can't defend themselves because nobody dares to kill a child... Spanish language No subtitles. (1970)
Torremolinos 73: Dir. Pablo Berger. Franco’s Spain in 1973 was a barren land for encyclopedia salesmen. Alfredo (Javier Camara, from Talk To Her) is three months behind on rent and willing to try almost anything. His boss brings up the prospect of shooting scientific movies for the “Danish World Encyclopedia of Reproduction”, exclusively for the Scandinavian market, of course. After hearing about the money involved, Alfredo and Carmen (Candela Pena, from All About My Mother) decide that perhaps they could shoot one or two movies. Before long they’ve become soft-core stars in Scandinavia and Alfredo decides it’s time to shoot his first feature, Torremolinos 73. A highly amusing look at the world of 70's porn with an excellent cast. Widescreen subtitled. (2003)
Spanish Horror and Suspense Shorts: Vol. 1
Mirindas Asesinas: Dir. Alex de la Iglesia - 12mins (1992)
Fade: Dir. Eugenio Mira - 22mins (2001) ENGLISH
... Ya no puede Caminar: Dir. Luiso Berdejo - 14mins (2001)
El Ciclo: Dir. Víctor García - 9mins (2003)
Killing the Spot: Dir. Albert Pérez - 14mins (2001)
Amor de Madre: Dir. Koldo Serra & Gorka Vázquez - 13mins - (1999)
Casa Fouce: Dir. Álvaro González - 14mins (2002)
Ojos: Dir. Miguel Ángel Vivas - 14mins (2001)
Fatum: Dir. Alberto Moreno - 20mins (2003)
Jardines Deshabitados: Dir. Pablo Malo - 15mins (2000)
Fantastic and RARE collection of modern Spanish Horror and Suspense shorts, including Alex de la Iglesia's rarely seen first short! All are in Spanish except where noted, but given the subject matter aren't all that essential. All are in their original screen ratios.
Spanish Horror and Suspense Shorts: Vol. 2
I'll see you in my Dreams: Dir. Miguel Ángel Vivas - 19mins (2003)
The Raven/El Cuervo: Dir. Tinieblas González - 17mins (2000) ENGLISH
El Tren de la Bruja: Dir. Koldo Serra - 17mins (2003)
Tercero B: Dir. José Mari Goenaga - 19mins (2002)
Déja Vu: Dir. Jesús García Hernández - 25mins (2002)
Torre: Dir. Óskar Santos - 25mins (2000)
Brasil: Dir. Francisco Javier Gutiérrez - 18mins (2001)
El Corazón Delator: Dir. Alfonso Suárez - 11mins (2003) PAUL NASCHY
El Hombre del Saco: Dir. Miguel Ángel Vivas - 21mins (2002)
Cerrojos: Dir. Carlos Ceacero - 17mins (2004)
Second volume in this excellent and RARE series... offering more Horror and Suspense shorts from established and up-and-coming Spanish Directors. All are in Spanish except where noted, but given the subject matter aren't all that essential. All are in their original screen ratios.
Murder Mansion: La Mansión de la niebla. Dir. Francisco Lara Polop. A seemingly diverse group of couples and ne're do wells end up sharing a deserted mansion in the middle of nowhere to escape a fog-bound night that effectively traps them in a setting totally cut off from the outside world. Andres Resino, his hair grown in hippie-style after playing a globe trotting Interpol agent in the Paul Naschy classic WEREWOLF VS THE VAMPIRE WOMAN, makes a convincing lead as a thrill-seeking motorcyclist traveling with the always delightful Evelyn Stewart through the mountains of southern Italy when a shortcut through a legendary, mysterious valley takes a turn for the worse and the pair find themselves stranded at the aforementioned mansion with an otherwise improbable collection if cult Euro-horror supporting actors & actresses [Alberto Dalbes, Analie Gade, Analise Nardi and frequent Jess Franco actor Eduardo Fajardo] who, for one reason or another, have found themselves in a similar pickle. They bicker, split up into handily furnished bedrooms and retire to wait out the foggy night. An extremely creepy, atmospheric and well shot Spanish Horror. (1972)
A Candle for the Devil: Una Vela para el diablo - It Happened at Nightmare Inn. Dir. Eugenio Martín. A Pert, pretty British tourist turns up at a small Spanish inn to meet her sister only she is nowhere to be found. She confronts the two strange and sinister sisters who run the establishment and know more than they let on about her sister's mysterious disappearance. Another very creepy and atmospheric Spanish Horror with tons of fantastic imagery (1972)
Battlefield Baseball: Dir. Yudai Yamaguchi. Director Yudai Yamaguchi, in his debut film, gives us a world first - a baseball zombie horror comedy, complete with chainsaws, corpses sailing through the air and high-kicking kung-fu antics. Based on a popular manga story by Gataro Man that ran in the top-selling Monthly Shonen Jump magazine, Battlefield Baseball almost dispenses with the bat and ball altogether, and instead deals up a whole lot more fun in its place, mocking the clichés of the genre in a manner as spirited as it is funny.Fantastic baseball horror produced by Ryuhei Kitamura (Director of Versus) Widescreen subtitled. (2003)
