[2.13]Retirement Is Murder
Retirement Is Murder                        Written by Elias David & 
                                            David Pollock    
                                            Directed by Alan Myerson
=====================================================================
Production Code: 2.13
Episode Number In Production Order: 37
Original Airdate on NBC: 10th January 1995
Episode filmed on  
Transcript written on June 9, 2000
Transcript revised on February 8, 2003
       and revised on March 29, 2004
A Note On The “Weeping Lotus” Murder...{Mike Lee}
It’s a familiar dramatic device for a retired cop to keep mementos
of the one case he never solved, and Martin is no exception.
The name “Weeping Lotus,” naming the victim in his case after a flower, 
is an obvious homage to the celebrated “Black Dahlia” murder in 1950’s 
Los Angeles.  The Dahlia was a struggling actress named Elizabeth 
Short, who was kidnapped, murdered, and dismembered in secret, then the 
parts of her body were strewn over an abandoned lot.  To this day the 
killer has never been identified.
James Ellroy’s “The Black Dahlia” is a highly readable pseudo-history 
of this horrible crime – just bear in mind that he makes up his own 
culprit.
Martin’s “Weeping Lotus” murder is referred to intermittently through 
Season One and the preceding episodes in Season Two but this episode 
apparently shows that the writers felt they had carried this gag as far 
as it would go.
References:
- [1.04] I Hate Frasier Crane
- [1.06] The Crucible
Transcript {David Langley}
Act 1
RETIREMENT IS MURDER
Scene 1 - Frasier's Apartment
Fade in.  Frasier is gazing out the balcony door, drinking sherry.  
Martin and Daphne are at the table wit a bunch of files.
Frasier: Ah, yes.  Another beautiful Saturday night.  The moon is full, 
         the city lights are twinkling, lovers steal kisses in the 
         park...  and here, Chez Crane, my father and his assistant 
         sit hunched over twenty year-old photographs of a murdered 
         hooker. [raises his glass] Life is a banquet.
 Daphne: I enjoy looking at your father's old case.  Just because 
         you have no plans tonight, don't spoil our harmless fun.  
         You know, there's nothing we Brits like better than a 
         grisly murder and a nice hot cup of tea.
 Martin: Uh, listen Daphne, I got a lot of work to do here, so if 
         you don't mind...
 Daphne: Oh, excuse me.  I didn't know I was bothering you.
 Martin: Oh, I'm sorry, it's this damn case.  I feel like the answer 
         to who murdered Helen is right here.  I just can't see it.
Frasier: Dad, you're obsessing.  You stare at these grisly pictures 
         day after day, night after night.  Come on, why don't we go 
         out and see a movie?
 Martin: No, thanks.
Frasier: Let's go get a pizza.
 Martin: Nah.
Frasier: Let's get tattooed. [Martin thinks about it, then shakes 
         his head.] Oh!  This is ridiculous.  It's a beautiful 
         night and I'm not going to miss it.  I'm going to go out and
         take a long walk and I'm not going by myself.
Eddie runs out with his leash.
 Martin: He likes the rhododendrons on the north side of the park.
Fade out.
Scene 2 - KACL
Fade in.  Frasier is on the air with Marjorie.
Marjorie: [v.o.] And I just wanted to thank you, Dr. Crane.  Because of 
          your advice, I've conquered my fear of heights.  I, I took it 
          slowly, gradually going higher and higher, until here I am, 
          right now, having lunch at the top of the Space Needle!
 Frasier: Marjorie, congratulations.  I am so proud of you.
Marjorie: I mean, when I think of how you... [she screams loudly]
 Frasier: God, what's wrong?  What happened?
Marjorie: I just looked down.
 Frasier: Well, Marjorie, don't do that.  Look at your luncheon 
          companion, look at your menu, but don't look down.  
          You're only feeding your fears when you do that.
Marjorie: Maybe I wasn't ready for a window table.
 Frasier: No, no, no.  Of course you are, of course you are.  You can
          beat this thing.
Marjorie: You're right, I can, Dr. Crane, if I just... [she screams 
          again]
 Frasier: Do not look down!
Marjorie: No, I didn't.  My check just came.
 Frasier: Oh, well, Marjorie, we're just about out of time now.  
          Call me tomorrow, will you?  Well, that's it for today 
          folks.  Stay tuned for Bob “Bulldog” Briscoe.  This is 
          Dr. Frasier Crane, KACL 780, talk radio.
He switches off, Bulldog comes in, wheeling his trolley.
Bulldog: Hey, Doc.  
