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" Apocalypse Now " is a compelling , adrenalin-pumping and hallucinatory film. The shoot lasted 3 years, the lead star has a heart attack and the budget ballooned from $12 million to $31. But believe me, the madness was worth it.
The film is set during the Vietnam war, where the psychologically damaged Captain Benjamin Willard is assigned a mission to find and " terminate " the command of Colonel Kurtz, a man whose methods have become " unsound ", a renegade operating out in the jungle. Willard takes the mission, and sets off on a patrol boat to find Kurtz, accompanied by a group of youths who seem unshaken by the war.
The brilliance of this film is evident from the beginning , the beautifully filmed depiction of Captain Willard's insomnia. It is an amazing and original depiction of Willard's war mentality, both the imagery and the dialogue. There's no need for me to explain , when you see it you will understand.
The performances are out of this world. Martin Sheen terrifically portrays the dazed captain, a man whose sanity is on the line. His blank, glaring expression sets the mood for the film, as if the horrors around him are all some hypnotic dream. Marlon Brando gives an eerie, masterful performance as Colonel Kurtz. Although Brando has little screen time, his few scenes steal the show and Kurtz's angry but restrained voice sticks in the mind. The use of shadows makes Kurtz's presence even more fearsome, like a tiger stalking it's prey. Robert Duvall excellently portrays the steely, insensitive character of the commander .In supporting roles, Forest Whitaker and Harrison Ford are utterly convincing in their respective roles.
The direction of the film is some of the finest that I have ever witnesses. Coppola shows the war through the eyes of a weary man, as a beautiful, dangerous battleground. The helicopter attack on the village is stirringly directed, the helicopters descending like a swarm of angry wasps on the picturesque spot. This is one of the most truly exhilarating scenes in movie history, I cannot recall having seen a better filmed action sequence. Throughout the film, Coppola varies between these gung-ho war scenes and hypnotic, subtle glimpses at the war through Willards eyes, notably when the patrol boat passes the exploding bridge. The later scenes, including Willards shadowy confrontations with Kurtz are frightening and gripping. Coppola seamlessly blends these scenes, and it makes for breathtaking viewing
Indeed. some of these scenes are so thought provoking that they border on genius. When one of the crew of the patrol boat gets shot, he is listening to an audio tape from his mother. We see the startling image of the dead youth lying, motionless while his mother's voice is heard telling him how much the family loves him and looks forward to his return. Such heartfelt, brilliantly conceived scenes are what makes " Apocalypse Now " stand out. The helicopter attack scene, to the strains of the Romeo Foxtrot, is both exciting and grotesque. Before the helicopters open fire on the village, we see several small children , glancing innocently at the swirling choppers, before being rushed inside by their guardian. This makes the whooping and bravura of the soldiers quite sickening, and provides the viewer with a dilemma of emotions. To pitch an action sequence like this is quite extraordinary, but makes things even more intruiging.
Francis Ford Coppola set out to make " Apocalypse Now " an exciting, disturbing and beautiful film.
From what I witnessed : mission accomplished. |
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