Larry's landmark work in the studio led to the first whole album concept where the DJ gets top billing over the original artist. This was for Salsoul records, for who Larry did many remixes. Larry moved to productions with NYC Peech Boys and Gwen Guthrie in the early eighties. This, to me, is his most interesting period, because these mixes were done on a rythm section provided by the one and only Sly and Robbie, not to forget Doug Wimbish.