Frasier: Bulldog.
Bulldog: I caught the first hour of your show today.  If that chick 
         whining about sexual harassment called my show, I'd say 
         “Listen doll, you don't want people snapping your bra, 
         don't wear one.”
Frasier: Brilliant in its simplicity.
Bulldog: [to Roz] Hey, how's this sound, hardbody: You, me, Sonics, 
         Nicks, tonight.
    Roz: Sorry Bulldog, but I'm already going.  I have season tickets.
Bulldog: Oh, we can still get together afterwards.
    Roz: Only if I smash into your car in the parking lot.
Bulldog: Why is it the ones who want it the most put up the biggest 
         struggle?
    Roz: Because, when I do finally give in, I want us to enjoy it 
         all the more.  
Bulldog gives her a kind of hopeful look.
    Roz: That is, if I'm not too distracted by the fact that every 
         man on Earth has died. [stalks off]
Bulldog: Almost had her there.
Frasier: Yes, it could have gone either way.
Bulldog: Ah, well, with my pull I can get those anytime I want.
He tosses the tickets down, Niles comes in.
  Niles: Hello, Frasier.
Frasier: Oh, oh, Bulldog, have you met my brother Niles?  Niles, 
         this is Bulldog Briscoe.
  Niles: Oh, oh, oh, just the man I want to talk to.  As a sports 
         expert I'm sure you can tell me why none of the local media 
         carry the Ivy League squash standings.
Bulldog: [bursts out laughing] Whoa!  Another one just like you.  
         Some gypsy put a curse on your family?  Well, I gotta run.  
         See you later, Miles.
  Niles: It's, it's Niles.
Bulldog: Like it matters.
  Niles: Well, you ready for our boys night out at La Cochan Noir?  
He puts his hand down and accidentally honks Bulldog's horn.
Frasier: Yes.  But Niles, I've been wondering:  Would you mind if I 
         asked Dad to join us?
  Niles: Remember the last time we took Dad to a four-star 
         restaurant?  He had a miserable time.  The restaurant lost 
         a whole star.
Frasier: Yes, it's just I'm trying desperately to come up with some 
         way to get him out of the house.  He's off on one of his 
         “Weeping Lotus” binges again.
  Niles: We've tried distracting him before.  We've taken him 
         everywhere from the arboretum to the zen garden.  [thinks]  
         Wait a minute, the zen garden is at the arboretum.  Good 
         lord, is it possible we've only taken him one place?
Frasier: [spotting the tickets] Oh, Niles, Niles, this is it, this 
         is it.  The basketball game!
  Niles: Basketball?
Frasier: Yes, yes, I can get another ticket from the promotional 
         department.  Oh, this is perfect.  Just imagine how excited 
         Dad will be to go to a game with his two sons.  My God, 
         it's the archetypal male bonding ritual!
  Niles: Couldn't we just go into the woods, kill something and have 
         done with it? [off Frasier's glare] All right.
Frasier: Come on Niles, look, it'll give you a chance to see the 
         Tacoma Dome.
  Niles: [as they walk out] I've already seen it.  They had a home 
         show there, once.  You know, that's where I got that idea 
         to stencil a grape arbor on our Wilkes dresser.
Frasier: I'm a Teamster compared to you.
Fade out.
STRANGERS IN A STRANGE LAND
Scene 3 - The Tacoma Dome
Fade in.  Niles and Martin are in their seats.  Niles is looking around.
Salesman: Peanuts!  Peanuts here, peanuts!
  Martin: Niles, the game is that way.
   Niles: I know, I'm just calculating our escape routes in case of fire
          or urban unrest.  Maris taught me that.
  Martin: You love her, don't you?
   Niles: Yes I do.  Why?
  Martin: It just helps to know that.
Frasier comes over with snacks.
Frasier: Here we are:  one beer, and two glasses of wine.  I'm sure
         it's good, Niles, they opened a fresh box when they poured
         it.
Niles sniffs the glass, reels, and puts it down without drinking.
 Martin: What are you guys doin' drinkin' wine at a ball game?  You
         should be drinkin' beer.
  Niles: Dad, I only drink beer when I eat German food.  Which is to
         say, never.  [to Frasier]  Did you notice where the
         facilities are when you were up?
Frasier: Yes, Niles, it's just as you feared: communal urinals in the
         mens room.
  Niles: Oh, fine.  What am I supposed to do about my shy kidneys?
Frasier: So, Dad, aren't these great seats, huh?
 Martin: Yeah.
