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U N L U C K Y   D A Y S   P A R T 4:
T H E   F I N A L   C H A P T E R  
A TRIBUTE TO THE FRIDAY THE 13TH FILM SERIES 

By  Professor A. Griffin 

 

I think it’s important to try and remember that it all started with an 11 year old boy who really just wanted to swim.

It all started with a mentally deficient child (a sweet boy according to his mother) who needed special care and attention, but instead was left to drown in the cold, cold waters of Crystal Lake.  

Tragedy became a nightmare of loss, exploding in bloody fury beginning with a mother’s wrath, thunder and lightning, and the deep dark forest at night. Continuing with numerous sharp weapons, screams, vicious attacks, axes, a hockey mask, and a killer so violent, so brutal, that he could almost be classified as a force of nature. The Friday the 13th series has covered it all… revenge and anger, lust and fear, supernatural power and the living dead… 

It spawned countless imitators and was often referenced in mass media. Most of the references were jokes of course, and mainstream media responded to the series with countless insults. Mockery by critics and condemnation by morality groups were common but the filmmakers had laughed all the way to the bank. The original Friday the 13th was made for just under $500,000 and made $37 Million!!! Recent figures place the profit for the entire series to be in the vicinity of $250 Million dollars. 

And it all started with a boy- Jason Voorhees. 

Jason Voorhees was last seen being dragged into hell by the giant hands of demons in Jason Goes to Hell: The Final Friday released in 1993. A supernatural spell book and some mystic words recited by his niece sent Jason away apparently forever. All this was courtesy of New Line Cinema who bought the Friday the 13th series (characters and story) from Paramount and now finished the career of Jason Voorhees just as it had finished off Fred Kruger. 

In the genre of the horror film, the supernatural was coming back with a vengeance. Monster movies were being made again (Interview with A Vampire, The Mummy, Godzilla) and the days of hack and slash killers on the big screen were apparently over. But everything comes around again, it seems. 

Jason-ites started fan clubs, wrote fiction, and wore homemade costumes; designed web sites theorizing time lines and character motivations. Fans drew pictures of the Crystal Lake Killer, and painted model kits of Jason by Screamin’.

 (I still have mine.) Jason action figures appeared, as well as Jason plush dolls! (Who wouldn’t want to snuggle up to a rotting Jason Voorhees circa Jason Goes to Hell?) A cheap plain white plastic hockey mask became common in fun shops and costume stores (especially around Halloween). Plastic machetes, axes, and hatchets also appeared as well as rubber Jason masks. (His head, not just the hockey mask.) 

But where was Jason in all this? New Line must have noticed the constant attention the series was getting on home video and at fan conventions. And so, it was finally time. After 7 long years, New Line decided to re-open up the gates of hell…he was coming back.

Once the shimmering blue jewel of the galaxy, humanity's former home is now a contaminated planet abandoned for centuries -- a world of violent storms, toxic landmasses and poisonous seas. Yet humans have returned -- not to live but to study.

In the remains of the Crystal Lake Research Facility, an archaeological class has discovered two frozen ancestors -- a beautiful woman and a hulking, rotted carcass wearing a strange mask. Their cryo-storage disturbed, the two bodies are taken to the students' ship: The Grendel.

Forget what has gone before. Welcome to the future of horror.

Jason Voorhees (once again played by the man who will forever be identified with Jason, Kane Hodder) was revived by screenwriter Todd Farmer and sent out into space. When rumors of this film’s concept started to circulate, I was astonished…and indeed a bit shocked. It had been a very long time since I’d thought about Jason Voorhees, and honestly NEVER expected to see him on the big screen ever again. However, the track record of horror movie monsters out in space wasn’t very good…(Leprechaun, Pinhead). And that fact made me very nervous. Would I see it? Yes. Was I excited about it? Strangely, no. Maybe I had too happening in my life since Jason Goes to Hell: The Final Friday to be excited about Mr. Voorhees’ return. I lived in a new city, married the love of my life and was planning for a family. There was no room for a new Jason film to give me thrills. In truth, my lack of enthusiasm made me secretly depressed. I believed that the film would be horrible and would be just another nail in the coffin of a genre that I once immersed myself in. Nothing good lasts forever.

