Clans
of The Alphane Moon - Philip K Dick (1964)
Probably my favourite of all of Dick's novels, though
not necessarily the best, and arguably the most accessible.
Chuck Rittersdorf works for the CIA (the Counter Intelligence Authority) where
he writes dialogue for government simulacra. These are dropped into Communist
countries (such as Red Canada) to spread propaganda among the locals. One has
to remember that at the time of writing, America was a paranoid country, heavily
involved in Vietnam and terrified by the possible spread of Communism into Malaysia
and Thailand. Dick pushes this paranoia to an absurd degree, creating an America
which is practically alone in a Communist world.
Chuck's social-climber wife Mary is a marriage counsellor. In one of many ironies
in this darkly comic novel she is divorcing him to travel as an unpaid volunteer
to one of the Alphane Moons, there to rehabilitate a colony of mentally-ill
patients (the psychiatric hospital on the moon having been abandoned by both
sides of the conflict after the Alphane war) who have formed a functioning society
in the interim.
Chuck is a man who (like many of Dick's characters) finds himself as a pawn
to forces and organisations whose plans and motives he never completely understands.
His wife, through her overwhelming lawyer firepower, has ensured that anything
Chuck earns will go straight to her as alimony. He is hired - through an apparent
arrangement with his wife - by popular TV comic Bunny Hentman to write scripts
for his TV show, but this turns out to be part of a complex plot by the Alphane
government to reclaim the moon for themselves by persuading Chuck to murder
his own wife.
Even his thoughts are not his own, for his next-door neighbour, Lord Running
Clam, a mobile Ganymedean slime-mold, feels it his duty to eavesdrop upon his
brain activity and offer sage advice.
As usual the SF content is employed in Dick's trademark manner. Dick is unconcerned
whether his SF plot devices make scientific sense. It's not important whether
a man who programmes simulacra could navigate a ship from Earth to a moon of
Alpha Centauri, or that the moon should be impossibly Earthlike when he gets
there (and it is never satisfactorily explained why a psychiatric hospital should
have been sited on an Alphane moon in the first place). The power of Dick lies
in the characters, their relationship to each other and to the universe around
them. In one sense it can be viewed as a story of a sane man living in a psychotic
world, manipulated by the plans of others. Chuck has no choice when he is forced
to move into a slum property which - like the rest of his society - has rules
and strictures of his own. Throughout the novel, the plans of others, which
invariably involve him in some way, are themselves based on 'irrational' suppositions
with little evidence to support them. Paranoia abounds, and Chuck is forced
to a point where he suspects even his friends, Joan Trieste and Lord Running
Clam, of being agents of either the government or the Bunny Hentman organisation.
It begins to seem that every time we hear about someone's agenda, it is always
reported by someone else, ie, it's a character's opinion of what another character
may, or may not, be up to. Thus, the paranoia is disseminated through the text
since we seldom, if ever, hear anyone confess, first-hand, what their agenda
is. We learn about characters partly through the testimony of other characters,
which gives support to the idea that everyone's plans are based on false data.
Dick masterfully manages to make many profound points through ironic observation
and gross characterisation, not least raising questions -still topical after
forty years or so - of how the US views other cultures and societal structures.
There's more than an implication of an America which believes that the American
way is the only way. All other cultural models are intrinsically wrong.
In contrast to Earth, the world of the mentally-ill, although not a paradise,
is at least a reasonably peaceful society of clans, differentiated by their
psychiatric status, and governed by an interclan council, reliant on each other
to fill their gaps in their collective dysfunctional psyches. This is underlined
when ultimately Chuck, Lord Running Clam and the moon's residents opt to live
under occupation by the alien Alphanes rather than submit to the values and
laws of their home world.
The greatest irony of all is that the moon is really of no real importance to
either side. Chuck, having earlier ruminated on laws which control the insignificance
of one's job in relation to the effect it has on the world, is forced to see
that all he has been through is meaningless in terms of its actual importance
to either Earth or Alpha Centauri.
'Chuck Rittersdorf, a 21st Century CIA robot programmer, decides to kill
his wife by remote control. He enlists the aid of a telepathic Ganymedean
slime mould called Lord Running Clam, an attractive female policewoman (sic)
and various others, witting or unwitting. But when Chuck finds himself in
the midst of an interplanetary spy ring on an Alphane moon inhabited entirely
by certified maniacs, his personal revenge plans begin to go awry.'
Blurb from the 1984 Panther Edition