Frasier: What's the matter with you?
 Martin: Uh, nothin'.  Let me borrow your pen a minute, will ya?
Frasier: [handing it over]  What for?
 Martin: Well, I was thinking about that ballistics report and I just 
         want to make a note so I won't forget it.
Frasier: Dad, the whole idea of coming here tonight was to get your 
         mind off of the case.  Listen I've done some reading.  It seems 
         the key for the Sonics is to stop Starts from penetrating 
         and dumping the ball off for easy baskets.
  Niles: Stop Starts?  That sounds funny.  Stop Starts.  Stop Starts, 
         stopstarts, stopstarts...
Frasier: Oh, shut up, Niles!
 Martin: It makes no sense.
Frasier: Well, Dad, it's not my theory, I'm just quoting some 
         sports writer.
 Martin: No, I mean Helen.  She was tall.  She was five feet seven.  
         Yet the bullet entered on a downward trajectory.
Frasier: Dad, please try to participate.  Ooh, look!  They're 
         starting the wave!  Ooh, it's coming this way, it's coming
         this way!
The wave comes, Frasier jumps up with it, Martin and Niles don't 
move.  Niles is putting on a headset.
Frasier: That was fun, wasn't it?  Oh, look, there's a peanut guy!  
         [calling out]  Peanuts!
A bag of peanuts is thrown into Niles’s lap.  He throws it back and
forth.
  Niles: How dare you!  Stop it!  That hooligan is pelting me with 
         peanuts!  From the look of that tray, he's come prepared.  
         Stop it!
Frasier: Stop it, that is for me!
 Martin: I gotta go make a call.
Frasier: Oh, Dad, this isn't about the case, is it?
 Martin: Yeah.
Frasier: Well, Dad, look, you've been working on it for twenty years, 
         how come you're so obsessed now?
 Martin: Look, when Helen was murdered, I made a promise to her mother.  
         I said that no matter how long it took, I'd find the killer.  
         Well, I had a call from her last week, and she's an old lady 
         now, living in a home somewhere and, I don't know, she just 
         doesn't seem to have a lot longer to go, and it just kind of 
         lit a fire under me to get this thing solved.  So, I 
         appreciate your bringing me here, but I gotta make this call.  
         I'll be back in a couple of minutes.  [He gets up to go to the 
         phones.]
Frasier: Okay, Dad.  I understand.
Martin leaves.  A man comes down and sits beside Niles.
    Fan: Boy, the traffic tonight is murder.  [to Niles]  Hey pal, 
         what's the score?
  Niles: West Side Story.
The man and Frasier both look confused, Niles makes a little 
“conducting” gesture.  Fade out.
Act 2
Scene 1 - Frasier's Apartment
Fade in.  Martin and Daphne are again poring over the “Weeping
Lotus” material.
 Martin: You know what's always bugged me?  This picture of the crime 
         scene.  The way Helen's written “help.”  Why would she do  
         that?
 Daphne: Well, I suppose the word “howdy” would have been a bit too 
         cheery under the circumstances.  [She goes to the kitchen.]
 Martin: But it makes no sense: anybody who could read “help” in the 
         dirt could also see Helen lying there.
Frasier and Niles come in the front door.
Frasier: Evening, Dad.
  Niles: Hey, Dad.
 Martin: Oh, listen, thanks again for the ball game.  It was great.
Frasier: Oh, God, it was a pleasure, Dad.  I'm only sorry you 
         couldn't join us for dinner afterwards.  La Cochan Noir 
         gave us a late seating for a fabulous dinner.
They go to the liquor shelf.
  Niles: It was an exquisite meal, marred only by the lack of even 
         one outstanding cognac on their carte d' vijastite.
Frasier: Yes, but think of it this way, Niles: what is the one thing 
         better than an exquisite meal?  An exquisite meal with one 
         tiny flaw we can pick at all night.  
He hands Niles a brandy.
  Niles: Ah... quite right.  To impossible standards. [They clink 
         glasses.]
Frasier: So, Dad, any progress on the case?
 Martin: Nah, I'm beat.  Sometimes it's better to just get a good 
         night's sleep and start fresh in the morning.  Good night, 
         fellas.
Frasier: Night, Dad.
  Niles: Don't forget: brush your teeth and say your prayers.
 Martin: [laughing] That's what I used to say to you guys when you 
         were kids, didn't I?
Frasier: No, you didn't.
 Martin: Oh.  I meant to.
  Niles: We knew that.
He leaves.  Daphne comes from the kitchen with a mug of tea.  
