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ARTICLE FROM THE TV TIMES, JANUARY 1987 (photos above)
Up Line : Wednesday Channel 4
A funny thing happened on the way up the pyramid
NEW SERIES
Life is short... Now’s the time... look at us… We’re moving up line...
(to the persuasive beat of a catchy tune).
But, to begin with, it’s a rum time in the big city. Anxiety is rife
and life is bleak. The clientele of the Brasserie Brassai are a shmoozers (a
Yiddish word for people sitting around having a chat). Alex, the black
cabbie, is losing The Knowledge. He’s just forgotten the way to Abbey
Road, London NW8, and, anyway, all he really wants to do is play jazz.
Alex’s wife, Camilla du Bois, is a mere waitress at the bar, with
faltering dreams of a singing career. The policeman wants to be Frank
Sinatra, the casting director cant get cast herself, the would-be West End
star is running a keep-fit class in a most unhealthy basement.
In the midst of all this a comedy trio called Targett and Technology are
going Targett is a victim of urban stress, in the spiky shape of a punk
attacker. His girlfriend, Patti Technology, is the driving force behind the
act, struggling to revive Nik’s flagging spirit. Her brother Victor has a
tortoise farm in the front room, and a social worker boyfriend to contend
with.
The trio are heading for their last gig: after the show in King’s Cross,
their equipment is blown up by Indonesian extortionists. Don’t be caught..
Left behind... Come with us. We’re moving upline (the beat gets catchier).
THE NEW C4 series Up Line, a four-part comedy-drama with songs, starting on
Wednesday, is the invention of Howard Schuman, creator of the ITV series
Rock Follies and writer of numerous plays with a satirically comic edge.
It is about a gaggle of lost souls, ripe and vulnerable, ready to be drawn
in by the glitter and promise of Pathway, a pyramid-selling organisation of
dubious repute.
Pathway is fiction, but pyramid-selling is all too real, as Schuman
discovered when he made a trip to his native New York, looking forward to
the lively company and conversation of a favourite cousin and her boyfriend.
‘I was told not to rush over and see them because they’d be talking a
lot about saucepans. They’d got involved in a pyramid-selling scheme. When
we
met, they talked obsessively and without humour, for seven hours about
selling and money. They said it worked on lines. You were recruited by
people who were up-line of you, and when you recruited people they were on
your down-line. This couple had changed completely, and I got very nervous,
because this sounded cultish, like the Moonies.
‘But the writer part of me couldn’t get away from the term up-line.’
Schuman returned to England thinking he’d left pyramid-selling behind —
just another American folly. Back home in London, he immediately who’d
been hooked by a similar organisation. ‘I decided then to write the story.
It seemed ideal material for a comedy with the American influence on this
country. All the talk in the Eighties of money and success is very
un-British.’
As Targett and Technology, and the rest of the shmoozers become Pathway
devotees, the mysteries of up-line gradually revealed. Up-line lies ever
greater wealth and a blind faith in happiness, and a strong hint of some
unsavoury activity.
Pathway deals in seductively packaged life-extension products. Pills and
creams for a better and longer tomorrow.
As it sells the products, Pathway sells itself to new recruits with all the
brash razzmatazz of a bad TV commercial.
Up Line is directed by Bob Spiers, who has worked on The Goodies Fawlty
Towers and The Comic Strip Presents... It fell to Spiers to capture the
gaudy style of Pathway’s exploits.
The trick, he says, was to make ‘sheer, disgusting propaganda’.
As he knows from research with Howard Schuman, ‘in real life, the
pyramid-selling people are very slick and seductive, and you can fully
understand people falling for it.
Nik Targett, the central figure, is played by 27-year-old Neil Pearson, who
was Andy Sykes in Drummonds, and a skinhead in Trevor Griffiths’s Oi for
England.
Patti and Victor, the Technologists, are played by Caroline Quentin and Paul
Bown.
Alex and Camilla are played by Clarke Peters and Angela Bruce.
The most familiar face belongs to Alexei Sayle, as Melvin, a simple lad
heading... UP LINE.
David James Smith
The following was taken from the excellent TV
Cream Website which is well worth a visit, especially for those of us
with a good sense of humor who still like to harp back to all those
brilliant TV progs we watched when we were nippers! Check
it out by clicking here.
"NEIL PEARSON stars as a
hard-done-by down-on-his-luck recently-made-doleite guy musician guy stuck
for something to do but with long-suffering girl by his side. Until, that
is, he finds salvation in a pyramid selling scheme dishing out
cleaning-products and morale-boosting druggy foodstuffs. Instantly becomes
a yuppie success, with girlfriend losing faith in "not the guy I fell
in love with anymore" sort of a way. Culminates in weird multi-coloured
tub climbing frame malarkeys with Pearson and HUGH LAURIE outwitting each
other in a warehouse who-can-get-to-the-top-of-the-pile battle with
Pearson winning the day, but ultimately doing a "Prisoner" and
deciding that he'd rather be a nobody than king of an arseheap "upline".
Smashing organ drudge theme tune, backing animated credits of cartoon
people (cf PIGEON STREET) going up an escalator and then falling off the
top."
Got any information to add to
this? Please Email me!

gushoneybungirl@yahoo.co.uk
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