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Morrison's Hypertime
If you visit Warren Ellis' message boards at his official
website, you can read a discussion about Ellis' conversation with
Morrison over Hypertime. Ellis was so impressed by Morrison's definition
of the concept that he said, "I have seen the glory." While I wouldn't
even go that far, here's what Ellis says about the concept, taken from
his message board...
"It's one of those things that's difficult to capture on paper if you're
not the originator, I suspect. Firstly, it wasn't set up to explain continuity
glitches. That's not its point, as described to me. It's...
It's Grant trying to describe a new physics for fictional reality. And
it's time considered as a volume. a three-dimensional artifact.
My recall is flawed. We were drinking heavily. There could be crucial
mistakes in the following:
Take a glass sphere studded all over with holes, and then drive a long
stick right through the middle of it, passing exactly through the center
of the volume. That's the base DC timeline. Jab another stick through
right next to it, but at a different angle, so that they're touching at
one point. That's an Elseworlds story. Another stick, this one rippled,
placed close in so that it touches the first stick at two or three points.
That's the base Marvel timeline. Perhaps others follow the line of the
DC stick for a while before diverging, a slow diagonal collision along
it before peeling off. This sphere contains the timeline of all comic-book
realities, and they theoretically all have access to each other. In high
time, at the top of the sphere, is OUR reality, and we can look down on
the totality of Hypertime, the entire volume.
Hypertime is a tool for the consideration of fictional reality.
I think that's what he said, anyway. "
Now, I think we can dismiss the possibility that the above is just an
alcohol-rendered hallucination from Ellis. But what's really interesting
is that Morrison's Hypertime doesn't really differ from Waid's Hypertime
at all; it's just that Morrison tends to use bigger words and get a lot
more metaphysical than Waid. Also, in Kingdom, Waid had to distill
the vastness of the concept into a storyline, which is a lot easier said
than done.
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