Frasier sits at the table.
 Daphne: Hello.
  Niles: Hello, Daphne
 Daphne: How was your dinner?
  Niles: It was fine, except for one small flaw. 
 Daphne: Oh, just the way you like it.  I see you're a bit intrigued 
         by that yourself.
Frasier: Yes, well it's been a while since I've gone over this.  Who 
         are these guys?
 Daphne: Oh, just some of the principal players in our little drama.  
         [she passes over a photo] That's Detective Shelby, the vice 
         cop who found the body.
  Niles: Who is this menacing little mono-brow?
 Daphne: Oh, that's Robbethai, a logger.  An ex-boyfriend of Helen's.  
         He used to come down from the mountains every couple of 
         months and disappear with her.
  Niles: If you ask me, he's the murderer. 
 Daphne: Impossible, he's got an air-tight alibi.
  Niles: What is it?
 Daphne: He was killing somebody else at the time.  But you have to 
         admit, this case has it all: sex, greed, jealousy, revenge, 
         a monkey, hatred, deception...
Frasier: Wait, wait, wait... 
 Daphne: What?
Frasier: A monkey?
  Niles: Yeah.  This is a snapshot of the murder victim with her pet 
         monkey, Koko.  He was given to her by another boyfriend, 
         Clive Brisbane.
Frasier: Well, why wasn't Brisbane a suspect?
 Daphne: Well, he was, but several witnesses saw him at the 
         racetrack at the time of the murder.
  Niles: Excuse me, is that Clive Brisbane the animal trainer?
 Daphne: That's right.  Brisbane's Amazing Apes.  They opened in Las 
         Vegas for Englebert Humperdink.
Frasier: Yes, it's easy to forget there was a time when Las Vegas 
         wasn't the tacky place it is now.
  Niles: You know, I actually caught Brisbane's act on a trip to Las 
         Vegas during college.  Those apes were amazing!  One minute, 
         they'd be staging a living tableaux of George Washington 
         crossing the Delaware, the next they'd be shooting suction cup 
         arrows at Brisbane's lovely assistant's derriere.
Frasier: You know, there is a way that Brisbane could be the killer, 
         and still have his horse track alibi hold up.  Daphne, 
         Niles, I present you with... the killer!  [He turns around a 
         photo of a chimpanzee.]
 Daphne: A monkey was the trigger man?
Frasier: Just play along with me here.  They're capable of shooting 
         arrows, why not a gun?
 Daphne: But why would Brisbane have her killed?
Frasier: [getting up] Because, because she jilted him for someone else.
 Daphne: Robbethai, the logger!
Frasier: Exactly!  My God, we've done it! 
 Daphne: No, you've done it, Dr. Crane!
Frasier: Well, yes!  But you were standing very close by.  Wait a 
         minute.  Are we saying here that a murder was committed by a 
         monkey?
  Niles: It's not so very farfetched!  It could be Brisbane's 
         diabolical homage to the Edgar Allan Poe story “Murders in 
         the Rue Morgue.”  It's all about an orangutan who goes 
         about the rooftops of Paris murdering people.  Wait 'til we 
         tell Dad his case has finally been solved!  Dad!  Dad!
Frasier: No.  Niles, Niles, wait, wait.  It's still just a theory.  
         Even if we are right, just think how Dad would feel, 
         knowing we cracked a case he couldn't solve in twenty 
         years.
 Daphne: Oh, dear, you're right.
Frasier: Wait.  It's merely serendipity that I stumbled into this.  
         Why can't it happen again?  I simply rearrange the photos 
         in a way that Dad will see the connection.  All right, 
         we've got Koko, the gun, and Helen.
Martin comes from his room.
 Martin: What is it?  No, hey, Frasier!  What are you doin' over 
         there?
Frasier: Sorry Dad.
 Martin: No, no, no, I got these all set out the way I want 'em.  
          This one goes up...
He stares at the photos as the others look hopefully at him.
 Martin: I'll be damned. 
Frasier: Something wrong? 
 Martin: Look at that! 
Frasier: What? 
 Martin: Well, I never thought it would just leap out and bite me 
         like this.  I think I may have solved this pain in the ass 
         case.
  Niles: You have?
Frasier: Dad, Dad, that's wonderful news! 
 Martin: Oh, no, no.  Don't get too excited.  I mean, this is kind of 
         farfetched.  I mean, it's a long shot, but, it's 
         beginning to make sense to me.
Frasier: Here, lay it all out for us.
 Martin: No, no guys, please, just give me a little privacy, will ya?  
