LYRICS
PHOTOS
From their humble beginnings in Belo Horizonte, Brazil,
Sepultura went on to become the most successful Brazilian band in heavy metal, if not rock
history. Over a ten year period, the band grew from strength to strength, transforming
themselves from a primitive death metal ensemble into one of the leading creative
trend-setters of the international aggressive music scene. Unfortunately, a bitter
internal crisis almost destroyed the band and it is still unclear whether Sepultura will
ever recover their previous momentum.
Hailing from Brazil's third-largest city, Belo Horizonte in the
mid-80's, Sepultura (which means "grave" in Portuguese) was formed at a time
when that country was beginning to emerge from a 20-year military dictatorship. Max
Cavalera (vocals/guitar), Igor Cavalera (drums), Paulo Jr. (bass) and Jairo T. (lead
guitar), had a hard time even finding rock'n'roll albums, and especially "socially
unacceptable" genres such as heavy metal and punk. Their early influences were Iron
Maiden, Metallica and Slayer (literally the first three records purchased by Max on a
visit to the "big city"), but the band soon progressed into quasi-thrash/death
metal, inspired by emerging bands such as Possessed and Death. Their drive and
determination (they sang in English from day one) more than made up for their geographic
isolation and inexperience, and though all were still in their teens and learning how to
play their instruments, the band quickly evolved into underground contenders.
After landing a deal with independent {@Cogumelo} Records, Sepultura
recorded four songs for a split L.P. with fellow Brazilians Overdose. Now re-issued on cd
and named for it's first track, 1985's Beastial Devastation was self-produced and recorded
in just two days - and it shows. Realizing that their ambitions were much greater than
their musicianship or song writing ability, the band spent the next year working on new
material while honing their chops in rehearsal and on the live stage.
They returned to the studio in August of 1986, and though their first
full-length album, Morbid Visions showed great progress, its creative and commercial
potential was stunted by money and time constraints (it was recorded in only one week).
Still, the album's best track, "{&Troops of Doom}" attracted some media
attention, and the band relocated to Sao Paulo (Brazil's largest city and financial
capital) in order to further their career. They also replaced guitarist Jairo T. with Sao
Paulo native Andreas Kisser, whose musical ability would help take the entire band to the
next level.
Late 1987 saw the release of Sepultura's second full-length album for
{@Cogumelo} Records, Schizophrenia . The album displayed an incredible evolution in terms
of production and performance, as the band's technical profficiency finally caught up with
their creative vision. It also became a minor critical sensation across Europe and
America, drawing the attention of {@Roadrunner} Records, which promptly released the album
worldwide and signed the band to a long-term contract. No longer restrained within
Brazilian borders, the band set about composing the first of four albums which would
solidify their position as perhaps the most important heavy metal band of the nineties,
and certainly the "Metallica" of extreme metal.
1989's Beneath the Remains was recorded in Rio de Janeiro under the
guidance of leading death metal producer Scott Burns. Burns helped Sepultura achieve their
most professional recording, clearest sound, and best compositions. The album's immediate
critical and commercial success was augmented by the band's ferocious performances on a
European tour in support of German thrashers Sodom, who were systematically blown off
stage. The band also had their first hit with "{&Inner Self}", for which
they also filmed their first video, and finished the year-long tour with a triumphant set
of shows in their homeland.
After obtaining new management in late 1990, Sepultura decided that
their next logical career move was re-locating to the U.S., and chose Phoenix Arizona as
their new base of operations. They also entered {@Morrisound Studios} in Tampa, Florida
with producer Burns to record 1991's acclaimed Arise album. The record contains some of
the band's most popular songs, including "{&Desperate Cry}",
"{&Dead Embryonic Cells}" and the title track, which had it's video banned
by MTV America due to it's apocalyptic religious imagery. An extensive world tour followed
which saw the band achieve platinum sales worldwide, a figure rarely achieved by bands of
their extreme nature. Also, in a strange twist, singer Max Cavalera became romantically
involved with and eventually married band manager Gloria Bujnowski (who was almost twice
his age), and the couple soon had their first child Zion.
Such was the band's success that their label, {@Roadrunner} obtained a
major co-distribution deal with {@Epic }Records for their next recording, 1993's Chaos
A.D.. The album saw the band incorporating social issues (especially relating to Brazilian
problems) into their lyrics, as well as displaying some of their punk and hard-core
influences for the first time. The album was another world-wide smash thanks to new
singles "{&Territory}" and "{&Refuse/Resist}". And though
alternative music was then dominating radio and MTV, Sepultura attracted many new fans
while supporting Ozzy Osbourne on his "supposed" farewell tour across America.
After touring for over a year, the members of Sepultura took a
well-deserved break before starting work on what would be their most ambitious album,
Roots , released in early 1996. By incorporating native Brazilian percussion and musical
styles into their trademark down-tuned guitars and increasingly socio-political themes,
the band created a unique record which could be accurately described as the first attempt
at "heavy metal world music". As bizarre as this combination may seem, Roots
marks Sepultura's creative peak, and the band's continual rise to ever greater fame seemed
guaranteed until a family tragedy set off a series of events which would split the band.
Just hours before taking the stage at England's {Monsters of Rock}
Festival, the band discovered that the teenage son of manager (and singer Max's wife)
Gloria had been killed in a car accident. A shocked Sepultura took the stage as a trio
while Max and Gloria boarded the first plane back to America. Only a few months later, the
band confronted Max about severing ties with Gloria and finding new management. Still
recovering from the recent trauma of a death in his extended family, Max saw this as a
huge betrayal and left the band amid much bad blood and acrimony. As the band's creative
leader, many expected Cavalera's exit to mark the end of Sepultura, but the band surprised
all by announcing that they would carry on and soon began looking for a replacement.
After a long search, Sepultura recruited Cleveland native Derrick Green
as their new singer, and began laying down tracks for 1998's Against . Though it retained
much of the intensity and diversity of its predecessor (including a Japanese percussion
ensemble on the track "{&Kamaitachi}"), the album lacked the unique spark
which had characterized the band's prior work. It also sold only half as many copies as
Max Cavalera's first album with his new band Soulfly, clearly showing with whom fan
loyalty remained. Though their future success remains uncertain, Sepultura are currently
composing tracks for their next album.
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