Must have Books - Symphony of Ages

Authors | Book Series | Science Fiction | Fantasy | Alternative History | Sign Guestbook | View Guestbook

	Rhapsody : Child of Blood by Elizabeth Haydon Rhapsody is high fantasy, descended from Tolkien's Lord of the Rings through Eddings's Belgariad and Malloreon series, complete with an elf-like people, cannibalistic giants, fire-born demons, and dragons. Inquiring fantasy readers will wonder whether it can live up to such distinguished predecessors. The answer is yes. Haydon's first fantasy is a palpable hit. The three protagonists are well-realized characters whose adventures are by turns hilarious, horrific, and breathtaking. Best of all, though elements are drawn from familiar sources ranging from Norse myth to Mozart's The Magic Flute, Haydon's magic worldbuilding is convincing, consistent, and interesting. Rhapsody, a young woman trained as a Namer, can attune herself to the vibrations of all things, tap the power of true names, and rename people, changing their basic identities. Her magic lies in music: "Music is nothing more than the maps through the vibrations that make up all the world. If you have the right map, it will take you wherever you want to go," she tells her adoptive brothers. They are "the Brother," a professional assassin able to sense and track the heartbeats of all natives of the doomed Island of Seren, their homeland, and his giant sidekick Grunthor, a green-skinned Sergeant Major who enjoys making jokes, using edged weapons, and honing his cannibalistic palate. Inadvertently, Rhapsody has renamed the Brother Achmed the Snake, breaking his enslavement to Tsoltan the F'dor (a fire-born demon). Tsoltan sends minions in pursuit to rebind Achmed. The three escape into the roots of a World Tree, Sagia, emerging transformed into another country and century. But have they truly escaped the F'dor's evil? And how does all this relate to the prologue's story of Gwydion and Emily, two young lovers brought together across history and then separated by the mysterious Meridion? Like most first volumes, Rhapsody contains a lot of background information and foreshadowing, though Haydon ties up numerous plot lines at the end. The dislocations in time can be confusing, and some readers may find that the very 1990s dialogue clashes with the epic storytelling of the descriptive passages. Overall, however, Rhapsody is a smashing debut that delivers hours of great reading and will have you impatient to read the rest of the series.
	Prophecy: Child of Earth by Elizabeth Haydon Three cheers for Elizabeth Haydon! One great book (Rhapsody: Child of Blood) might be a fluke. But its sequel, Prophecy: Child of Earth, keeps right on developing great characters in a believable fantasy world without sacrificing the momentum of a terrific story. Best of all, Haydon promises to bring the current adventure to a conclusion in the next book, so no need to fear TNS (the never-ending saga). Prophecy continues the stories of Rhapsody, the Namer who uses song, herb-lore, and affinities with fire and starlight to heal and protect, and her adoptive family: Achmed the Snake, an obnoxious former assassin and King of the savage Firbolg race, and Grunthor, his huge, cheerfully cannibalistic sidekick. Rhapsody travels in the company of the mysterious Ashe, who becomes much less mysterious as the story progresses. She meets a dragon, trains with a Lirin swordmistress who once carried Rhapsody's fiery sword, Daystar Clarion, and races to prevent the assassination of the Patriarch of Sepulvarta. Meanwhile, Achmed and Grunthor discover secrets of their mountain stronghold and learn more of their own powers. Together they repel renewed attacks by the F'dor, a demon seeking apocalyptic destruction. But they have not yet identified the demon's host or disarmed all of its agents, and time is running out. Fans of epic fantasy will find Haydon a worthy successor to Tolkien, ranking with Robin Hobb and Guy Gavriel Kay. Just don't start reading too late in the day--once you've begun, you won't want to stop.
	Destiny: Child of the Sky by Elizabeth Haydon In a book world awash in sword-slinging fantasy novels, each trying to out-Jordan the other, the arrival of yet another big new series on the scene is... no big deal. But much to the delight of readers bored to tears by doorstopper clones, Elizabeth Haydon's three-part tale is unique, thrilling, and utterly romantic from start to finish. The story of a magical singer of extraordinary power and her battle with a blood-soaked demon began in Rhapsody: Child of Blood and continued in Prophecy: Child of Earth. The trilogy's final volume, Destiny: Child of the Sky offers fantasy fans something they crave, but don't often see--a great ending. When last we saw our lovely heroine Rhapsody and her two best friends Achmed and Grunthor, they had just rescued the Sleeping Child from the evil tendrils of the F'dor. But as they found out through the tragic loss of their young friend Jo, the three must follow the demon's trail of violence and blood, finding the children it has spawned across the land in order to track it down and destroy it once and for all. As in the previous two books, Rhapsody's love of her friends and desire to save children in danger drive her most reckless actions. Elizabeth Haydon delivers us from the fantasy traps of never-ending plots, wooden characters, and yawn-inducing battles. She takes much of her style from romance and suspense novels, rather than historical fiction, giving her books real depth of emotion and humanity. It's true that there are spots of sentimentality that may leave some hardened adventure fans groaning, but that very thing may help explain why Haydon's books have succeeded with crossover romance readers so admirably. We can only hope she'll set her sights on another swoony adventure as soon as possible
	Requiem for the Sun by Elizabeth Haydon Haydon brings Rhapsody, heroine of one successful trilogy, back for another three-volume high-fantasy adventure, along with Achmed the assassin-king and Grunthor the seven-foot Bolg sergeant-major. The trio's exploits aren't as tightly interwoven as in the first trilogy because Rhapsody is now, three years after the end of Destiny [BKL Ag 01], married to Lord Ashe, and she is expecting their child while trying to raise Ashe's young ward. Her old comrades are up to their sternsheets in intrigues and assassins, thanks to a succession crisis in Sorbold, and then Rhapsody's old nemesis, Michael the Wind of Death, returns. Michael isn't fully characterized here, yet with his psychopathic lust for Rhapsody and his partnership with a demon, he is menace enough to keep the pages turning until Rhapsody is safe and ready to face the crisis in Sorbold and the risks of bearing a dragonkin child. Bears for neologisms may growl over words such as coronated and infrastructure, but even they will raise glasses to toast Haydon's generally high levels of achievement in characterization, world building through well-chosen detail, folkloric and musical expertise, and warmth of spirit. Let us be thankful that this rhapsody isn't over and, indeed, promises to linger with spirit for at least two more volumes.