Talking It Through
Pairing: Sean/Elijah
Disclaimer: Dont know
these people. No offence intended or money made.
His face when he opens the door is ... well, priceless. He goes
from tired and sad to overjoyed in about 3 seconds flat.
"Sean! Oh god, Sean!" He jumps at me so suddenly that I
have to drop my bag so I can catch him, staggering backwards,
hardly caring what kind of picture we must make, just so
overjoyed to be near him, to have him in my arms again. He smells
of cigarettes, alcohol and sleep. And of himself. A heady,
overwhelming combination.
"When? Why?" He's stuttering and it's completely
endearing. I squeeze him as tightly as I can and then let him
slide through my arms until he's on the floor, and then I try and
push him away, but he won't let go, pressing against me, his face
buried in the crook of my neck. I can hear his voice a constant
monotone vibrating against my skin, but I can't make out the
words.
"What?" Good grief, this is turning into a very
intelligent conversation.
"Sean," he says, and then again, "Sean." He's
scrubbing his face backwards and forwards against my shoulder,
whispering my name.
"I'm here," I say. "You'll be all right now."
I don't even know what I mean by that, but now that I'm here, now
that I can see him, I realise just how tired he is, how very young
he really is. I finally manage to push him away so that I can cup
his face between my hands, and I swallow against the shock. I
haven't seen him in almost three weeks and in that time he's
changed; he's thin and far too pale, and the bounce has gone,
he's worn down.
He looks at me like he's a whipped puppy and he's not 100% sure
if I'm going to kick him or hug him, and I feel something tighten
inside; I'm the person he should trust even if the rest of the
world turns on him and to see that look turned on me hurts. I run
my thumbs over the soft skin at the corner of his eyes and watch
as a smile starts somewhere and works its way to the surface.
"Come on in," he says, putting his hands over mine and
pulling them down so that he can kiss them. "I'm so glad to
see you."
I pick up my bag and, the fingers of my other hand twined around
his, I follow him, trying to school my face into a bland
expression.
"Lose that," he says, gesturing at my bag. "How
long can you stay? What are you doing here?" He begins to
smile, a proper smile this time. "No, scrub that last
question, don't answer it. You're here. That's enough."
He pushes me down onto the couch and sits astride me. He kisses
me, and even though I know that I shouldn't, that I should hold
him away from me, find out what's wrong, why he's so tired, I
don't, I respond to him in the way I always do, my hands holding
his hips, moving up to slip into the top of his sweats. The feel
of his skin under my fingertips, hot and smooth makes me gasp,
and he responds, lifting himself up and pressing me into the
cushions, his fingers wrapping in my hair. I'm almost ready to
give in, ready to lose myself in him, when I hear him make a
noise, a strange, desperate whimper that I've never heard before,
and with my fading willpower, I push him away.
"Elijah, stop."
"No," he mutters, nuzzling blindly at my face,
"don't want to stop. Want you." His hands trail down my
face and then I feel his fingers at my buttons.
"Elijah." I put my hands over his, stopping him in his
very determined tracks. "What's wrong?"
"Why should there be anything wrong? Get off, would
ya?" Pulling his hands free he starts on my buttons again.
He has a strange, wired air about him - he's running on empty I
think, and he doesn't know how to slow down.
"Stop it," I say, pushing him away, just so that I can
see his face. "Elijah, talk to me."
"Don't push me," he snaps, his fingers still tangled in
my shirt. "You came to see me, didn't you? Well I just want
to say hello." He pushes forward again, but I push him back
again, harder this time so that he slides half off my knee.
"What's wrong?" I ask him again. "Why are you like
this? Why are you so wired?"
"I'm just pleased to see you again, and I want to show
you." He crawls back up onto my lap, and this time I stop
him by putting my hands on his chest.
"Fine." With a snap which is almost audible, his temper
breaks. He doesn't lose it too often, but when he does, it's
spectacular, and if you happen to be in the firing line it's
pretty unnerving. He slides off me and stalks to the centre of
the room and then stops, obviously not sure what to do. He turns
to face me and opens his mouth to speak, then closes it again.
