1)JANICK GERES 2)BRUCE DICKINSON
In 1999, Iron Maiden is a household-name in
every part of the world. After 20 years and almost 50 million album sales, Maiden is now
rightly regarded as the 'classic' rock band in every sense: modern masters of that most
emotionally extreme and technically dazzling form of rock music - the black sheep they
call heavy metal. A genre Maiden single-handedly reinvented for the Eighties, when they
released their first single, the punk-metal collision, 'Running Free', and their
uncompromisingly raw debut album, 'Iron Maiden', in 1980. And a genre which is once again
currently enjoying a vast renaissance worldwide with Maiden very much involved as always.
Back in the early eighties, Maiden was the band at the forefront of the
New Wave Of British Heavy Metal - a short-lived media-led phenomenon that would propel
them onto the world stage. "People always used to call us punk-metal when we first
started getting reviewed in the music papers in Britain," bassist and founding
member, Steve Harris, recalls with a rueful smile. "But I think that was partly to do
with the fact that our singer then, Paul Di'Anno, had quite short hair and the fact that
we used to play so fast. We used to come across as really aggressive. But that was never
really a punk thing to me - that was a pure metal thing. We used to frighten the life out
of the punksˇ"
Despite receiving no radio play whatsoever, 'Running Free' their debut
single leapt into the UK Top 40. When the band were then offered their first appearance on
Top Of The Pops, the UK's biggest weekly TV chart show, Maiden refused to do it unless
they were allowed to play live - something no artist had done on Top Of The Pops since The
Who demolished the studio during a performance of their 'Quadrophenia' hit, '5.15', in
1972. The BBC execs were sceptical but eventually relented and such precocity was rewarded
when their debut album, 'Iron Maiden', was released a few weeks later and immediately
crashed into the UK albums chart at No.4!
It was this take-no-prisoners attitude the band started with, and still
adopt to this day, which has served them so well throughout their career. Since then,
every one of the 11 studio albums and three live albums that Maiden have released have
been major Top 10 successes both at home in the UK and more than 25 other countries around
the world, including over 20 hit singles - a fact that sometimes gets overlooked as so few
of them have ever been played on radio - and no less than five consecutive million-selling
albums in America.
Along the way, despite numerous line-up changes the quintessential
Maiden sound - the rumbling-earth bass, searchlight guitars, spatter-gun drums and lion's
roar vocals - remained mercifully undimmed throughout. Their second album
"Killers" followed in 1981 which saw the band paying first time tour visits to
America, Canada and Japan. The album achieved the band gold album status around the world
but at the end of the tour singer Paul Di Anno left heralding the arrival of Bruce
Dickinson.
1982 was to exceed all expectations for the new line up. After a couple
of warm up shows with Bruce the band went in to record the legendary "Number of The
Beast" album. This blew away all competition to enter the UK Chart at No.1 while the
classic Maiden track,"Run To The Hills", got the band their first UK Top 10
single. This success was mirrored across Europe and also the American charts. The
gruelling 180 date , 8 month 'Beast on The Road Tour' again broke new ground for the band
as they did shows in Australia and New Zealand and saw the band headline their first sold
out US Show at the New York Palladium proving a portent of things to come. Once again
there was a band casualty with Clive Burr ,the bands drummer, leaving to make way for the
now infamous drummer/prankster/headcase Nicko McBrain.
The band immediately started work on Piece Of Mind which they recorded
in Nassau in the Bahamas The album went in the UK charts at No.3 when the band started
their "World Piece Tour" in the UK. As before there was to be no let up in pace
and Maiden found themselves playing to larger and larger audiences selling out everywhere
and gathering more momentum in America with their first - of many - full scale arena
headline tour. Powerslave was recorded in Nassau in 1985. The "Slavery Tour" was
to give fans a massive stageshow of lights and production featuring Eddie, the bands
hugely popular mascot and icon, now being transformed from a walk on part to a huge twenty
foot mechanised monster. The groundbreaking tour started behind the Iron Curtain in Poland
which was the first time a major band had taken full western production behind the Iron
Curtain. By the third week of the tour the album itself was released , going straight in
the UK Album Charts at No. 2.
The band found themselves breaking records everywhere playing the Rock
In Rio Festival to 200,000 fans, selling out Radio City Hall in NewYork five nights
running (illness preventing it from reaching seven) and the first act ever to sell out
Long Beach Arena (Capacity 13000) for 4 consecutive nights. This Long Beach success was
captured in the bands next release "Live After Death", Maidens first Double Live
album and video of the same name. The Live album charted at No.2 and the video went to
No.1 in the video charts and remained there for some time.These releases are still
regarded by many as one of the best live albums/videos of all time.
"Somewhere in Time" was released in September 1986, this time
recorded in both Nassau and Munich. This album marked a slight change in their style with
the inclusion of keyboards for the first time but in no way diluted Maidens classic style.
The first single released off the album "Wasted Years" reached the UK top twenty
and was a track written about the rigours of their previous tours. The album continued to
go gold or platinum in practically every major territory. The live show as before was a
dazzling spectacle. The highlight featured Eddie , this time an understage inflatable and
portrayed as a cyborg from the cover artwork, lifting the band off the stage with his two
hands and sending Nicko and drumkit skywards balanced on his head. "Somewhere On
Tour" again started in Eastern Europe and included six sell out nights at the
Hammersmith Odeon before again spending the spring of 87 touring through the US and
finishing in Japan some eight months later.
