 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
|
TIME LINE |
|
|
|
a significantly more detailed version of this time line can be found at www.marquise.de/special/timeline |
|
|
|
1852: Crinoline emphasizes large backside |
|
1865: Crinoline is still extremely large, but is mostly spread to the back |
|
|
1830: A-line, ankle length skirt |
|
|
|
|
|
|
|
|
 |
|
|
|
1847: dome shaped floor length skirt with crinoline |
|
|
|
1858: crinoline reaches maximum width and spreads to all sides like a dome |
|
|
|
|
1869: crinoline strongly emphasizes back side, polonaise drapery |
|
|
|
|
|
|
|
|
1880: skirt narrows on all side. "knees tied together" cylindrical silhouette |
|
|
1874: large bustle plus drapery emphasizes rear |
|
|
|
|
|
1885: maximum bustle size |
|
|
|
|
|
|
|
|
 |
|
|
|
1883: small bustle over backside |
|
|
1877: skirt narrows at sides, no bustle, widens into train |
|
|
|
|
|
1888: small bustle or pad |
|
|
|
|
|
|
|
|
1897: slightly leaning forward posture, skirt begins flaring a little
|
|
|
1890: skirt is often pleated, no bustle. |
|
|
|
|
|
1902: bell shaped skirt |
|
|
|
|
|
|
|
|
 |
|
|
|
1894: A-line skirt, no draperies
|
|
|
|
1907: A-line skirt, usually without train
|
|
|
|
1899 bell shaped double skirt, often with train |
|
|
|
|
|
|
 |
|
|
|
 |
|
|
|
Corsets -------> |
|
|
|
|
<----- Table of Contents |
|
|
|
|
|
|
|
|
|
|
|
|
|