The Writings of Ali Khalid Abdullah
Ali Khalid Abdullah Writes On Surrealism
(To Race Traitor Magazine Online)
 

BY ALI KHALID ABDULLAH
 

Improvisation

In reading "Surrealism: Revolution Against Whiteness" I was impressed by the analysis. . . . Needless to say, my curiosity has grown regarding the Surrealist Movement, not only for its political stance, but because many of the surrealists are either poets, writers, painters, or musicians. And I am a musician. In fact I am a jazz drummer with over 30 years experience playing with known and unknown bands and groups. Also I am (good or bad) a writer and dabble in poetry. So I find this to be something of communality.

"Notes on Surrealism as a Revolution Against Whiteness" contains some interesting points. For example: "None of the surrealists in the 1920s seem to have made a special study of race." They had "no plan," they were "improvising, making their own way on uncertain terrain." True jazz is improvisation. It is from the heart and from the soul. It is something that has no written rules of structure yet is pure and open and honest to the listener. This is what I felt when I read this passage, and this is what I am feeling as I read more and more about Surrealism.

Needless to say, I am sharing this material with other comrades here and turning them on to it. Most of the reactions I have gotten thus far are very favorable. I have even found some whites here to find it interesting and, after reading something, in deep thought. Hopefully they are re-evaluating what they have been programmed (like machines from birth) to artificially believe as true."