
Intimacy &Time.Perceptions.Mericiana
Light behaves as both a particle and a wave. The particles are photons, along with wave frequencies that vibrate at varied speeds. The eye is responsible for transforming light into an electrical signal by means of the cells in the retina. By transforming light, I mean only a very small portion of the electromagnetic spectrum of light. This electrical signal reaches the sight center in the brain. The signals create the vision you see when you look out of the window. In other words, the sights you see are created in your brain.
Electrical signals create "your perception of reality", and your perceptions of "time". The world around you is not outside you, but rather; created inside you.
At this point we encounter another surprising fact; that there are, in fact, no colors, voices or visions within the brain. All that can be found in your brain are electrical signals. This is not a philosophical speculation. This is simply a scientific description of the functions of human perceptions.
Each one [of the sense organs] is intricately adapted to deal with its own type of stimulus: molecules, waves or vibrations. But the answer does not lie here, because despite their wonderful variety, each organ does essentially the same job: it translates its particular type of stimulus into electrical pulses. A pulse is a pulse is a pulse. It is not the colour red, or the first notes of Beethoven's Fifth-it is a bit of electrical energy. Indeed, rather than discriminating one type of sensory input from another, the sense organs actually make them more alike.
All sensory stimuli, then enter the brain in more or less undifferentiated form as a stream of electrical pulses created by neurons firing, domino-fashion, along a certain route. This is all that happens. There is no reverse transformer that at some stage turns this electrical activity back into light waves or molecules. What makes one stream into vision and another into smell depends, rather, on which neurons are stimulated.
In other words, all of your feelings and perceptions about the world (smells, visions, tastes etc.) are comprised of the same material, that is, electrical signals. Moreover, your brain is what makes these signals meaningful for you, and interprets these signals as senses of smell, taste, vision, sound or touch. It is a stunning fact that the brain, which is made of wet meat, can know which electrical signal should be interpreted as smell and which one as vision, and can convert the same material into different senses and feelings.
What does all this have to do with "Time". Ah yes, "Time". The relativity of time. Just know, or actually, don't know; that what you perceive as time and reality is not necessarily the same for all. Humans can place people on the moon, orbit the planet on a shuttle craft, and talk about quantum string theory all day long; but are still trying to figure out how the brain works. In order to have time you must have distance (current understanding of physics). Distance and speed is what you perceive in your mind as a vivid, action filled 3-D motion picture; although the sensory impulses reaching your eyes is only 2 dimensional. More to follow on the perceptions of time.
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The Experience and Perception of Time
We see colours, hear sounds and feel textures. Some aspects of the
world, it seems, are perceived through a particular sense. Others,
like shape, are perceived through more than one sense. But what sense
or senses do we use when perceiving time? It is certainly not
associated with one particular sense. In fact, it seems odd to say
that we see, hear or touch time passing. And indeed, even if all our
senses were prevented from functioning for a while, we could still
notice the passing of time through the changing pattern of our
thought. Perhaps, then, we have a special faculty, distinct from the
five senses, for detecting time. Or perhaps, as seems more likely, we
notice time through perception of other things. But how?
Time perception raises a number of intriguing puzzles, including what
it means to say we perceive time. In this article, we shall
explore the various processes through which we are made aware of time,
and which influence the way we think time really is. Inevitably, we
shall be concerned with the psychology of time perception, but the
purpose of the article is to draw out the philosophical issues, and in
particular whether and how aspects of our experience can be
accommodated within certain metaphysical theories concerning the
nature of time and causation.
The very expression ; the perception of time; invites
objection. Insofar as time is something different from events, we do
not perceive time as such, but changes or events in
time. But, arguably, we do not perceive events only, but also their
temporal relations. So, just as it is natural to say that we perceive
spatial distances and other relations between objects (I see the
dragonfly as hovering above the surface of the water), it seems
natural to talk of perceiving one event following another (the
thunderclap as following the flash of lightening), though even here
there is a difficulty. For what we perceive, we perceive as
present;as going on right now. Can we perceive a relation
between two events without also perceiving the events themselves? If
not, then it seems we perceive both events as present, in which case
we must perceive them as simultaneous, and so not as successive after
all. There is then a paradox in the notion of perceiving an event as
occurring after another, though one that perhaps admits of a
straightforward solution. When we perceive B as coming after A, we
have, surely, ceased to perceive A. In which case, A is merely an item
in our memory. Now if we wanted to construe ‘perceive’
narrowly, excluding any element of memory, then we would have to say
that we do not, after all, perceive B as following A. But in this
article, we shall construe ‘perceive’ more broadly, to
include a wide range of experiences of time that essentially involve
the senses. In this wide sense, we perceive a variety of temporal
aspects of the world. We shall begin by enumerating these, and then
consider accounts of how such perception is possible.
