HECTOR  FIORE
Main Work
 

 

Héctor Fiore plays Flute, Computer, Digitizer & Wind Electronic Instruments. His performances includes: desktop projection, interactive dance and movement shows and more.

 

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Page updated on August 2005

What's going on?

 

December 2005, El Cubo, BsAs. ARGENTINA. CAMBALACHE Festival, Espacio Tango Project.

 

NOVEMBER 2005, UNLP, La Plata, ARGENTINA.

CIDIAP. I Congreso Iberoamericano de Investigacion artistica i proyectual.

 

OCTOBER 2005, UNLP, La Plata, ARGENTINA.

I Encuentro Internacional de Producciòn Artìstica en Formato Digital.

 

AUGUST 2005, Berisso Art School, ARGENTINA.

Workshop:Electronics & space in interactive music.

 

JULY 2005, C.C.I.Malvinas, La Plata, ARGENTINA.

"Sound instalation" with e(n)samble de improvisacion.

 

JULY 2005, Bystrzyca-Klodzka, POLAND.
Polish Master Courses of XX Century Music Interpretation

 

DECEMBER 2004, La Plata, ARGENTINA.

World first performance of "Ensalada de flautas".

 

NOVEMBER 2004, Teatro Argentino Hall, La Plata, ARGENTINA.

World first performance of "Monodias".

 

 

 

 

Distinctions & Prizes

- distinction: 
a) place and/or date: 
b) other data of interest:

- Distinguished with the “ACCESIT 2000 EN MUSICA” award.
a) Seguros Rivadavia Culture Center, La Plata, ARGENTINA, 15.12.00
b) distinction of the Accesit Group for Fiore’s artistic creation activities at local and international levels.

- Winner of the context of composition of the  UNLP, with its string quartet  "Perdendosi" 
a) La Plata, ARGENTINA, December of 1982 

- Grant  for postgraduate studies in composition at the A.M. W K 
a) Cracow, POLAND, years 1987 and 1988 
b) granted by the Ministry of Culture and Art of Poland.

- Grant  for postgraduate studies in electroacoustic music and composition with computers at the A.M. W K 
a) Cracow, POLAND, 1989/90 academic cycle 
b) granted by the Ministry of Culture and Art of Poland.

- Grant  to make studies of Polish language and culture at the Jaguellonean University.
a) Cracow, POLAND, 1989/90 academic  cycle
b) granted by the Ministry of National Education of Poland.

Professional Relations & Management Artistic Projects

- Position: 
a) place and date: 
b) other data of interest:

- Member of the PSME Polish Society of Electroacoustic Music. POLAND.

- Artistic director and curator of the “Multiples Languages Meting”
a) La Plata, ARGENTINA, 2001.
b) It’s an international meting to share performances, installations, exhibitions, lectures. Sponsored by the Culture state office of La Plata city.

- Active member of the Artistic Society "Muzyka Centrum". 
a) Cracow, POLAND, since January of 1989. 
b) H. Fiore participates in the activities of the grouping as performer, lecturer, and composer. Since 1975 Muzyka Centrum takes organized more than 500 events and concerts of contemporary music, but of 500 world-wide openings. It is member of the European Conference of Promoters of New Music (c/o Gaudeamus-Amsterdam) annually contributing to the calendar of European music with the International Summer Workshop of Contemporary Music Krakow/Stuttgart and the Audio Art Festival.

- Member of the “Peripeties Improvisation Project”
a) Cracow, POLAND, since April 1999.
b) It’s a duo with K. Pyzik, to play an study music using music instruments of different cultures, epochs and latitudes.

- Sound artist at the KUNSTRADIO projects
a) Vienna, AUSTRIA, from November 1997. 
b) With G. Moser-Wagner (Austria) and B. Piersol (the USA), among others.

- Representing of Argentina at the UNESCO International Rostrum of Electroacoustic Music
a) ORF, Vienna, AUSTRIA, June/July 1998. 
b) like member of the panel of selection during the listening sessions of electroacoustic music.

- Press and broadcasting director of Euro American Konsorcjum
a) Bielsko-Biala, POLAND, de 1993 a 1997.
b) responsible for press, radio and television events.

