The prince was 18 years old when the king died and he ascended the throne. This made him very unhappy, because he had no desire to rule at that age. It was a terrible burden on him, specially since he was so young. Throughout most of his lifetime, he avoided his kingly duties, or carried them out half heartedly. Avoiding things, specially people, was his delirium. He liked being alone, and tried as much as he could to retire from the presence of others, sometimes even for months. For this purpose, he constructed wondrous castles, Herrenchiemsee, Neuschwanstein, and Linderhof, so that he could seclude himself away from Court. He also retired to the Alps frequently, and thus spent diminutive time in Munich. Due to his seclusion, Ludwig II preferred to be immersed in books, music, and art very often. In those he found a peace he met nowhere else. His young mind wanted to surround itself with beauty, something he treasured a lot, and thus, he set forward to make elaborate works of art, which are still wonders in Bavaria today. He not only constructed the magnificent castles he used to escape from Court, he also wanted to advance German Opera. His relationship with Richard Wagner was a very deep one, and he became the composer's most influential helper. He founded Wagner's operas, helping the composer reach the heights of grandeur he deserved. Wagner's friendship was very dear to him, and he devoted great amounts of money on the man. His operas were a part of Ludwig II's life that was linked to his childhood, and to his troubled mind. It seems no one understood this. Still, the king was obsessed with Lohengrin and anything Wagner composed. |
The Bavarian king held countless of private performances,
where artists performed for his pleasure. It seems this were the times
he most enjoyed in his life. Music brought a peace to him that nothing
else could.
Ludwig II's homes were richly decorated, due to his love of pomposity and rich detail. His chambers are a work of art, framed by luscious architectural motifs, walls with scenes from Wagner's operas, and golden decorations. His coach was pure splendour, and it strode incredibly on the streets of Germany with its golden designs, and its majestic horses. Other than this, his other passion was horse riding. He spent a lot of time with horses and the festivities he enjoyed the most where those where horses were featured. Along with this, he liked to go hunting and spend time with nature. The king's eccentricisms were very noted. He sometimes woke people from their sleep so they could serve him, play an instrument for him, get him things, or give him a carriage ride to a friend's house. He liked to surprise people with midnight visits, which made them very angry, but him very happy. Ludwig II was like a child; historians call him a fairy prince. His mind worked like that of a child; his love of music, of beauty, of solitude. He reacted passionately to things around him, and maybe this is why the Bavarian Court found him odd. |
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Still, they did not understand the things that occurred in his mind. Ludwig II is a man full of emotions which he does not understand. He is plagued by his religious believes, by the decisions he makes as king, by the opposition he meets from Court, by the rejection of the people around him, and most of all, by his sexual needs. He finds it a shame that he falls in love so easy, and that his love affairs often go wrong. His mind is also tortured because of the homosexual tendency he finds in himself. Sometimes, he vents his needs too freely, only to later regret this. This is the cause of his many male lovers, and of the boys he keeps around him constantly. In 1867, trying to please his subjects and his mother, and trying to run away from his homosexual awareness, he became romantically involved with his cousin Sophie Charlotte, Princess of Bavaria. He met her in her home, visited quite often, and became romantically involved with her. The public was very much pleased that their king had at last found love, and they soon were engaged. Sophie, whom he calls Elsa, from Lohengrin, is a very beautiful, charming, young lady. She has a pretty spirit and is gifted with happiness. Becoming involved with Ludwig II is very dear to her, but she begins to notice that he doesn't treat her as a lover. |
Indeed, he does not love her at all. Her lovely eyes often shed tears, as sorrow mars her soul. Still, Ludwig II continues to fool himself, saying he'll marry her, but his soul postpones the wedding a few times. All of Germany is uneasy, as well as Ludwig's mind. He knows it is wrong, knows he does not love her, and finally breaks up with her. He decides he will not marry her.Princess Sophie wonders often why her beloved refuses to love her, until she discovers him and his young male lover, Hornig, in a passionate kiss. She does not interrupt their love, but runs away, crying. Ludwig knows she has gone, and watches her leave with sad eyes. He did in fact treasure her a lot, not as a lover, but as a good female friend. But, while Sophie takes the news with valour, her friend, Lord Ferdeinan, takes it violently. In a fit of rage, he almost strangles Hornig, but Sophie stops him. She doesn't hate him, and her gentle, good nature wishes him a good life. She smiles through tears, after slapping Ludwig for his foolishness, and bids him farewell. Hers will be a happy life, even if he never loved her. The King of Bavaria never forgot her, and held her dear to his soul, and celebrated her memory with a huge fountain of electric lights on the day of her wedding to the Duc d'Alencon. He did not assist her wedding, but lit up the night in her honour from his castle.