Instead, he turns his back and walks to the window.
"Elijah..."
"Shut up!" The aggression in his tone knocks me back.
"So all of a sudden it's not all right for me to be pleased
to see you? You don't want me to show you any affection, is that
it?" He swings round to face me, and his face is almost
unrecognisable - anger, grief and confusion written plain for
anybody who cares to see; my stomach clenches a little and I
can't help but wonder how long he's had that look.
"What do you mean?" I start to push myself off the
couch, but his expression stops me.
"Affection," he says again. "You know, people
liking each other's company, maybe even hugging each other in
public, that sort of thing. You're just like everybody else in
this whole stupid, hypocritical business!"
"Oh no," This time I do stand up and walk towards him.
"Don't talk like that. What have they done to you, and why
didn't you tell me?"
"Nothing," he snaps, backing away from me. "Just,
you know, 'don't touch him, Elijah, don't look at him, Elijah,
don't fucking breathe at him, Elijah.' You know ..." He
sighs and rubs his hands over his face. "I didn't want to
tell you, didn't want you to know ... I wasn't expecting you, I'm
sorry. You caught me off-guard."
"Why not tell me?" I ask, covering the ground between
us and putting my hands on his shoulders. He ducks his head, and
I don't force him to look up. He'll do that when he's ready.
"I'm sick of this, Sean," he says eventually,
"sick of everything."
"Sick of us?" I ask, my heart pounding. "Even of
us?"
"No! I didn't mean that," he assures me, looking up at
last, and reaching to cover my hands with his. "Never that.
I just ... oh, you know. They say all these things to me, how I
shouldn't look at you, touch you, hug you, and then they all go
back to their boyfriends and fuck them senseless. What do they
expect me to do? Just come back here and do nothing? I can't do
that, I can't. I want to see you, want to touch you ..." he
tails off and laughs. "Want to open the window and scream
your name as loud as I can. Except," he says gloomily,
"the fucking place is air conditioned, and I can't open the
damn thing."
"Come over here." I pull him over to the sofa and sit
him down. "Just how long have you been carrying this?"
"What do you mean?"
"You know. When did they say this to you?"
He sighs, trying to pull away, curl up, but I don't let him. If
he knew how much I want to protect him, he'd kick me so hard that
I'd become a soprano, but I don't think that the feeling will
ever go away, and certainly not as long as he keeps looking so
...
"You look like Gollum," I say, before clapping my hand
over my mouth. He looks up at me, a perfect ball of misery, and I
can feel laughter building up; some kind of strange reaction to
all this, the travelling, the near fight, the shock of his
appearance.
"Yeah? Well you look like ... er, a very thin version of
Sam." He groans and drops his head against his knees.
"God, I can't even insult you properly now. I've lost it
totally." He pauses. "What do you mean I look like
Gollum? I could get annoyed, you know." His eyes are
beginning to soften though, and I take my hand away from my
mouth, let him see my smile.
"Wanker," he mutters and slides into my arms, letting
me pull him close.
"So tell me," I say. "When did they say
this?"
"A while ago," he shrugs dismissively. "Oh Sean I
understand what they mean, I really do, but I just get sick of it
sometimes. I'm not saying that I want to jump you in public, but
it would be nice just to be able to acknowledge that you exist,
you know? Christ, sometimes I hate Frodo."
"No you don't." I kiss the top of his head. "You
love Frodo. He'll always be a part of you, just like Sam will be
with me for the rest of my life. And if we hadn't got those two,
then we would never have met."
He nuzzles into my neck, raising one hand to tweak at my earlobe,
and I feel him sigh. "I'm sorry for shouting."
"Don't be," I assure him. "That's what I'm here
for."
"To be shouted at?" he sits back. "That's not much
of a job."
"Well I know," I agree. "But the rewards make up
for it." He smiles again and I feel my muscles begin to
relax as I watch him calm down. "You keep too much
inside," I admonish gently. "You hide behind geek
boy."