- Consulting artistic of the society "Teatro Lirico di Roma" 
a) Rome, ITALY, years 1990 and 1991 
b) this grouping organizes concerts in Europe, and annually the "Staggione Lirica di Taormina".

- Creator and artistic director of 1º Cycle of Concerts of Argentine Contemporary Music in Poland. 
a) POLAND 1989/90. 
b) cycle supported by the Argentinean Embassy in Warsaw.

- Member of “Grupa Sur” 
a) Cracow, POLAND, years 1987 & 1988.
b) this is one of the first polish ensembles dedicated to study and play the folklore of south America.

- Founder member, composer and conductor in the grouping "Otras Musicas" 
a) Buenos Aires, ARGENTINA.
b) grouping of Argentine composers dedicated to the promotion and spreading of contemporary music.

- Founder member of the quartet of folklore projection "Nuestro canto"
a) La Plata, ARGENTINA, 1970/1984.
b) ensemble dedicated to study and play folklore from south America.

- Conductor at the Coro Polifónico Municipal de Castelli
a) Castelli, Bs. As. ARGENTINA, 1979.

- Jury at the International context of Composition of Electroacoustic Music “EAR '99 Magyar Radio”
a) National Radio of Hungary, Budapest. HUNGARY. 19-21.11.1999.
b) the Jury was integrated by seven composers of diverse countries. Organized by the Studio of Electroacoustic Music of the National Radio of Hungary (Magyar Radio).

 

"PERIPETIES IMPROVISATION PROJECT"
H. FIORE: Flute & Live electronics, K. PYZIK (Krakow): Viola da gamba, Cello & Double bass.

"F&F  PROJECT"
H. FIORE: Flute & Live electronics, Omar FARIAS (La Plata): Percussion & drums.

 


Cycles of experimental live music projects:
 

• Live music generated interactively with movement or dance. It means performances in which the music is generated or modified by the movement or the choreography of the performer or dancer, respectively. Those movements send to the computer and other el. instruments all the information needed to generate and modify the music during the performance.
The works  pertaining to the Audio art Cycle include new techniques of playing computers and traditional instruments using special interfaces which digitizes body movements, acoustic sounds, light and shadows degrees, etc.
 
• Live music for acoustic and electronic instruments. The IWEI Cycle of interactive pieces in which computers are controlled by a wind electronic instrument. There is no pre-recorded material. The music played on the wind controller is immediately sent to loudspeakers and becomes one of the parts (tracks) of the piece. Simultaneously, this music is “heard” by the computer and in real time it computes this information and generates music accordingly, reacting to the input in a pre-programmed way. This music become the other parts (tracks ) of the piece. A very rich and complicated polyphony could be created from a single line of music. • Live Music with animated images projection. The Works pertaining to the cycle Interactive digital drawing & projection are those in which there is a live computer performance on a system based on electronic instruments and a desktop projector. The movements the performer needs to do on the computer screen generate images and act over the musical material • There is also music for solo instruments, music for chamber ensembles, music for orchestra, music for loudspeakers and music for “tape” and acoustic instruments.
 
 
 
 
 
 
 
 
 
 
Top of the page
 
 
 
Main Projects:

 

"Triobligado" (2005) for piccolo & two flutes.

 

"Conexiòn Nº 4" (2005) for piano (3 players) & flute. E

 

"Alea seis" (2005) for 4 gitars. E

 

A escena (2005), video clip.

 

Resurrecciòn (2005), electroacoustic music ( fragment).

 

Canciòn del dìa de la primavera (2005), percussion, flute & interactive computer. E ( fragment).

 

“Resplandor” (2005), electronic music. E

 

"Sound in" (2005) live electronic sound instalation.

 

"Chandr" (2005) for piccolo & interactive computer.

 

“Alarido” (2005), digital video & computer. E

 

"Banda de vientos" (2005) for piccolo & interactive computer.

 

"Echimp" (2005) live music for piano, saxophone & wind controller.

 

"Sound instalation for flute & flute's head" (2005). E

 

"Ensalada de flautas" (2004) for five flutes. E

 

"Monodias" (2004) for solo flute. E

 

"Cuarteto de cañas" (2004) for  instruments invented by luthier D.Scarso.E

 

"Canon" (2004) flute, harp, four guitars, piano & doubble bass. E

 

"Por la memoria de otras noches” (2004) lyrics by E.Molina, for clarinet, percussion (+vib.), harp, mezzo soprano, cello & computer.