1988 brought "Seventh Son Of A Seventh Son", Maidens' first
and only concept album. This wasn't the original idea at the outset, but in writing and
followed by rehearsals it seemed the material had a common theme running through out. The
first single "Can I Play With Madness" went to No. 3 in the UK Charts and was
followed by 3 other singles from the album all reaching the Top 10 - quite a feat without
Radio support. The "Seventh Tour of a Seventh Tour" saw them begin in the US.
The high spot of the tour was to be the headlining of the legendary "Monsters Of Rock
Festival" at Castle Donington which with support by the likes of Kiss, Dave Lee Roth,
Guns and Roses and stablemates Helloween, they played to a all time record breaking
107,000 fans. The "Monsters" festival also had repeated success in Europe after
which the band continued back to the UK to complete the tour with sell out shows at
Wembley Arena for 2 nights the Birmingham NEC , 2 nights and 4 nights at the Hammersmith
Odeon.
The band had previously decided to take the whole of 1989 off however,
unable to rest, Bruce and Adrian spent their time recording their first solo albums and
November 1989 saw the group team up again for the launch of the "Maiden England"
video. In January 1990 work had barely begun on the "No Prayer For The Dying"
album when Adrian decided to leave the band, this being their first personnel change for
some seven years. Bruce meanwhile had been working through the previous summer with
ex-Gillan and White Spirit guitarist, Janick Gers who after auditioning was invited to
join.
The new line-up recorded the album in the UK at Steve's own Barnyard
studio. Released October 1st the album entered the UK Chart at No.2. This album was to
finally bring the band their first elusive No.1 single with "Bring Your Daughter to
The Slaughter" going straight to No.1 for Christmas 1990.
Work on "Fear on The Dark" started early in 1992 and Eddie
went through a transformation as for the first time artist Derek Riggs did not supply the
cover art but instead the band took a more sinister image drawn by Melvin Grant.
"Fear Of The Dark" was to be the bands third No.1 album and with an elaborate
show the band hit the road again starting this time in Scandanavia. Again the opportunity
to play Castle Donington came to the band. The show was filmed and later released on video
while several other shows on the tour were being recorded for a possible live album.
Finishing in Japan in November the band returned unaware of what was lurking around the
corner.
In March 1993 Bruce announced his departure feeling he had got to
saturation point with other projects and the band set to work on finding a replacement
while doing a final "Real Live Tour" tour with Bruce. The band visited Moscow
for the first time and received an amazing reception and went on to complete 44 shows
across Europe. Bruces final show was to be a live pay-per-view televised spectacular
"Raising Hell" featuring the magician Simon Drake performing grisly tricks
interspersed with live performance by the band. This included Simon playing a guitar solo
with guitarist Dave Murray severed hands and Bruce being decapitated!
After an intensive search Blaze Bayley of Wolfsbane was announced as
Maidens new vocalist. The band and Blaze had already crossed paths as Wolfsbane had
supported Maiden on 1990 UK Tour. This new partnership started work on the darkly
smouldering "X Factor" album , again recorded at Steve's Barnyard Studios but
with Steve himself co-producing it with Nigel Green. The X Factour started prior to the
album launch in October 1995 with shows in new territories Israel and South Africa. The
album itself went to No.8 in the album chart while the band continued to tour
comprehensively in Europe and the UK, highlighted with the bands Brixton Academy show
before they continued throughout Western Europe, America, Japan and headlining many major
festivals including the "Monsters of Rock" in Sao Paulo to 50,000 fans.
1997 saw work start on Virtual XI, aptly named, this being their
Eleventh Studio album. The cover artwork supplied by Melvin Grant depicted a boy watching
a football match through a Virtual Reality headset while being surrounded by Armageddon
and Eddie. This being a comment on technology taking over everything and the concern
society shares as we approach the Millennium. This sentiment was also reflected in the
material on the album with tracks such as "Futureal" and "When Two Worlds
Collide". The football theme was carried through as Maiden, always being massive
football supporters, decided to promote the album launch with their own Football tour,
1998 being World Cup year. The band set to work on putting together a dream team of world
professionals such as Paul Gascoigne, Ian Wright, Faustino Asprilla, Marc Overmars, Patrik
Viera and Stuart Pearce, Stuart being an immense Maiden fan. A Virtual XI team which
featured ex-England stalwarts Terry Butcher, Tony Woodcock, Neil Webb and Paul Mariner
toured throughout Europe playing games against teams with similarly famous names like
Anders Limpar in Sweden, Gentile and Altobelli in Italy and even meeting up with the great
Eusebio in Portugal.
The first single "The Angel and The Gambler" featured an
amazing video, seeing the band placed in a completely computer generated environment
depicting Eddie in his new guise along with characters that appear in "Ed
Hunter", the forthcoming computer game. Their successful nine month "Virtual
World Tour" saw them in Europe, Japan, North America and finally South America.
And so to now ..... January 1999.
With the departure of Blaze Bayley, the return of both Bruce Dickinson
and Adrian Smith brings a new twist to the Maiden tale. Now a six piece with a formidable
three guitar onslaught, plans are currently taking shape for a Spring release of "Ed
Hunter", touring in July/August/Sept., recording a studio album at the end of the
year and a full World Tour in 2000.
Metal is currently enjoying a World wide resurgence in popularity and
Maiden will once again be in the vanguard. And that's where they intend to stay for many
more years to come.
Visit www.olga.net for guitar tabs