"He's good camouflage." He shrugs. "Between them,
Frodo and geek boy keep me safe." He stands up and pulls me
to my feet, keeping his fingers wrapped around mine as we stand
almost nose to nose. He leans forward and kisses me, and it's
gentle and sweet with none of the earlier desperation.
"I need a shower," I say, pulling away from the kiss.
"Then I'm going to show you just why I came all this
way." I cup his face in my hand and kiss him again, gently.
He smiles and lets go of my hand, pointing wordlessly towards the
bedroom. One of the advantages of being who he is means that he
now gets a suite of rooms, and when I go into the bedroom I can't
help smile. It's so Elijah in here; messy, clothes and cd's
strewn around the room, the television on with the sound down,
the light from the screen flickering, causing the shadows to
chase themselves into the corners. The bed is unmade, as usual,
and I lean down and pick up the telephone which is still lying
there, pressing it to my lips. God bless Alexander Graham Bell.
I put the phone back on the base and make my way into the
bathroom - more Elijah destruction is in evidence and I can feel
my fingers itching to tidy up some of the chaos - except that
he'd kill me if I did, so I content myself with picking up some
of the wet towels off the floor and dumping them in the hamper.
The shower is glorious - lots of hot water pounding at my
shoulders, easing an ache I didn't even know I had. I want to
linger under there for an age, but my arms are missing him, so I
quickly dry myself off before taking one of the robes supplied by
the hotel and making my way back to the bedroom.
It's empty, and I take the opportunity to quickly straighten the
bed. As I stand up something catches my eye and picking my way
through the cd cases, I make my way over to the writing desk
which all these hotels seem to supply. The thing that caught my
eye was a gorgeous little model of a horse - of Pegasus, the
winged horse - caught as he takes flight, escaping the bonds of
earth and making for the skies where freedom is beckoning. It's
beautiful, very delicate and breakable, and yet here, in this
cluttered just past teenager's bedroom, it sits alone and
sacrosanct.
There is a journal-type notebook next to it, which is a surprise
because Elijah doesn't keep journals. I glance down at the page,
and my eye is caught by one phrase, repeated over and over: I
hate it. I hate it. I hate it.
"Hey?" I turn around and look at Elijah, silhouetted
against the light. "I'm so glad you're here, Sean. I don't
even have the words."
"You don't need the words," I reply, holding out my
hand. "I've got words enough for the both of us.
"Sweetheart, you look so ... tired."
"I don't sleep too well alone, not anymore," he says,
coming towards me, ignoring my outstretched hand and leaning
himself against me.
"And you work too hard," I admonish softly, pulling him
close.
"No," he snorts a bit at that. "Interviews, that's
all. I'm just sitting there talking; it shouldn't be so tiring,
you know? I don't even have to think about the answers anymore,
so why should I feel like this?"
"Because you're you," I say, stepping backwards until
my knees hit the edge of the bed. I sit down suddenly, taking him
with me, and he laughs quietly, the faintest echo of how he
usually sounds.
"I've missed this," he whispers, his head resting in
its accustomed place, the crook of my neck. I can feel his
eyelashes fluttering against my skin, and my throat closes at the
vulnerability of it. He tilts his head up and kisses my jaw, just
in front of my ear - a very tender spot, and he laughs again at
my response. "Missed you."
"And I missed you," I assure him. I pull him closer so
that there is no space between us at all. "Tell me what you
hate, Elijah."
He stiffens, but doesn't pull away and I find myself stroking my
hand down his back, trying to soothe and relax him.
"Please," I say. "You're scaring me, hobbit boy.
Please tell me."
"What I said before," he finally mutters in an
undertone. "I hate not being with you, and being cooped up
here all the time having to make nice to people I don't even
fucking know. Sometimes I feel like I'm being stared at all the
time, you know?"
"Why did you buy Pegasus?"
He smiles at that; I feel it against my neck. "Because he
symbolises everything I'm not; he's free and powerful and doesn't
answer to anyone."