 

“Drawing Music 5” (2004) [**] saxophone, voice, piano, computer & digital drawing projection

.

“Junkaigala” (2004), for computer.

 

“In free way” (2004), [**] for saxophone, percussion, piano, violoncello, flute & interactive computer.

 

“Dwie Impresje” (2004), for percussion, flute, & computer. [E]

Premiered: 2004.07.17. Auditorio Municipal de Bystrzyca-Klodzka, POLONIA.

 

“Przestrzenie” (2004, live music for silent film), for piano, flute & DSP in real time. [E]

Premiered: 2004.07.17. Auditorio Municipal en Bystrzyca-Klodzka, POLONIA.

 

“Schizo free music” (2004, co-autor: Szabolcs Esztenyi), for piano & interactive computer. [E]

Premiered: 2004.07.17. Auditorio Municipal en Bystrzyca-Klodzka, POLONIA.

 

“Przeblyski” (2004), for saxophone, violin & interactive computer. [E]

Premiered: 2004.07.17. Auditorio Municipal en Bystrzyca-Klodzka, POLONIA.

 

“Skok 2/ch3” (2004), for interactive computer

 

“nDr Songo” (2004), saxophone, piano & interactive computer.

 

“¡Oye!” (2004), for acoustic instrument & interactive computer.

 

“Karawana” (2004), for saxophone, violin, percussion & interactive computer. [E]

Premiered: 2004.07.17. Auditorio Municipal en Bystrzyca-Klodzka, POLONIA.

 

“Jal Hodls music 1” (2004), for computer.

 

“Variaciones sobre el choclo (2004), [***] for digitizer, computer & interactive dance.

 

“El Acrobata” (2004), for flute and guitar.

 

“Remixed moments” (2003) experimental music for loud speakers and processed noise sound interaction.

 

“De improviso 1” (2003), [***] for computer controlled by interactive movement.

 

“nDr Impro” (2003), for interactive computer.

 

“Dias marineros” (2003), for clarnet & computer.

 

“BolNC6” (2003), for flute & computer.

 

“Arboles nevados” (2003), for flute and guitar.

 

“Mente de tu mente” (2003), lyrics by S.Carden, for voice & flute.

 

“Nieve derrumbada” (2003), for flute & guitar, a collaborative project with C.Calmens based on a text by S.Carden. [E]

Premiered: 2003.12.15, Palacio Lopez Merino, La Plata, ARGENTINA.

 

“Entonces te preguntabas” (2003), for flute and guitar. [E]

Premiered: 2003.12.15, Palacio Lopez Merino, La Plata, ARGENTINA.

 

“Un Volcan” (2003), lyrics by S.Carden, for flute, voice & guitar.

 

“Rompiendo acido” (2003), lyrics by S.Carden, for flute, voice & guitar.

 

“Cancion Siestera” (2003), lyrics by J.L.Ortiz, for oboe, percussion, piano, voice & double bass. [E]

Premiered: 2003.11.14. Goethe Institute (palacio Potocki), Cracovia, POLONIA.

 

“Azulfuego” (2003), lyrics by S.Carden, for choir & flute.

 

“Wariacje Interaktywne” (2003) for flute, piano,quena & computer. [E]

Premiered: 2003.07.16,  Auditorio Municipal en Bystrzyca-Klodzka, POLONIA.

 

• "New combo project" (2003) for wind controller, computer & percussion.

 
• "Two effects" (2003) for flute & interactive processing.

 
• "Can - can" (2003) for computer tape and live sounds.

 
• "Ritual Impro" (2003, with O.Farias) for flute, percussion and electronics.

 
• "Five notes" (2003) for solo flute.

 
• "Una vieja melodia" (2003) for flute & piano.

 
• “Music for Digital Art 2(2002) Electronic music to images by Gillermo Perez

 Raventos. [E]

 
"Frozen motives" (2002) [**] for wind controller, interactive computer system including old friends playing.

 
"Eclosion" (2002) [**] for oboe, percussion, piano, double bass, flute and interactive computer system. [E]

 
Juego de niños(2002) [***] poems by S.Carden, for voice, computer & digitized movements.