But everything comes around, so it seems.

Jason X went in front of the cameras on March 6th 2000 and shooting was completed on April 30th, 2000. The film was shot entirely on Digital Video and then ‘blown up’ to screen size.

I learned from Fangoria magazine that the films release date was pushed back time and time again and finally ended up in the limbo of films the studio doesn’t know what to do with. 2001 was the official year of completion but still no release date. 

Another really bad sign. 

I wrote it off as a direct to video release. Direct to video??? A Friday the 13th movie going direct to video? Absurd! Impossible! Fred Kruger never went straight to video. Even the pathetic Halloween: The Curse of Michael Myers has a limited theatrical run! Jason lumped in with other direct to video horror like Hellraiser, Howling, and Leprechaun?? That was wrong, and again, I was depressed. 

April 2002. I was watching television when suddenly the New Line symbol appeared and the trailer for Jason X played before my eyes.  

“Let the Bodies Hit the Floor! Let the Bodies hit the Floor! Let the Bodies hit the Floor!”
-‘Bodies’ by Drowning Pool.
 

I couldn’t believe it. There he was before my eyes…Jason. Back again. Moving, hacking, swinging, punching, attacking,…all set to Drowning Pool’s heavy metal thrash hit, Bodies. What a perfect song for the trailer! 

What a perfect song for The Sultan of Slaughter! At that time, my heart raced, and I felt it. I felt a surge, a thrill, a rush of excitement, the kind I hadn’t felt since the good old days. The television trailer thrilled me and for the first time in a long time I said to myself…”Oh I’ve got to see that opening night!!!” 

And by God, I did. 

My brother James joined me and we loaded up his pick-up truck with blankets and lawn chairs, picked up a bucket of fried chicken, some beer, and drove out to the one place that would do this film justice. 

The Drive-In.

 I had not seen a Friday the 13th film on the big drive-in screen since 1980, and that was the original. It seemed very appropriate. The moon was full and the Texas night was clear and full of stars. A gentle breeze blew and the Mission IV Drive In Theater in San Antonio, Texas was about to open Jason X!!!!! 

We unloaded and got set up for a memorable night. 

 

Janessa clung on to the grated floor aboard The Grendel with all her might. The gaping hole on the spaceship was pulling everything out with tremendous force. Alarms were going off and the air was thin, every muscle in her body was pushed to it’s limits to just hold on…Tsunaron tried to save her now…and how did she find herself in this situation? She was smart, sexy, and talented, she’d been sleeping with that asshole pervert Prof. Lowe to insure her success, she’d avoided being chopped up by that frozen bag of pus that came to life on board the ship, and for what? To die like this? This was stupid! No! No! It can’t end like this….hold on a little longer…Janessa watched as her hand start to slip…Tsunaron could no longer hold her….her ears started to bleed from the pressure and she felt herself falling free.

 

“This sucks on so many levels!” 

 

Her tight little body was crushed through the narrow opening with such a force that her consciousness ended in an instant. Ejected into the vacuum of space, like so much garbage, was the pink and red pulp that had once been Janessa. 

The opening credits ran over a montage of scientific tests being performed on none other than Jason himself. Our boy was bound in chains and being poked and prodded with needles, hooked up to monitoring equipment and studied. (This was obviously NOT a good idea.) There was no mention of how he was captured (no doubt an elaborate trap set up as in Jason Goes to Hell).

  Jason X also begins with no exposition on how the Sultan of Slaughter escaped hell by the way. The only concession to The Final Friday the filmmakers made was the brief reflection of flames in Jason’s one good eye. Memories of the flames of hell? A symbol of his rage?  

We are quickly told that the year is 2008 and Jason is being kept under observation at The Crystal Lake Scientific Research Facility. So the sleepy little town that became famous for a killer that seemingly couldn’t die has become the home to a government funded research center? Makes sense I suppose. 