         I just gotta do some thinking.
  Niles: No problem, Dad.
 Daphne: I was just going to bed meself.  Night, all.
  Niles: [turning to stare after her] Goodnight, Daphne.
Frasier walks over to stand by Niles.
  Niles: Oh, look at him.  Do you see the sparkle in his eye?  
         Oh, Frasier, he's like a little kid at Christmas. 
 Martin: Oh, geez, what happened to my entry wound close-ups?
Frasier: Fa-la-la-la-la-la-la-la-la!
Fade out.
USE A MONKEY, GO TO JAIL
Scene 2 - Frasier's Apartment
Fade in.  Daphne is sitting on the couch, Frasier enters.
Frasier: Hello Daphne.
 Daphne: Hello.
Frasier: Is Dad home?
 Daphne: Nope, I haven't seen him since he knocked me up early this 
         morning.
Frasier, putting his coat up, slows and turns.
Frasier: What?
 Daphne: Knocked me up.  Woke me up.  It's an English expression.  
         What does it mean here?
Frasier: Oh, something else.  You'd definitely be awake for it,
         though.  [He heads for the sherry.]
 Daphne: He was headed down to the station house to present his theory.
Frasier: Oh, dear God, I wish he hadn't done that.  You know, I've been 
         turning it over in my mind all day.  The more I think about 
         it, the goofier it sounds.  I mean, a MONKEY.  Let's hope they 
         didn't laugh him out of the station, be one hell of way to 
         end a thirty year police career.
 Daphne: Oh, now, now, Dr. Crane, it's not the most outlandish theory 
         in the world.
Frasier: You're right, I could have said it was a trained giraffe.  
         I suppose it killed her by spitting a bullet at her, thus 
         explaining the downward trajectory.
Martin comes in the front.
 Martin: Hey, guys.
 Daphne: Hello.
Frasier: Hi, Dad.
 Martin: I don't suppose we've heard anything from the station house, 
         huh?
 Daphne: Not yet.
 Martin: I was afraid of that.  I mean I knew my theory was a bit iffy, 
         but when I told the guys they looked at me like I’d lost my 
         mind.
Frasier: Geez, they didn't ridicule you, did they?
 Martin: Oh, no, they always treat old timers with respect.  They said 
         “I'll check it out.”  Just like I used to when some nutbag'd
         come in there with aluminum foil in his hat claiming the 
         Martians were trying to steal his brain waves.
 Daphne: I'm sorry, Mr. Crane.
 Martin: Oh, I don't know what I was thinking of.  I've been walking 
         around all afternoon just trying to figure out how I came 
         up with such a half-assed theory.
Frasier: Dad, it wasn't your fault.  I did it.
 Martin: You killed her?
Frasier: No.  But I did plant that ridiculous idea in your head.  
         Remember last night when you came in, so upset that I was 
         rearranging your pictures?  Well, I rearranged them in a 
         specific way so that you would... come to the same conclusion 
         I did. 
 Martin: So you had the idea first?
Frasier: I can't tell you how terrible I feel.
 Martin: Ah, don't blame yourself.  You might have put the aluminum 
         foil in my hat, but I walked right into the station wearin' 
         it.
The doorbell rings.
 Daphne: I'll get it.
She opens the door.  A man in casual clothes comes in.
  Frank: Hiya, Marty.
 Martin: Hey, Frank.  Frasier, Daphne, you remember Frank Hollings 
         from the precinct?
  Frank: Hey Marty, we gotta talk.
 Martin: Frank, about that theory of mine...
  Frank: I can't for the life of me figure what you were thinking.
 Martin: I know, I know.  I just feel so stupid, wasting your time.
  Frank: It cost us a whole afternoon, and five detectives' time.  
         And all we got to show for it is... heh, heh, we got the 
         bastard!
 Martin: I was right?
  Frank: Hey, you don't believe me, ask these derelicts.
 
He opens the door and a bunch of cops, some in uniform, come in with 
beers.  They are all congratulating Martin: “Hey!  Way to go, Marty!” 
“Marty, you still got it!  “And it only took you twenty years!”
 Daphne: Oh, Mr. Crane, I'm so proud of you.
Frasier: Oh, that's amazing, that's wonderful! [as a man spills beer
         on the couch]  Oh, that's suede!
He and Daphne rush to the kitchen to get towels.
    Cop: So Marty, how did you do it?
 Martin: Well, you know, for years, I thought it was Robbethai, the
         logger.  And then I thought, well, maybe it was Brisbane the
         animal trainer, but I was wrong.