 
Lux sonoris (2002) [***] digitizer, computer and dancer performance. [E]

 
Music for Digital Art 1 (2002) Electronic music to images by Gillermo Perez Raventos. [E]

 
"Songo R" (2001) for wind controller, computer & percussion. [E]

 
Musica Ritual (2001) for flute, computer, digitized movements & percussion. [E]

 
Pulsaciòn (2001) for wind controller, computer & percussion. [E]

 
Accents (2001) for computer controlled by a wind instruments & percussion. [E]

 
Procesiòn (2001) for wind controller, computer & percussion ( fragment). [E]

 
“Wariacje na Liber tema Tango” (2001, Markova / Fiore) [***] digitizer, computer and moving performance. [E]

 
“Kompozycja na flet i komputer” (2001) for flute, computer & digitizer. [E]

 
“Ga, Gam, Games” (2001) for live electronics, flute & percussion.

 
“Remixed moments” (2001) for loudspeakers and interactive processed noises.

 
"Mam  bo chce"  Fiore/Prado (2000)  [***] flute, WX, digitizer. [E]

 
"Visual el. songs II" (2000) [**] [*] CD, flute, WX, computer & digital image projection. [E]

 
"Son de luz"  (2000) [***] digitizer, WX. [E]

 
"Contraluz"  (2000) [***] double bass, cello, guitar, pardessus de viole, digitizer, WX. [E]

 
"Open Head Impro" (2000) [***] processed open head of a flute & voice.

 
"Drawing Impro"  (2000) [*] acoustics instruments, computer & digital drawing projection. [E]

 
"Visual el. songs I"  (2000) [**] [*] CD, WX,  computer & digital image projection. [E]

 
"SdU Fragments (el marimbon)"   (2000) marimba & electronics.

 
"Argumentum ex cracoviensi"  (2000) for CD. [E]

 
"Hombre del río" (2000) [*] processed acoustics instruments & film projection. [E]

 
"Pinturas para tocar" (1999) electronics. [E]

 
"Hulasa" (1999) electronics. [E]

 
"Tunes"  (1999) instrumental ensemble & computer. [E]

 
"Drawing Music 4" (1999) [*] voice, piano, computer & digital drawing projection. [E]

 
"Czekam na odpowic" (1999) Text: W. Szymborska [***] actress, computer, live electronics. [E]

 
"a  Mehdi" (1999) solo instrument or ensemble. [E]

 
"Drawing Music 3" (1999) [*] acoustic inst, computer & digital drawing projection. [E]

 
"electronic songs"  (1999) electronic instruments

 
"A ser otro" Linea hipervital (1999), Lyrics by Edgar Bayley (O)  ensemble. (cl b -

 perc/vib - harp -mezzo - vc - tape) E
"En ruta” Linea hipervital (1999), Lyrics by Enrique Molina (O)  ensemble. (cl - perc/vib - harp - mezzo - vc - tape) E
"Siesta" Linea hipervital (1999), Lyrics by Juan L. Ortiz (O)  ensemble. (cl - perc/vib - harp - mezzo -vc - computer) E

 
"Peripeties pour pardessus de viole et charango" (1999, with K. Pyzik). [E]

 
"Varyasyonlar 2"  (1999) [**] wind electronic instrument & computer.

 
"Wiersze na flet" (1999) interactive piece for flute & computer. [E]

 
"Son sin marimba" (1999) interactive piece for percussion y computer. [E]

 
"Cracoviensis" (1998) (V) radio-art a VICEVERSA project with Gertrude Moser Wagner and Beverly Piersol. [E]

 
"Esculturas para tocar" (1998) [**] acoustic instrument & wind electronic instrument [E]

 
"Sei brevi racconti" (1998) [**] wind electronic instrument & computer

 
"Tan go zando 3"  (1998) [**] wind electronic instrument & string orchestra.

 
"Tan go zando 1 & 2 " (1998) [**] wind electronic instrument & ensemble. [E]

 
"Varyasyonlar 1"  (1998) [**] wind electronic instrument & computer.