After numerous attempts to execute him failed, Jason is being studied to determine what gives him his remarkable healing and regenerative powers. Ok. Let’s see, first of all, he’s UNDEAD!?  

But apparently he’s getting better every day. 

Jason has not looked this ‘alive’ since before his ‘death’ in part 4. Gone is the bulbous, lumpy head of Final Friday, and his skin has an almost yellowish flesh tone to it, and there is no exposed bone. The axe scar is still there and he still has only one good eye. (I like consistency). 

The most amazing thing about Jason’s new appearance is his hair. Yes, Jason has grown some hair. Not just a few strands like in Jason Goes to hell, but fairly evenly distributed hair. His appearance is great

Jason doesn’t look too happy (does he ever?) and the lone guard that is watching him all but has the word victim #1 tattooed on his forehead.  

We are introduced to Rowan, the beautiful female research scientist who insists that the only way to deal with Jason Voorhees is to cryogenically freeze him until a way to finally destroy him can be discovered. The head of the research facility, Dr. Wimmer (a brief cameo by genre director David Chronenberg) insists that Jason be transported to a military installation where he can be further studied. Naturally, Rowan is correct. Jason escapes from his bonds and begins a slaughter spree of the installation soldiers (and Dr. Wimmer). 

Rowan leads the rampaging Jason to the Cryo-chamber to traps him for freezing. Jason strikes one last time as the freezing process begins, breeching the chamber, stabbing Rowan with his machete and sending the entire facility into lockdown. Both Rowan AND Jason are frozen for the long haul. (It all seemed very Captain America and Red Skull to me) 

F    a     s     t         f     o     r     w     a     r     d     .

The main story is set in the year 2455, when an group of student scientists lead by their teacher Professor Lowe, exploring ‘Old Earth’ find the frozen bodies of Jason and Rowan. The students are young, sexy and are obviously our latest batch of “victims”. Right away the exploration goes bad…in a freak accident, Jason’s frozen body falls forward and the machete he’s holding slices the arm off of one of the students!! 

The android female that accompanies the group (Kay-Em 14) performs a cell scan and determines that Rowan is still alive. She also makes a rather humorous summation of the violent game of hockey when one of the students asks about the strange mask the big one is wearing. 

Both Rowan and Jason are taken back aboard the spacecraft ‘The Grendel’ for transport back to the Solaris Space Station and then Earth 2.  

The amputee victim (Dylan Bierk) is made whole again by the amazing technology on board the ship in Lab 2. And the same technology is used to revive Rowan. Naturally, she’s stunned to learn that it is now 2455 but the main question that she keeps asking is…”Where’s Jason?” 

Jason’s frozen body is set up in a lab and is being examined by a young scientist named Adrienne (named as a homage to Adrienne King, the survivor of the original). Meanwhile, Professor Lowe discovers just who the masked body really is and realizes what a fortune he could make by selling the body of old earth’s most notorious serial killer. Ah, greed….nice to know that in 2455, it hasn’t disappeared. 

Jason begins to thaw (as we knew he would) and kicks off his slaughter spree once again with the VIOLENT, BRUTAL death of the beautiful Adrienne. Jason slams her face into a vat of liquid nitrogen, freezing it solid, and then shatters it against the counter top. 

OUCH! 

Oh, the Sultan of Slaughter was back, baby! 

The movie enters into VERY familiar territory with Jason stalking and killing throughout the ship. Even when the crew is alerted to the danger and a military team (The Grunts) lead by the brave Sgt. Brodski, take up weapons and fight back, Jason makes short work of them. 

The violence in the film is cranked back up, and thanks to CGI, is done in spectacular ways. Victims are impaled on giant screws, cut in half, gutted, and crushed. There are also a few classics like the throat slit and the head crush (Todd Farmer, the screenwriter, plays the character whose head is smashed by Jason.)  