"Elijah..." I push him away and then roll over so that
I'm on top of him, my leg between his, my hands either side of
his head. He looks young and irresolute and about a million miles
away from the Elijah I fell for.
"You're tired," I start, putting my finger over his
lips when he begins to protest. "And you know how
introspective and downright weird you can get when you're tired.
You're lonely, and believe me, so am I. I hate it that you've
been here without me, being lonely even though you're surrounded
by people. I've been at home, and even though you're not there, you
still are; the essence that makes you, you."
"Me me?"
"Shut up." I kiss him, feeling him respond to me, his
arms reaching up to wrap around my neck. "And you're annoyed
because we can't go public yet. But Elijah that's the word to
hang onto; yet. We will do it, you know that, but we have
promises to keep. Promises to my wife and my children, and to
your family, and to our extended family who were with us in New
Zealand."
"I know, I do know," he says, sighing. His fingers
start to play with the hair at the back of my neck. "But I
get so ... fucking tired of waiting. I'm so proud of you, Sean; I
want to show you off to the world. Lookit world, look what I got!
Don't you wish you were me?"
"And we will," I say again. "And on that day there
will be nobody prouder than me. Just hang on for a little while
longer, Elijah, please?"
"I'm not cracking up," he says, sounding affronted.
"I'm just pissed at the world, that's all. And tired, and
lonely..." he trails off and sighs melodramatically.
"And missing my man."
"Er, hello?" Rather childishly I stick my finger in his
ear, and the resulting giggle and squirm knocks me off him. I
slide to the side and put my arm around his waist, sliding my
hand under his t-shirt and resting it on his belly. He makes a
contented sound and reaches down to cover my hand with his own.
"Hello," he says. "It's all right, I talked to my
man earlier, and until he gets here, you'll just have to
do."
"When does he get here?" I ask, letting him pull me in
for a kiss.
"When you go," he says when he finally lets me go.
"In about 50 years or so."
He reaches in for another kiss, this one more like a proper
'Elijah' kiss - concentrated and energetic and utterly loving. I
feel like I'm drowning in him, and when he finally released me, I
pull him to me again, kissing him desperately, almost savagely.
He whimpers against my lips, but it's all right; it's not the
unhappy, frightened noise he made before; this is Elijah, and
it's all for me.
"Miss me much?" he says when we come up for air.
"Hardly noticed you'd gone," I offer, lying gamely as
his hands unfasten the belt of my robe, revealing evidence
completely to the contrary. He smiles and kisses my collarbone,
then my chest, then each nipple in turn, concentrating on giving
me pleasure.
"My Sean," he whispers, lips against mine, before
quickly sitting up and removing his t-shirt and sweats.
Gloriously naked, he lies on top of me, his hips moving in gentle
counterpoint to my own. I run my hands down his back, revelling
in smoothness of his flesh.
"My Elijah," I whisper back into his mouth.
"Make me yours," he says, his head sliding down to rest
on my chest. "Please Sean, make me yours."
This is something I can do for him; make him feel loved and
whole, and not lonely anymore. He only actually asks for this if
he has lost sight of himself and of me, and of us - he
once told me that it's his way of reclaiming what the world (that
place again!) takes away from him.
And so I set myself to please him, to love him and to bring him
home. I tip him onto his back and settle myself over him again,
this time skin and against skin. He smiles, eyes half closed, and
I smile back, licking his lips until he opens his mouth and lets
me kiss him. I relearn him, the way he tastes and sounds, the way
he looks as he becomes more aroused; the way his head tilts back
and his lips part, his tongue peeking out to lick at his dry
lips.
I kiss his neck and his shoulders, biting gently; not hard enough
to leave marks, but enough to make him flinch and gasp. Then I
push myself up until I'm sitting astride him and I just look at
him. So pale - what colour he has is focused in his hair and his
eyes and his mouth. And his nipples. I lean down and brush my
tongue over one, letting my teeth graze against the flesh. He
arches into the touch and the flesh hardens against my tongue.