elementary time experiences or fundamental aspects of
our experience of time. Among these we may list the experience of (i)
duration; (ii) non-simultaneity; (iii) order; (iv) past and present;
(v) change, including the passage of time. It might be thought that
experience of non-simultaneity is the same as experience of time
order, but it appears that, when two events occur very close together
in time, we can be aware that they occur at different times without
being able to say which one came first (see Hirsh and Sherrick
(1961)). We might also think that perception of order was itself
explicable in terms of our experience of the distinction between past
and present. There will certainly be links here, but it is a
contentious question whether the experience of tense—that is,
experiencing an event as past or present—is more fundamental than the
experience of order, or vice versa, or whether indeed there is such a
thing as the experience of tense at all. This issue is taken up
below. Finally, we should expect to see links between the perception
of time order and the perception of motion if the latter simply
involves perception of the order of the different spatial positions of
an object. This is another contentious issue that is taken up below.
One of the earliest, and most famous, discussions of the nature and
experience of time occurs in the autobiographical Confessions
of St Augustine. Augustine was born in Numidia (now Algeria) in 354
AD, held chairs in rhetoric at Carthage and Milan, and become Bishop
of Hippo in 395. He died in 430. As a young adult, he had rejected
Christianity, but was finally converted at the age of 32. Book XI of
the Confessions contains a long and fascinating exploration
of time, and its relation to God. During the course of it Augustine
raises the following conundrum: when we say that an event or interval
of time is short or long, what is it that is being described as of
short or long duration? It cannot be what is past, since that has
ceased to be, and what is non-existent cannot presently have any
properties, such as being long. But neither can it be what is present,
for the present has no duration. (For the reason why the present must
be regarded as durationless, see the section on the specious present,
below.) In any case, while an event is still going on, its duration
cannot be assessed.
Augustine's answer to this riddle is that what we are measuring, when
we measure the duration of an event or interval of time, is in the
memory. From this he derives the radical conclusion that time itself
(or, at least, the past and future) is something in the mind. While
not following Augustine all the way to his theory of the subjectivity
of time, we can concede that the perception of temporal duration is
crucially bound up with memory. It is some feature of our memory of
the event (and perhaps specifically our memory of the beginning and
end of the event) that allows us to form a belief about its
duration. This process need not be described, as Augustine describes
it, as a matter of measuring something wholly in the mind. Arguably,
at least, we are measuring the event or interval itself, a
mind-independent item, but doing so by means of some psychological
process.
Whatever the process in question is, it seems likely that it is
intimately connected with what William Friedman (1990) calls
‘time memory’: that is, memory of when some particular
event occurred. That there is a close connection here is entailed by
the plausible suggestion that we infer (albeit subconsciously) the
duration of an event, once it has ceased, from information about how
long ago the beginning of that event occurred. That is, information
that is metrical in nature (e.g. ‘the burst of sound
was very brief’) is derived from tensed information,
concerning how far in the past something occurred. The question is how
we acquire this tensed information. It may be direct or indirect, a
contrast we can illustrate by two models of time memory described by
Friedman. He calls the first the strength model of time
memory. If there is such a thing as a memory trace that persists over
time, then we could judge the age of a memory (and therefore how long
ago the event remembered occurred) from the strength of the trace. The
longer ago the event, the weaker the trace. This provides a simple and
direct means of assessing the duration of an event. Unfortunately, the
trace model comes into conflict with a very familiar feature of our
experience: that some memories of recent events may fade more quickly
than memories of more distant events, especially when those distant
events were very salient ones (visiting a rarely seen and frightening
relative when one was a child, for instance.) A contrasting account of
time memory is the inference model. According to this, the
time of an event is not simply read off from some aspect of the memory
of it, but is inferred from information about relations between the
event in question and other events whose date or time is known.
