A Chairdean Ionmhuinn Mo Chinnidh
Vol.15, No.4 Winter,2001 |
"My grandfather, John Samuel Gillis, was the youngest child of Hugh Gillis, pictured to the right.
Hugh was the brother of Teresa Gillis who was a great grandmother to many of us. Hugh came west with Laughlin and Michael. As far as I know, Samuel came to San Francisco from PEI(as did his sibling the infamous Lizzie Gillis pictured to the left:Editor's note).According to family lore, Samuel joined the army and was on his way to the Phillipines during the Spanish American War, when he decided to live in Hawaii and so he jumped ship. I believe he had already met my grandmother, Rosemary Duffy, in San Francisco. He stowed away on a ship back to SF and married her. They returned to Hawaii where they had six children. (early 1900s). Five lived to relatively old ages. My dad was the longest lived; he died three years ago. My grandfather was a character. He owned a bar for most of his life, even during prohibition.He apparently was a gambler too. He lived until he was 84. I was born after he died. My dad often talked about his mom and dad, but not about his grandparents. I guess he didn't know them too well. It is unfortunate that I didn't question him more. I do remember his talking about his father riding horses in Paso Robles. When I looked up Hugh's death certificate , I discovered San Miguel is right near there. It is nice to know where he is. My grandfather and Grandmother are burried here at Diamond Head Cemetary next to each other. Dad was scattered at sea.
I do have one picture that I got from the Bishop Museum. It shows my grandfather standing next to Colonel Soper who was dismissing Queen Liliu'okalani's Guards during the overthrow of the monarchy here in Hawaii. They were buddies, I guess, because John Samuel was not in uniform. The picture is not politically correct today but I still love the history. My dad's brothers all married part-Hawaiian women and my cousins are all part Hawaiian. Hawaii is a great place to live and I am glad my grandfather ended up here".
"Introduction:
"The MacDonald Collection, named for William MacDonald of Sydney, Nova Scotia,
is the library's most important special collection. It consists of approximately 10,000
monographs of largely 19th and early 20th century literary works purchased by Mr.
MacDonald and donated to Mount Saint Vincent.
Background:
William MacDonald's financial acumen provided him with sufficient income to
collect books. His sister. Sister M. Aquinas, was a member of the Sisters of Charity of
Halifax, and through her, he became interested in the library at Mount Saint Vincent
College. He donated part of his Canadiana collection, only to have it reduced to ashes
in the fire of January, 1951 which destroyed the Motherhouse of the Sisters of
Charity, the Novitiate, Mount Saint Vincent College, and Mount Saint Vincent
Academy. From 1951 until a few months before his death on September 21, 1959,
MacDonald selected, packed and shipped cartons of books to Mount Saint Vincent
where a specially appointed room in the north wing of the newly constructed
Evaristus Hall had been designed by the librarian, Sister Francis de Sales, to shelve
the collection. In 1989 a new space for the MacDonald Collection was set aside when
the university library was moved into the E. Margaret Fulton Communications
Centre.
Description:
In an article in the December 1973 issue of Insight, Sister Marie Agnes
White, Professor Emeritus of English, described the type of books which interested
Mr. MacDonald as a collector.
"He had a typically Celtic penchant for the dreamy, the romantic. The weird and the
occult attracted him; tales of fairies, goblins, and ghosts he found irresistible. The
Arabian Nights in various editions and translations with exquisite illustrations was a
favourite buy. Fairy Tales of various ethnic origin, often beautifully illustrated, form
another group. Queer books about queer people, - gamblers, thieves, and men and
women of fantastic tastes and reputation he sprinkled among the serious tomes, with
what one might suspect was a mischievous grin. The proportion of Scottish writers
indicates a partiality for his 'ain folk', with Bobbie Bums leading in numerous
editions (notably the Kilmamock) and Sir Walter Scott a close second. James Hogg,
the Ettrick Shepherd trails after them, and of course, Robert Louis Stevenson holds an
honored place." Among the noteworthy items in the collection are the fine bindings
by Sangorski and Sutcliffe, Boynton of Bath and others, small presses, limited
editions, many illustrated with pictures by Edmund Dulac, Arthur Rackham, Willy
Pogany, and other early 20th century artists, and fore-edge paintings - when viewed
in a normal position these volumes show a gilt edge which appears slightly
discolored, but when the leaves are spread a delicately painted scene appears.
Collection management: A type-written inventory in four volumes, compiled by
Mr.MacDonald himself, is shelved with the collection. Some of the books have been
catalogued, and are represented in either the card catalogue or in the Novanet
database. A card file arranged by author and title was prepared for the uncatalogued
parts of the collection, and is retained at the reference desk.
Some duplicate volumes from the collection have been catalogued and shelved in the
main library collection. No attempt has been made to acquire and add books to the
MacDonald Collection. On occasion, reference books on the book arts and book
illustrators are purchased, using general or reference funds, if they seem likely to
enhance our appreciation of the collection."
Jody first came to Colorado in 1948. where she graduated from
South High in 1951. After two years at CSU she joined Frontier
Airlines as a flight stewardess in which capacity she survived the
crash landing of a DC-3 on August 8, 1958.
Jody married Al Binkley in September 1958 and soon began a
family. Eventually, she had three sons, Cameron ( 1962), a research
writer; Brock (1965), a framer and glassbiower; and Clay (1966). an
attorney at law. She felt her happiest years were spent raising three
boisterous sons.
After a childhood spent copying pictures from textbooks, which got her better grades, Jody took up painting in 1969. She attended workshops and studied under several nationally known artists before opening Studio West Gallery in 1973. She both painted, taught up to seven classes per week, and sold other's art with partner Claudette Duncan thereafter for many years. She came to specialize in images of the West and South West, developing a fine style in floral and landscape paintings. In 1982 Jody sold out her partnership but continued to do freelance teaching and exhibiting. She opened Lakewood Arts Studio with son Brock in 1988, sponsored exhibits for charity, and taught classes until illness forced her to stop shortly before her death. Her work often won in many national competitions. Jody felt that teaching was a large part of the success of her art. She enjoyed watching students grow, many of whom became lifelong friends. She also delighted in hearing about former students who succeeded in art. Jody's work can be seen on exhibit at her gallery, Lakewood Arts Studio. Jody is listed in "Who's Who in Painting" and her work "Jubilant," which appears on the cover (far right), was featured in The Best of Floral Painting (Northlight Publications, 1997)."