Csaba in the 1960's
1960's: From Mr. Robert Blum, the Maestro's longtime attorney, friend and student: "one of the greatest of all United States sabreurs, Alphonso Morales, a Mexican-American from Tucson, a close fencing friend of mine, and one of Csaba's outstanding products. Al was on our Olympic teams in l960, 1964, 1968 and 1972. In our National Championships from 1965 to '68, Al placed second, first, first and third. He was second, academically, in his 1960 class at Annapolis; and he was a world class epeeist and modern pentathlete, as well as sabreur. Oh yes, he not only spoke fluent English and Spanish, but fluent Russian and French as well."
1962:
Bartholomew, Ben: Csaba
was v good to me got me a job at the Bursar's office NYU (thru Hugo C) told me
to come to the Fencers Club (E 53 St) or, if I liked, to the NYAC on 59th
(Fourth Floor salle)...I was new to all of this NYC way of doing things. So
when I chose the NYAC scholarship (thanks to Jack Keane) it caused a little bad
blood across town.
But D'Asaro was there and it was the home of the NYAC National Sabre champs ..so
1968, maestro Csaba is head coach at Pace University in New York.
Woliner, Mel: " I started as a freshman at Pace University in 1968, at age nineteen, and fencing through 1971. For the three years I was at the school, he was the official coach. There were no other coaches, or even assistant coaches. Although he gave lessons several times a week, he was not available to attend our meets (this remained a mystery to all of the team members). The Director of the Athletic Department was Peter Finnerty (who has since passed on). Unfortunately, years later, when I wanted to introduce my son to the sport, and bring him to a match at Pace, I was informed by the Athletic Department secretary that the school discontinued the sport (I suspect due to budgetary concerns)." "at the very least, it would be safe to say that he began in the Fall of 1967, if not earlier, and coached until at least 1971, if not later."
"I enrolled in Pace University in the fall of 1968 and found out that the entire
fencing team had graduated with the exception of one foil fencer, Lenny.
Little did I know of true discipline before I met Csaba Elthes. He was tall,
serious, and had a patrician air about him. Very confident and deliberate in
his stride and manner. He had a thick Hungarian accent and used to call me
either Mr. Mel or Mr. Sir (pronounced "meestor sore"). He was like a second
father to me. Imbued me with discipline to first develop my footwork before
touching a blade. During my earliest days at the sport, he had once put me
through a gruelling work-out that lasted more than half an hour. My legs were
starting to wobble. Because I did not execute certain moves properly, he began
to lose patience and his voice rose. I was nineteen and, at one point, got
choked up. He stopped the lesson, put his arm over my shoulder and said "Mr.
Mel, I like you, you are promising fencer, but without discipline, nothing.
Let's try again". I composed myself and finished the lesson with his approval.
I was schooled in foil and epee, and, at one point, was the captain of the foil
squad. Competitively, I would get as far as fifth place in an Epee "B"
tournament in the Vanderbilt Athletic Club in 1972. I have not competed since.
However, I have the "fencing sickness" as one Russian coach said to me. It's
always thinking of the sport. I can't help by feel that his lessons and
discipline would also help me get through another trial, that of September 11,
2001, when I was only hundreds of feet from Ground Zero. Maestro Elthes always
taught me to think first and then act.
There was also a very humourous side to Maestro Elthes, too. My fencing buddies
and I were listening to a story one day in which he said, with a broad grin,
that he knew Zsa Zsa Gabor. He also spoke about how he never had to worry if he
were challenged to a duel (prior to World War 11), by a husband, as he had
mastered the saber and, consequently, never lost a bout in a duel of honor.
To this day, I say the phrase "Mr. Sir" in a mock Hungarian accent. My family
and friends like my imitation. It's my way of keeping his memory alive.
It was an honor, privilege and pleasure to know Maestro Elthes. I am a better
person for having known him."