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People Magazines Sexiest Man Alive!  1999
November 15th 1999

RICHARD GERE


Talk about the evolution of man.  At 50, this supreme being has found love and embraced Buddha.  But don't be fooled by that Karmis grin:  He's still wild at heart.

"That's the kind of thing we used to do and find it totally normal," Martins says. But the attention that Gere attracted from other women was hard for Martins to handle. "I felt hurt and sad when women started throwing themselves at him," she says.
Gere's onscreen sexuality was also combustible. His full-frontal nude scenes in 1980's
Gigolo were among the first in main stream cinema. Yet Gere brushed off America's shock. "In Europe," he later told Cosmopolitan, "this is pretty parochial stuff." His coinciding Broaday appearences as a homosexual Holocaust victim in Martin Sherman's Bent was equally risky, prompting rumors that Gere was gay. At the time, the actor refused to respond. It was only years later, when the gossip extended to his marriage to Crawford, that he defended their heterosexuality in an ad that he placed in The Times of London.
Inevitably, some risks didn't pay off. After confirming his place in hearthrob history with
An Officer and a Gentleman (1982), Gere turned down the leads in Die Hard and Wall Street and wound up apearing in a string of flops like King David and Miles from Home. But he came bounding back in 1990's Pretty Woman with his surprisingly whimsical turn in the role of a corporate raider bummed-out in Beverly Hills. The film eventually earned more then $460 million worldwide, made a star of Julia Roberts and confirmed a sea change in her leading man:
Richard Gere lightened up. In fact, he was so eager to get the part that "he jumped up and danced on the table," recalls one of the film's producers, Arnon Milchan. "He
actually danced."
Shortly thereafter, Gere landed his own pretty woman: supermodel Crawford. They married in a Las Vegas chapel in 1991. "I didn't want to lose [her]," he said at the time. But it was not to last. "Richard was very torn up after his marriage broke up, just devastated," says his friend Sharon Simonaire, who blames the split on their age difference (he was 45, she was 28) and Crawford's impatience with Gere's Buddhist causes, which Crawford, a non-practicing Protestant, didn't share. "Cindy had problems with his going off to India and being away," Simonaire says. Then, in the fall of 1995, Simonaire introduced Gere to her friend Lowell at a Manhatten restaraunt and saw sparks ignite. After the pair spent a weekend together, says Simonaire, "Carey called and said, 'He's so
damn funny. He pulled his sweatpants up to his chest and walked around kind of scratching himself.' It reminded her of how her father used to joke around the house."
Four years later, Gere has settled in with Lowell and Hannah, her 9-year-old daughter with ex-husband actor-director Griffin Dunne. The three share a spacious Greenwich Village townhouse decorated with an electic mix of 1940's French furniture, Eastern artwork that Gere has collected from his travels and his own acclaimed black-and-white photography. Gere showers his leading lady with gifts of rubies, pearls and shawls from his Indian sojourns. She
spoils him too. In September she threw a 50th-birhday party for him on a rented rooftop overlooking the Hudson River. Buddhist monks chanted, more then 100 guests feasted on Asian food, and Lowell presented a specially made video containing clips from Gere's old TV interviews and birthday wishes from his friends. At the end, recounts party guest Bai Ling, "Carey came on and said, 'There's somebody else who wants to say "Hi." She opened her shirt to reveal a face painted on her [pregnant] belly. Richard was crying, he was so moved."
As soon as his tears were dry, though, the twinkle no doubt returned to his eyes. After all, this is not a man who is made of mush. When he reads this story, says Simonaire, "I don't know how he'll be to live with. He may be strutting around the house like the sexiest man alive."




TO SEE PICTURES FROM Richard's NEW MOVIE CLICK HERE

 

the richard gere online. 2000.

 

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