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The Million Dollar Hotel = 38 =

It's great to see people being able to put their ideas up on the big screen without the crowd pleasing influence of the big studios. The downside of this is that often the end result is something that many other people will not like or understand. The Million Dollar Hotel is an example of such a movie. Although it may have matched Bono's vision, I found this Icon Production directed by Wim Wenders to be just a bit too weird and pointless.

The story centres around an atmospheric old hotel in Los Angeles called the Million Dollar Hotel. Apparently the heyday of this establishment was in the 1930s during a Hollywood golden era, but now (the year 2001) it has become a bit rundown and is inhabited by an assortment of urban weirdoes. One of these characters has recently died after a fall from the roof of the hotel. His father, a prominent local businessman, has called in the FBI to find the person who pushed his son (as he is confident that Jewish people do not commit suicide). The FBI arrives in the form of Agent Skinner (Mel Gibson) who will stop at nothing to solve the case so he can get back to holidaying with his fiancee.

Skinner has his work cut out for him dealing with the mostly delusional inhabitants of the hotel. Foremost among them is Tom Tom (Jeremy Davies), who as the hotel's resident gopher and best friend of the victim, also provides some of the movie's narration. Tom Tom is obsessed with Eloise (Milla Jovovich), who drifts around in a daze claiming that she doesn't exist and carrying books. There is also Jimmy Smits as a mad native American, Peter Stormare as a 60s throwback convinced that he was the brains behind the Beatles, and an aging hooker who claims to have been the fiance of the deceased.

Bono came up with the idea for this movie after visiting the real life hotel called The Rosalyn Million Dollar Hotel. He wanted to do a movie that would capture the atmosphere of the grand old building and tell a story of the people who lived there. This he has achieved, but it is not overly clear what the point of the story actually is. As a murder mystery, it falls pretty flat because what actually happened is a bit strange and difficult to decipher. If the suspense was supposed to come from pondering the fate of the characters then that is all lost because the ending is given away in the opening sequence (it worked in American Beauty but not here).

Jeremy Davies is pretty good in a challenging role as the seemingly idiotic but innocent Tom Tom. It his performance that brings us closest to a character that we can develop emotion for. Milla Jovovich does not have much to do except wander around, look a bit spaced out, and scream at the top of her voice occasionally. Mel Gibson's role is 'interesting' and is only pulled off due to Gibson's on screen charisma and presence. It is difficult to imagine this robotic looking high tech FBI agent having a fiancee. And no rational explanation is ever given for Skinner's futuristic back/neck brace contraption even though a significant part of the movie is devoted to this particular feature of the man.

All in all, a movie that I did not get much out of. Maybe there are other people who can relate to it better than me.

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  Director: Wim Wenders  
  Starring: Jeremy Davies, Milla Jovovich, Mel Gibson, Peter Stormare, Jimmy Smits
  Date seen: 3 May 2000  
  Last Updated 10 May 2000  


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