Aragami: Dir. Ryuhei Kitamura. Ancient Japan. Fleeing from enemies, two wounded samurai arrive at a strange old temple in a remote location in the mountains. The doors to the place are opened by a beautiful and exotic woman, who beckons them inside. Unable to walk any further, they collapse from exhaustion. One of the samurai awakens to find himself miraculously healed. He meets his saviour, a mysterious man who tells him that his friend died from his wounds. The samurai is persuaded to stay the night. His host tells him the legend of the "Tengu", a goblin which is said to reside in the mountains dining on the flesh of men. He goes on to reveal the true name of the Tengu : Aragami. When the samurai asks if Aragami poses a threat to the temple, his host answers : "I am Aragami". The only way for the Samurai to leave the temple is to destroy Aragami. Excellent Period Samurai Horror. Widescreen subtitled (2003)
La Residencia: Dir. Narciso Ibáñez Serrador. This is taken directly from the Australian pre-record... the only version of this fantastic film that is uncut and in English! Fullscreen. (1969)
Krvavy Roman: Horror Story. Dir. Jaroslav Brabec. Fantastically and fascinatingly shot film from the Czech Republic... starting out like a classic German expressionist horror and then bringing in elements from early sound as well as modern film techniques. Not only an amazing film, but also a lesson in film studies! Black & White/Tinted. original 1.33:1 ratio. English subtitles. (1992)
Death Carries a Cane: UPGRADE MEGA RARE. Passi di danza su una lama di rasoio. Dir. Maurizio Pradeaux. Widescreen English language version. This version is the Danish Pre-record...you won't find it in better quality than this! Widescreen. (1972)
Seven Deaths in the Cat's Eye: UPGRADE. La Morte negli occhi del gatto. Dir. Antonio Margheriti. Better quality version of this classic sleazy/gothic Giallo. Fullscreen (1973)
The Bell of Hell: UPGRADE
Il Cartaio: The Card Player. Dir. Dario Argento. Anna Marie, a police woman is forced to play a dangerous game of cards with a mysterious killer over the internet. If she looses... he graphically kills another victim and broadcasts it to her via webcam. She teams up with a British policeman in order to find the killer. Dario's latest film and an inventive update of the classic Giallo! nice print. Italian no subtitles. Fullscreen. (2004)
Door into Darkness: Fantastic Giallo TV series devised and created by Dario Argento for RAI in 1972. Each short is introduced by the young Argento.
'I Vicino di casa: The Neighbour. Dir. Luigi Cozzi. A young couple move to an isolated house on the cost where their upstairs neighbour isn't what he seems. English subtitles. (1972)
Il Tram: The Tram. Dir. Dario Argento. A young woman is murdered on a tram in full view of the other passengers, yet nobody sees anything.... although one of them is the murderer. English subtitles. (1972)
Testimone Oculare: Eyewitness. Dir. Dario Argento. A woman, driving through the countryside late one evening witnesses a murder. She flees to the nearest cafe to call the police, but upon investigation, there is no body, in fact no evidence at all. Everyone dismisses her claim even herself, until the murderer come after her. Credited to Roberto Pariante, but in fact directed by Argento. English subtitles. (1972)
La Bambola: The Doll. Dir. Mario Foglietti. An insane murderer escapes from a secure asylum and it's only a matter of time until another murder is committed, but who will be the victim and who in fact is the killer? English subtitles. (1972)
All episodes are in their original 1.33:1 ratio and are in colour (although originally broadcast in Black and White) English Subtitles (1972)
The Eroticist: Dir. Lucio Fulci. Made between A Lizard in a Woman's Skin and Don't Torture a Duckling. Fulci made his entry into the popular Italian genre of 'sexy' comedies. A senator running for presidency has a rather odd and completely uncontrollable habit... pinching women's bottoms! He can't help himself, whether it's a princess or a wealthy ambassador's ageing wife, he can't help it. A press photographer catches him in the act and begins to bribe him. Eventually he admits himself into a convent for spiritual recuperation... only for his problem to get worse! A very amusing comedy and definitely interesting to see some of Fulci's work outside of the horror genre... but it's still distinctly Fulci. Very rare in such excellent quality. Widescreen (1972)
Hollywood Ghost Stories: Dir. James Forsher. Fantastic documentary presented by John Carradine and featuring interviews with Elke Sommer and William Peter Blatty examining some of the real 'fact' based stories surrounding the making of films such as The Exorcist, The Amityville Horror and The Entity etc... It goes into the real stories behind the films as well as on set hauntings such as in the case of The Exorcist. It also takes a look at Hollywood stars from the golden era that are said to still haunt their original homes and Hollywood soundstages. Fun and interesting documentry that also contains a wealth of clips, interviews and footage. Original Fullscreen. (1986)