The inference model may be plausible enough when we are dealing with
distant events, but rather less so for much more recent ones. In
addition, the model posits a rather complex cognitive operation that
is unlikely to occur in non-human animals, such as the rat. Rats,
however, are rather good at measuring time over short intervals of up
to a minute, as demonstrated by instrumental conditioning experiments
involving the ‘free operant procedure’. In this, a given
response (such as depressing a lever) will delay the occurrence of an
electric shock by a fixed period of time, such as 40 seconds,
described as the R-S (response-shock) interval. Eventually, rate of
responding tracks the R-S interval, so that the probability of
responding increases rapidly as the end of the interval
approaches. (See Mackintosh (1983) for a discussion of this and
related experiments.) It is hard to avoid the inference here that the
mere passage of time itself is acting as a conditioned stimulus: that
the rats, to put it in more anthropocentric terms, are successfully
estimating intervals of time. In this case, the strength model seems
more appropriate than the inference model.
The term ‘specious present’ was first introduced by the
psychologist E.R. Clay, but the best known characterisation of it was
due to William James, widely regarded as one of the founders of modern
psychology. He lived from 1842 to 1910, and was professor of
philosophy at Harvard. His definition of the specious present goes as
follows: ‘the prototype of all conceived times is the specious
present, the short duration of which we are immediately and
incessantly sensible’ (James (1890)). How long is this specious
present? Elsewhere in the same work, James asserts ‘We are
constantly aware of a certain duration—the specious present—varying
from a few seconds to probably not more than a minute, and this
duration (with its content perceived as having one part earlier and
another part later) is the original intuition of time.’ This
surprising variation in the length of the specious present makes one
suspect that more than one definition is hidden in James' rather vague
characterisation. One could define it, for example, as the extent of
short-term memory, in which case it might well vary from person to
person, and also from one sense modality to another. Or it might be
the interval in which information is experienced as a single unit (say
a sentence, or musical phrase)—a rather ambiguous and unsatisfactory
definition. A quite different definition is this: the interval of time
such that events occurring within that interval are experienced as
present. This is how the specious present tends to be treated in
recent discussions, though it is inconsistent with James' remark that
we can discern earlier and later parts in the specious present. As we
remarked at the beginning of this article, if two events are
experienced as present, they are surely experienced as simultaneous.
Taking the specious present as defined by this third characterisation,
the doctrine of the specious present holds that the group of
events we experience at any one time as present contains successive
events spanning an interval. The experienced present is
‘specious’ in that, unlike the objective present, it is an
interval and not a durationless instant. The ‘real’
present, as we might call it, must be durationless for, as Augustine
argued, in an interval of any duration, there are earlier and later
parts. So if any part of that interval is present, there will be
another part that is past or future. This definition needs to be
tightened up a little, to distinguish the tendency of the mind to
group together successive events from the familiar fact that light and
sound travel at finite speeds, and so events experienced as present
will in fact be past (the degree of pastness varying with
distance). What matters, as far as the doctrine is concerned, is not
when an event occurred, but when information from that event reached
our sense organs. Thus, light beams from two events may reach the
retina at slightly different times, and yet the two events be
perceived as simultaneous.
A number of arguments have been advanced in favour of the doctrine
of the specious present (see Mundle (1966)):
(A) We see things as moving, such as the second-hand of a clock, and
‘to see a second-hand moving is quite a different thing from
"seeing" that a hour-hand has moved.’ (Broad (1923)) More
formally:
| (1) What we see, we see as present. |
| (2) We see motion. |
| (3) Motion occurs over an interval. |
| Therefore: What we see as present occurs over
an interval. |
(B) If the experienced present were only an durationless instant, then
we could not understand a spoken sentence, because what would be
presented to the senses at any one point would only be a meaningless
phoneme—indeed not even that, since any sound necessarily takes
up time (Gombrich (1964)).
(C) If the experienced present were only a durationless instant, then
we would not see pictures on the television screen or VDU of a
computer, since these are built up from a moving electron beam. More
generally, we would not see anything at all, since light itself is a
motion (Ibid.).