"Sean..." he whispers, one arm thrown back over his
head, the other resting on my back. "My Sean..." He
moves his hips and I feel him, hard and proud against me. But
we're nowhere near reaching that particular goal, not yet.
I kiss the soft skin of his arms, making him giggle again, and I
love that sound so much that I repeat the action, wanting to hear
it again. I keep doing it until he squirms away, begging for me
to stop, and then I turn my attention to his belly, flat and
smooth; he has so little body hair, and I find it a source of
constant fascination. I love to watch the way his muscles ripple
underneath the thin skin; I watch them as they tense and then
relax, and as I run my fingers and then my tongue across him,
just above the line of his pubic hair I feel the goosebumps I
cause.
I slide off the bed and onto my knees, pushing his legs apart and
kissing his thighs, again biting hard enough to make him flinch.
I catch a movement out of the corner of my eye and watch as he
reaches down to take hold of his cock, his hand fisting around it
loosely, working it slowly and languidly. I move up so that on
his next downstroke, I can catch his fingers in my mouth, and he
freezes, almost not breathing, as I suck first one, then two
fingers into my mouth.
He grunts and pushes his hips towards me, urging me to take him
into my mouth, but not just yet... instead, I urge him over onto
his belly and he obeys, groaning slightly as his hardness rubs
against the cotton sheets.
First the backs of his legs - I kiss my way up them until I reach
his ass - perfectly round and firm, and absolutely biteable. So I
give in to my more basic urges, and do just that, laughing at the
groan and the muffled cry of "Sean!" it produces. The
sound tails off into something much more primitive when I slide
my tongue between his buttocks, licking softly. I feel his hips
move as he thrusts into the sheets, and when I put my hand on his
back to stop him moving I can feel the sweat beginning to build
there.
"Jesus..." he moans, his voice muffled by the sheet he
appears to be clutching between his teeth. "Oh fuck..."
When I slide my finger into him, he very nearly takes flight.
It's dry and not what I would have wanted ideally, but the way he
pushes himself back against me makes me think that perhaps it
doesn't matter too much.
"More.." he says. "Much, much more. Whole lots
more.... oof! That's it."
Maybe the sheet was a good idea. Very talkative, my Elijah. I
slide another finger in and let him adjust to it. He pushes back
so hard that he slides off the side of the bed and ends up on his
knees as well, which is fine by me, since I'm able to lean over
him, moulding my chest against his back, my fingers working in
and out, stretching him, making him accustomed to the intrusion.
"Come on." He has turned his head so that his face is
scraping across the cotton sheets. The same cotton sheets he is
clutching in his fists. His mouth is slightly open as he pants
for breath, a fine sheen of sweat is covering his whole body, and
he is the most perfect thing that god ever designed.
Enough. I can't take it. I want to bring him home. I position
myself and slowly, carefully thrust into him. His head goes back,
the tendons in his neck standing out as he adjusts to the
pressure and discomfort.
"More," he grits out again. "Please Sean, oh god, please."
I start to move in him, my own eyes closing briefly at the
incredible tightness of him around me, his muscles clenching and
relaxing, making me gasp out his name, the ability to speak
coherently completely escaping me.
And then it's almost silence; gasped instructions - 'harder',
'there', 'more' - whispered sounds, forced from dry throats, skin
slapping against skin. It's obscene and beautiful. I run my hand
up his back, my fingers shaping around the back of his neck,
holding him there.
He comes first, as I had hoped, the sheet back in his mouth, his
face pressed against the bed, gasping helplessly, unable to form
any kind of word, trembling underneath me. When I come, only
seconds later, he gasps again and his whole body tenses, then
suddenly relaxes.
"God," I finally gasp, pulling out and crawling onto
the bed next to him. "Elijah..."
He groans and lifts his head. There are tears running down his
face, which I had half expected, but as he comes into my arms,
seeking the comfort and security which I seem to represent to
him, I can tell that he isn't upset or hurt. It's catharsis, and
I know that, for tonight at least, he's home again.
Tonight, Pegasus can fly.
The End
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