  Frank: How did you finally decide that it was Detective Shelby?
 Martin: Well, I kept lookin' at that picture, and it kept buggin' me, 
         you know?  Why was she trying to write “help” in the dirt 
         and then it came to me!   She was trying to write the 
         killer's name, “Shelby.”  Only she must've died before she 
         finished the “b” and, and somebody must've kicked dirt over 
         the “s.”
 Frank: Well, you nailed him all right.  We pulled him in for 
         interrogation and he cracked like a nut.
CUT TO - the kitchen.
 Daphne: Oh, I'm sorry I ever doubted you.  But, then, you yourself 
         were beginning to wonder if a monkey could really commit a 
         murder.
Frasier: Well, I may have momentarily doubted it, but from time to 
         time I have to be reminded to trust my gift.
They leave.  Cut to - the living room as they enter.
 Martin: So, did you call the girl's mother yet?
  Frank: Nah, we left that for you.  After all, you were the guy who 
         solved this thing.
 Martin: Ah, well, actually, I can't take all the credit for it, 
         right Frasier?  Come on, get over here.
Frasier: Now, now, Dad.
 Martin: Nah, come on, don't be shy.  I'm proud of ya.  You know, 
         I was a cop for thirty years and it took my son with his 
         Ph.D. mind to crack this baby.
 Daphne: Of course, I was standing next to him at the time.
  Frank: So, tell us about it, Frasier.
Frasier: Oh, no.
They all shout encouragement.
Frasier: All right, I hate to toot my own horn, but, if it will make 
         Dad happy.  I suppose it was my expertise in human behavior, 
         combined with a lifelong enthusiasm for the Rwandan lowland 
         gorilla that first set me thinking about the monkey.
Everyone looks confused.
  Frank: I'm not sure I'm following you.
Frasier: Perhaps I'm going too fast, I'll go slower.  The key was when 
         I figured out if Brisbane could teach a monkey to impersonate 
         George Washington, then surely he could teach a monkey to cock 
         a revolver, sneak up a fire escape, lie in wait for Helen, 
         pump her full of lead and then make his getaway, perhaps even 
         still wearing the revolutionary war regalia in order to confuse
         any chance witnesses.  In fact, oh and this is way out there,
         but geez, maybe you should check to see if there were any local 
         bank robberies at the time that were committed by a short, 
         hairy man wearing a powdered wig.
There is a long silence.
 Martin: You think the monkey was the killer?
 Daphne: When I said I was standing next to him, I was really most 
         of the way across the room. [She leaves.]
Frasier: Well, wasn't he? 
 Martin: No, it was Shelby.
Frasier: Who's Shelby?
 Martin: He was a vice cop.  He was in love with Helen.
Frasier: Oh.  Well, that was my second choice.  
Everyone bursts out laughing.
Frasier: Can I freshen anyone's drink?
  Frank: Help me out here, Frasier.  What did you think the monkey's 
         motive was?  Jealousy?  Or maybe he just did it for the 
         insurance money.
    Cop: Hey, hey, hey.  Do you think we should put a tail on that 
         monkey?
Another: If that monkey did it, he'll swing for this. 
Frasier: Yes, yes, that's all very funny.
 Martin: Oh, come on, Frasier you can take a joke, can't you?
Frasier: Well, I suppose I can, yes.  Oh, wait!  I've got one.  Who do
         you suppose the monkey will get to defend him?  Clarence Darrow?
Everyone is stone silent and confused.
Frasier: The Scopes Monkey trial...  You know, Darwin's theory of 
         evolution...  It was turned into a Pulitzer Prize-winning 
         novel, “Inherit the Wind.” [giving up, to a cop] Is that 
         gun loaded?
Fade out.
Credits:
Frasier comes in the front door.  Daphne is sprawled on the couch, 
red stains on her face and clothes.  Eddies is sitting on the table 
above her, a gun in his mouth.  Martin comes out with a bottle of 
ketchup and he and Daphne burst out laughing.  Frasier make a “Ha-ha” 
face.
Guest Appearances
 Guest Starring
 RON DEAN as Frank
 BILL GRATTON as Leo
 HALE PORTER as Al
 RANDY KOVITZ as Fan
 Guest Callers
 MARY STEENBURGEN as Marjorie
Legal Stuff
 This episode capsule is copyright 2000 by Nick Hartley, David 
 Langley. This episode summary remains property of Frasier, Copyright 
 of Paramount Productions and NBC. Printed without permission.