However, the first two of these arguments are questionable (at least
as arguments for the doctrine as we have characterised it; they may be
more appropriate for other conceptions of the specious present). If
events e1 and e2 are registered in a single
specious present, then we perceive them both as present, and so as
simultaneous. But we do not see, e.g., the successive positions of a
moving object as simultaneous, for if we did we would see a blurred
object and not a moving one. So (in response to A) to see an object as
moving is not to see as present something that occurs over an
interval. Similarly, we do not hear all the parts of a spoken
sentence as simultaneous, for if we did it would be a meaningless
jumble. So (in response to B) we do not hear all the parts of the
sentence as present.
C, in contrast, appears to be sound, and does not involve the
contradictory suggestion that we experience some things as both
ordered and as present. When events occur sufficiently fast, such as
the movement of the electron beam over the television screen, we
simply fail to perceive the temporal order of certain components of
our experience. In these cases, we see things as simultaneous when
they are not simultaneously presented to our sensory apparatus, and
that is the basis of the true doctrine of the specious present.
The previous section indicated the importance of distinguishing
between perceiving the present and perceiving something as
present. We may perceive as present items that are past. Indeed, given
the finite speed of the transmission of both light and sound (and the
finite speed of transmission of information from receptors to brain),
it seems that we only ever perceive what is past. However, this does
not by itself tell us what it is to perceive something as present,
rather than as past. Nor does it explain the most striking feature of
our experience as-of the present: that it is constantly changing. The
passage (or apparent passage) of time is its most striking feature,
and any account of our perception of time must account for this aspect
of our experience.
Here is one attempt to do so. The first problem is to explain why our
temporal experience is limited in a way in which our spatial
experience is not. We can perceive objects that stand in a variety of
spatial relations to us: near, far, to the left or right, up or down,
etc. Our experience is not limited to the immediate vicinity (although
of course our experience is spatially limited to the extent that
sufficiently distant objects are invisible to us). But, although we
perceive the past, we do not perceive it as past, but as present.
Moreover, our experience does not only appear to be temporally
limited, it is so: we do not perceive the future, and we do not
continue to perceive transient events long after information from them
reached our senses. Now, there is a very simple answer to the question
why we do not perceive the future, and it is a causal one. Briefly,
causes always precede their effects; perception is a causal process,
in that to perceive something is to be causally affected by it;
therefore we can only perceive earlier events, never later ones. So
one temporal boundary of our experience is explained; what of the
other?
There seems no logical reason why we should not directly
experience the distant past. We could appeal to the principle that
there can be no action at a temporal distance, so that something
distantly past can only causally affect us via more proximate events.
But this is inadequate justification. We can only perceive a spatially
distant tree by virtue of its effects on items in our vicinity (light
reflected off the tree impinging on our retinas), but this is not seen
by those who espouse a direct realist theory of perception as
incompatible with their position. We still see the tree, they
say, not some more immediate object. Perhaps then we should look for a
different strategy, such as the following one, which appeals to
biological considerations. To be effective agents in the world, we
must represent accurately what is currently going on: to be constantly
out of date in our beliefs while going about our activities would be
to face pretty immediate extinction. Now we are fortunate in that,
although we only perceive the past it is, in most cases, the very
recent past, since the transmission of light and sound, though finite,
is extremely rapid. Moreover, although things change, they do so,
again in most cases, at a rate that is vastly slower than the rate at
which information from external objects travels to us. So when we form
beliefs about what is going on in the world, they are largely accurate
ones. (See Butterfield (1984) for a more detailed account along these
lines.) But, incoming information having been registered, it needs to
move into the memory to make way for more up to date information. For,
although things may change slowly relative to the speed of light or of
sound, they do change, and we cannot afford to be simultaneously
processing conflicting information. So our effectiveness as agents
depends on our not continuing to experience a transient state of
affairs (rather in the manner of a slow motion film) once information
from it has been absorbed. Evolution has ensured that we do not
experience anything other than the very recent past (except when we
are looking at the heavens).