The Grendel reaches its destination, The Solaris Space Station, but Jason causes the ship to fly out of control, smashing into the space station and destroying it. Up until this point, a highly respectable body count was maintained…but with the explosion of the Solaris space station, THOUSANDS are killed. If the Solaris is considered, Jason’s body count has become uncountable!!  

The remaining students are huddled in the main lab and Jason attacks again, killing Professor Lowe. All seems hopeless until the female android Kay-Em appears outfitted with a new battle program.

 

 

She attacks Jason with incredible ferocity, pumping his body so full of bullets and literally blowing off his arm, his leg and finally, reduces his head into pulp!!! WOW! Jason is destroyed! Brutally. 

Of course we all knew what was coming next.  

As the survivors make contact with a rescue ship, the remains of Jason are foolishly left in lab 2, and the computer automatically goes to work. Fabricating a new metallic body for the missing pieces and re-forming whatever was left into the new Jason for the 25th century. The new, incredible looking, silver masked Uber-Jason!!!

What a sight! Jason upgraded. Wisely, the designers of the Uber-Jason didn’t change him so much that he was unrecognizable. The basic mask was still there, and he was bald once again. 

The body was mostly metallic, with flesh and bone melded within. A Cyborg Jason with the same desire to kill! Jason must have felt better than he did in years. With both his eyes intact once again (for the first time since part 4) and blazing red, the new upgraded Sultan of Slaughter, goes back to work. 

Key-Em appears again and with the same gusto goes toe to toe with Jason. But the outcome this time is decidedly different. Jason punches her head clean off. (Like Julius in the dreadful Part 8) Being an android, Key-Em doesn’t die of course, but the only remaining student survivor, her creator and love interest, Tsunaron, carries around her head. 

Rowan, Tsunaron, and Key-Em (her head at any rate) attempt to escape in the Grendel’s evacuation pod, but it needs repairs. Sgt. Brodski (believed dead) returns and volunteers to don a space suit and repair the pod from outside the ship. Uber-Jason is advancing and there is no stopping him. 

Their only hope is to distract him.  


What follows is one of most hilarious moments in all of the Friday the 13th films. Using a hologram program, they place Uber-Jason back into Camp Crystal Lake circa 1980. The metallic, futuristic Uber-Jason suddenly finds himself in a very familiar setting with trees, music, wind, and familiar Harry Manfredini music.

It was magic. 

But Uber-Jason pauses ever so briefly to enjoy being back home and then continues onward. A further distraction is needed. Suddenly two beautiful female camp counselors appear and say together in robotic singsong:

“We love to drink beer, smoke pot and have premarital sex!”

Then the counselors strip off their tops and climb into sleeping bags giggling. This was too much! Uber-Jason stares at them for a moment, then immediately goes after them…some temptations were too hard to resist. In a move reminiscent of Friday the 13th part 7, he picks up the sleeping bags with the hologram counselors screaming inside within and bashes them together over and over then slams one against a holographic tree. It was a classic moment.

The repair is completed and the survivors prepare to eject into earth 2’s atmosphere. Suddenly Uber-Jason attacks again and Sgt. Brodski sacrifices himself by holding on to Uber-Jason and launching himself into space. The result is a fireball of Jason and Brodski entering Earth 2’s atmosphere. 

The fireball, by the way, lands in a lake of a summer camp on Earth 2.  

The End. 

WOW. The film had unspooled and my brother and I sat in the back of the truck, stuffed with fried chicken and with big stupid grins on our faces…that was so much fun!

And that was the key to the film’s success. It did not take itself too seriously and that was the only way it worked. Watching Jason as unstoppable killing machine (literally) was a joy and well….maybe it was the environment of the drive-in but the film was everything I hoped it would be.  

There were lots of silly moments but the film played them well. The entire cast of “scientists” were hot young sexy model-types wearing lots of revealing belly shirts, the Grunts were very reminiscent of Aliens and the hologram scene was just film stopping funny. In essence it was everything a Friday the 13th movie should be. There was nudity, blood, gore, and a silly plot. Taking the story out into space was a bold move but one that actually played well. 