 
•  works before 1998 at the end of this page

References:
[E]   Work already released (performed)
WX: wind electronic instrument.
(O) Commissioned by the Oresun Ensemble, Kobenhagen, DENMARK.
(V) Commissioned by Vice Versa Project, Vienna AUSTRIA.
[*] Works pertaining to the cycle Interactive digital drawing & projection.
[**] Cycle of interactive pieces (IWEI) in which, the computers are controlled by a wind instrument.
[***] Works  pertaining to the AudioArt Cycle.
 


 
 
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 
 

The great majority of Fiore’s works has already been performed at different festivals and concerts in Europe, Americas  & Asia (sign [E]  at the end of the description of each work).

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



































 

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Fiore's main projects before 1998:
MWX str  (1997) [**] wind electronic instrument & computer (IWEI). [E] 
Un romance en tiempo de candombe (1997) computer. [E] 
Drawing Music 1 (1996) [*] computer & digital drawing projection. [E] 
Música étnica 1 (1996) [*] interactive (computer, projection, text)
Sìtara (1996) [**] computer controlled by a wind electronic instrument
Unbolerito (1996) [**] wind electronic instrument & computer. [E] 
bolero2b (1995) computer.
candombe (1995) computer. [E] 
Milosc do 3 pomaranczy (1995) theater music. [E] 
Son de uno  (1994) interactive for percussion & computer. [E] 
Czarny Kwiat (with R. Black) (1993) interactive double bass & computer. [E] 
kowal malambo  (1993) theater music. [E] 
Jaskoleczka 2  (1992) theater music. [E] 
Jaskoleczka 1  (1991) theater music. [E] 
Ciao Bambina  (1990) computer.
Kai generated (1990) computer. [E] 
Las vaquitas son ajenas (1990) charango & computer. [E] 
Prisma  (1990) ensemble (char - mbf - accordion & computer). [E] 
Puerto rico (1990) computer.
a bylo to tak... (1989) tape. [E] 
el rancho (1989) oboe, string quartet & tape. [E] 
Tectona  (1989) tape. [E] 
...de lejos (1988) violin & piano.
Reflexiones (1988) ensemble (vl - vla - vc or vla -vc - cb). [E] 
per órgano (1987) organ.
Cuatro minutos antes (1986) tape. [E] 
Sol negro (1986) mezzo-soprano & piano. [E] 
Estudios para flauta y voz  (1986) flutist & recitant. [E] 
Tres estudios para voz y flauta  (1986) one flutist. [E] 
Chacona (1982) orchestra.
Saicne-rapsnar (1985) ensemble (guit-vl-vla-vc).
Variantes FZ  (1985) piano.
Algunas fantasías (1984) flute. [E] 
Fin y camino  (1984) flute & piano. [E] 
Para que no digan que no hable de... (1984) flute & piano. [E] 
Sinestesias  (1984) piano. [E] 
Intermezo (1983)  orchestra.
Romanza'83 (1983) flute & piano. [E] 
Soledades (1983) guitar.
Transparencias (1983) guitar & string quartet. [E] 
Bloques y líneas (1982) ensemble (fl - cl - 2 guit). [E] 
Un Preludio (1982) ensemble, [E] 
Deseos (1982) ensemble (fl/ott - cl/cl bas -pf -vl - vla - vc). [E]
Perdendosi (1982) string quartet. [E] 
Sonata (1981) piano. [E] 
Paisajes de mi infancia (1980) piano. [E] 

References:
[E]   Work already released (performed)
WX: wind electronic instrument.
(O) Commissioned by the Oresun Ensemble, Kobenhagen, DENMARK.
(V) Commissioned by Vice Versa Permanent Project, Vienna AUSTRIA.
(*) Works pertaining to the cycle Interactive digital drawing & projection.
(**) Cycle of interactive pieces (IWEI) in which, the computers are controlled by an wind electronic instrument.
(***) Works  pertaining to the AudioArt Cycle.

The great majority of Fiore’s works has already been performed at different festivals and concerts in Europe, Americas  & Asia (sign [E]  at the end of the description of each work).
 
 
 
 
 
 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
 
 
 
  Concerts & Performances

Fiore's Home page

Summer Courses in Bystrzyca-Klodzka

International Workshops for New Music Krakow/Stuttgart

e-mail

 

 
 
 
 
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