Mariah Carey was supposed to be the Princess of Pop, but somewhere along the way she become the songbird in the gilded cage. And then she flew away. Perception and reality can be funny things in the music business. For many years the majority of music fans have seen Mariah Carey as the epitome of conservative, white-bread American pop. Her biggest hits were either sanitised dance-pop or big, overblown ballads. The records sold millions, Mariah lived a fairytale existence (even marrying Tommy Mottola, the 40-something boss of her record company). They built an enormous house. It all seemed perfect. The reality was different. Mariah Carey was, in fact, a poor kid from a broken, multi-racial family who struggled for years at the bottom rungs of the music business before she finally attracted the attention of her record company. For he first four albums, Carey seemed content to be the safe, predictable pop diva that the marketing people wanted us to see; the albums were certainly selling tens of millions, and the singer was recognised as being one of the greatest talents of her generation. But starting with the release of her 1995 album Fantasy, Mariah Carey slowly began forcing more and more of her musical personality into her albums, exploring the r&b and hip hop that she'd grown up with. It was all part of a personal rebellion that culminated in her very public split from Mottola earlier this year. And now comes a new album, Butterfly, that reveals Mariah Carey spreading her wings. You only have to listen to the album's first single, Honey, to know that changes are afoot. "I know I have this image, this unreachable Cindarella, but that's just something that someone made up and it kinda stuck for awhile," says Mariah today. "I mean, that isn't my upbringing. I went through a lot and saw a lot of things, my life was far from sheltered or privileged, so when I work with uban acts, people who have come up from the streets and worked hard to get where they are, I feel as if we have a lot in common. It was never part of my personality to be this remote princess. I'd rather be with the people my own age doing the kind of music that I like to listen to." "I grew up in New York, I've been listening to urban music, hip hop, since it was invented - so it's not like I suddenly changed or decided that I'd like to do this kind of music overnight. The problem was that the label got used to a particular thing that worked for me commercially, and there's always going to be some pressure to keep doing that because it works. What people need to realise is that the audience is capable of dealing with change." That's about as close as Mariah Carey ever gets to discussing the breakup of her marriage and her creative rebirth; she is, after all, well-trained in the art of not giving too much away. But she is proud of the creative contribution she has made to her last two albums, and says she's itching to flex her musical muscle. "There are so many things about this album that are really personal and I've lived with this album more than almost anything else I've done," she says. "So much of me has gone into making this album that I almost can't believe it's going to come out." Working with high-profile collaborators like Sean 'Puffy' Coombs (aka Puff Daddy), David Morales and Jermaine Dupri, Carey has fashioned a brace of up-tempo dance tunes that tread the line between hip hop credibility and pop sheen. And because she's never be so stupid as to cut the rug from under her traditional fanbase, she has also included a number of ballads written with her longtime songwriting partner, Walter Afanasieff. The result is an album that makes considerable musical progress whilst still maintaining a strong commerical appeal. And this time, she promises, an Australian tour will happen. "I'm coming, I'm coming," she laughs. "We'll do all the songs that have been popular over the years - from Vision Of Love right through to the present. I'm very conscious of the fact that Australia has never seen me live, so I'm putting together a show that will disappoint no-one."