THE ANCIENT RITE OF COREY McGILLIS -
Director Dalibor Backovic’s award winning zombie short about a
disabled teenager who tries to reunite his family builds to a
frightful, and gruesome, end worthy of Fulci! Winner, Best
Special Effects, 2007 Night of Horror International Film Festival
in Sydney, Australia. (28 Minutes)
SEEKERS - A gorgeous modern
vampire fable, Jon Jorgensen’s debut film tells the unfortunate
connection between art and death. Winner, Best Cinematography,
2007 NYC Home Film Festival (15 minutes)
EIGHT THIRTY-TWO - Beautifully
shot on 35mm film, director Ben McDaniel takes a step out of The
Twilight Zone to tell a post modern sci-fi story of misplaced
confusion centered around faith in a strangely polite little girl.
Winner, Best Film, 2007 Northern California Film Festival (24
minutes)
THE MARIONETTE - Director
Holly Paige Joyner tells a harrowing and grisly tale about physical
and psychological torture which will keep you guessing until the
very end onto who is really pulling the strings. Winner, Best
Screenplay, 2006 Chicago Horror Film Festival (20 minutes)
[[intermission]]
The Washington, D.C. Area Premiere
POULTRYGEIST: NIGHT OF THE CHICKEN DEAD
- The CITIZEN KANE of zombie chicken movies, Lloyd
Kaufman's most impressive tour-de-farce since the original
TOXIC AVENGER has taken audiences, and critics, by storm one city,
and one theatre, at a time. A cautionary tale of what happens
when you build a fast food (chicken) restaurant on top of an ancient
Indian burial ground, and then set it to music; POULTRYGEIST
helps anchor our inaugural Midsummer Night’s Scream. In a summer
over-stuffed with remakes, sequels, reboots and remakes of sequel
reboots, it’s nice to know that Troma is looking out for us. Mr.
Kaufman, one of the living legends in independent and underground
filmmaking, will be on hand to introduce POULTRYGEIST:
NIGHT OF THE CHICKEN DEAD, and will be around afterwards
for Questions and Answers.
Lisa Nesselson, Variety: “It's a veritable CLUCKWORK ORANGE!
It takes up where the punctured glutton in MONTY PYTHON’S THE
MEANING OF LIFE left off!”
Nathan Lee, The New York Times: “Within the context of its
genre – the satirical sexploitation zombie chicken gross-out musical
extravaganza – it is just about as perfect as a film predicated
on the joys of projectile vomiting and explosive diarrhea can
be...POULTRYGEIST plays like a grindhouse analogue to the sloppy,
psychosexual provocations of the performance artist Paul McCarthy
and is, in its lowbrow way, every bit as liberating.”
Ain’t It Cool News:“A masterpiece! It's like FAST FOOD NATION
meets SHAUN OF THE DEAD!”
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