I was talking about the film for days after. The fun to be had was incredible and better than anything else; Jason had been revived once again! 

At the drive-in that night there were teenagers watching Jason X, kids not much older than I was when I first saw Mrs. Voorhees work in the original. Now Jason was being introduced to a new generation who had only seen him on video.  

The one thing that made me sad was Jason’s new look. It was cool, but I was really going to miss classic Jason. Wait a moment…what’s that sound? Scraping along a pipe….sounds like knives…the fires of an ancient boiler room springing to life…and a wicked laugh.. Could it be?? 

Fred Kruger.  

“Welcome to MY Nightmare!”

“Now we’re not safe awake or asleep!” 

Due to be released in theatres August 2003, is the long anticipated and rumored beast battle of the new century. Freddy Vs. Jason has completed filming and the advance publicity is very favorable. Why just to see Robert Englund once again as Fred Kruger (for the first time in a decade) facing Kane Hodder as…wait a minute!  

Where’s Kane Hodder? 

Freddy Vs. Jason director Ronny Yu replaced Kane Hodder in the role of Jason Voorhees with an unknown named Ken Kirzinger. Why? Yu (who did a real bang-up job with Bride of Chucky) reportedly said that he wanted an actor with very soulful eyes as well as a Jason who was more of a physical match for Robert Englund’s Freddy.  

However, advance photos show Kirzinger’s huge form towering over Freddy, so the physical match story doesn’t fly. Perhaps Hodder wanted more money than they were willing to pay him? Who knows? It’s disappointing, but it does nothing to diminish my excitement on this match-up.

As much as I respect and admire Kane Hodder for what he brought to the character, Jason Voorhees IS THE MASK! That’s what matters most.

Jason once again looks like classic Jason, not Uber-Jason which makes sense since this film is reportedly taking place between Jason Goes to Hell and Jason X. Perhaps it will explain how Jason gets out of hell?  

The plot for Freddy Vs. Jason is sketchy at best, but from advance teases and reports throughout fan sites everywhere it appears that Fred Kruger uses Jason Voorhees to do his killing for him since the parents of Springwood (Freddy’s stomping ground) are drugging their children to prevent them from dreaming. How does Freddy control the lumbering Jason? Apparently the same way Amy Steele does briefly in Part 2, by appearing as the one person in the world that Jason loved and trusted…

Pamela Voorhees. 

So the series has come full circle again with Mrs. Voorhees (Paula Shaw) once again getting screen time, even though it’s really the dream demon Fred Kruger. The trailer for the film shows Freddy and Jason locked in mortal combat, with Freddy asking the very logical question

”Why won’t you die!??” 

Jason will never die. As long as fans of the series are around, and there’s money to be made, Jason Voorhees will stalk us in the darkest corners of our fears. Beware! Deep in the woods there lurks a monster, an enraged beast that kills. Stay out of the woods and you MAY be safe, but remember, as Alice Cooper sang, “he knows your house!” 

Ki Ki Ki Ma Ma Ma!!.  

The thunder rumbles through the sky and the lightning flashes illuminate the world. The rain pours down keeping a steady rhythmic beat on the room of your cabin in the woods. 

Inside you are safe and warm, the fireplace is casting a soft warm glow. The object of your affections is pressed up next to you, warm and comforting.

The air is filled with romance and your excitement builds as passions flare…hands roam, caressing and fondling….

SUDDENLY the door to the cabin blows open filling your love nest with rain and wind…as you look up a huge figure is silhouetted against the lightning flashes. 

His hulking form fills the doorway. The figure is bald, and wears a mask. Clutched in his hand, dripping with rain, is a long handled axe. The smell of rot fills the room and your heart is racing. 

The figure studies you for moment, apparently remembering some ancient past sin committed against it (he just wanted to swim) then purposefully stalks forward. 

You have just enough time to scream….

 

THE END…?

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