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Review: Mancini
By Howard
Ho DAILY BRUIN SENIOR
STAFF hho@media.ucla.edu
What award doesn't Clint Eastwood
deserve? He's been an Oscar-winning director, one of the most
recognizable actors in films, a producer, a military man, a
lumberjack and the mayor of Carmel, a small California town. It's a
shame we won't have Dirty Harry on the ballot for governor.
In light of his versatility, it wasn't all too surprising
when he won the Henry Mancini Institute's Hank Award for
"distinguished service to American music" on August 16 in the annual
Mancini Musicale at Royce Hall. On the music front, Eastwood has
collaborated with Lennie Niehaus on the scores of many of his films,
directed a biopic of jazz saxophonist Charlie Parker, produced a
documentary on jazz pianist Thelonius Monk, played jazz piano in the
film "In the Line of Fire," and even had a Carnegie Hall concert
devoted to his film scores and his love for jazz. Enough to merit an
award?
Why not? One big name begets others, of which the HMI
organizers are obviously well aware. Eastwood and a select crowd of
music philanthropists including Diana Krall, trumpeter Arturo
Sandoval and comedian Craig Kilborn, were in for a rare treat when
film composer Bruce Broughton came out of the woodwork to play with
HMI's student orchestra, the product of 84 musicians on full
scholarship and four weeks of training at UCLA. Former Hank Award
winner Quincy Jones presented the Hank Award to Eastwood, followed
by the unveiling of the new Henry Mancini stamp honoring the man who
wrote "Moon River" and the "Pink Panther" theme, among others. Ginny
Mancini, the composer's surviving spouse, then delivered a
preaching-to-the-choir exhortation to increase music education in
schools.
The concert was a mixed bag of film and TV scores
(including Mancini's "Peter Gunn" theme with giddily slap-happy
bassist Abraham Laboriel Sr.), orchestral/big band jazz featuring a
visceral Sandoval as soloist, and, yes, even a Clint Eastwood tune
performed wistfully by sensually soft-spoken Krall.
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