To perceive something as present is simply to perceive it: we do not
need to postulate some extra item in our experience that is ‘the
experience of presentness.’ It follows that there can be no
‘perception of pastness’. In addition, if pastness were
something we could perceive, then we would perceive
everything in this way, since every event is past by the time
we perceive it. But even if we never perceive anything as past (at the
same time as perceiving the event in question) we could intelligibly
talk more widely of the experience of pastness: the experience we get
when something comes to an end. And it has been suggested that
memories—more specifically, episodic memories, those of our
experiences of past events—are accompanied by a feeling of pastness
(see Russell (1921)). The problem that this suggestion is supposed to
solve is that an episodic memory is simply a memory of an event: it
represents the event simpliciter, rather than the fact that
the event is past. So we need to postulate something else which alerts
us to the fact that the event remembered is past. An alternative
account, and one which does not appeal to any phenomenological aspects
of memory, is that memories dispose us to form past-tensed beliefs,
and is by virtue of this that they represent an event as past.
We have, then, a candidate explanation for our experience of being
located at a particular moment in time, the (specious) present. And as
the content of that experience is constantly changing, so that
position in time shifts. But there is still a further puzzle. Change
in our experience is not the same thing as experience of change. We
want to know, not just what it is to perceive one event after another,
but also what it is to perceive an event as occurring after
another. Only then will we understand our experience of the passage of
time. We turn, then, to the perception of time order.
How do we perceive precedence amongst events? A temptingly simple
answer is that the perception of precedence is just a sensation caused
by instances of precedence, just as a sensation of red is caused by
instances of redness. Hugh Mellor (1998), who considers this line,
rejects it for the following reason. If this were the correct
explanation, then we could not distinguish between x being
earlier than y, and x being later
than y, for whenever there is an instance of one relation,
there is also an instance of the other. But plainly we are able to
distinguish the two cases, so it cannot simply be a matter of
perceiving a relation, but something to do with our perception of the
relata. But mere perception of the relata cannot be all there is to
perceiving precedence. Consider again Broad's point about the second
hand and the hour hand. We first perceive the hour hand in one
position, say pointing to 3 o'clock, and later we perceive it in a
different position, pointing to half-past 3. So I have two
perceptions, one later than the other. I may also be aware of the
temporal relationship of the two positions of the hand. Nevertheless,
I do not perceive that relationship, in that I do not see the hand
moving. In contrast, I do see the second hand move from one position
to another: I see the successive positions as successive.
Mellor's proposal is that I perceive x precede y by
virtue of the fact that my perception of x causally affects
my perception of y. As I see the second hand in one position,
I have in my short-term memory an image (or information in some form)
of its immediately previous position, and this image affects my
current perception. The result is a perception of movement. The
perceived order of different positions need not necessarily be the
same as the actual temporal order of those positions, but it will be
the same as the causal order of the perceptions of
them. Since causes always precede their effects, the temporal order
perceived entails a corresponding temporal order in the
perceptions. Dainton (2001) has objected to this that, if the account
were right, we should not be able to remember perceiving precedence,
since we only remember what we can geuinely perceive. But there seems
no reason to deny that, just because perception of precedence may
involve short-term memory, it does not thereby count as genuine
perception.
In giving an account of the various aspects of time perception, we
inevitably make use of concepts that we take to have an objective
counterpart in the world: the past, temporal order, causation, change,
the passage of time and so on. But one of the most important lessons
of philosophy, for many writers, is that there may be a gap, perhaps
even a gulf, between our representation of the world and the world
itself, even on a quite abstract level. (It would be fair to add that,
for other writers, this is precisely not the lesson
philosophy teaches.) Philosophy of time is no exception to
this. Indeed, it is interesting to note how many philosophers have
taken the view that, despite appearances, time, or some aspect of
time, is unreal. In this final section, we will take a look at how two
metaphysical debates concerning the nature of the world interact with
accounts of time perception.
The second metaphysical issue that has a crucial bearing on time
perception concerns causal asymmetry. The account of our sense of being
located at a time which we considered under
Past, present and the passage of time
rested on the assumption that causation is asymmetric. Later events,
it was suggested, cannot affect earlier ones, as a matter of
mind-independent fact, and this is why we do not perceive the future,
only the past. But attempts to explain the basis of causal asymmetry,
in terms for example of counterfactual dependence, or in probabilistic
terms, are notoriously problematic. One moral we might draw from the
difficulties of reducing causal asymmetry to other asymmetries is that
causal asymmetry is primitive, and so irreducible.
MER^ICI^ANA

As a self taugh artist, I learned how perception and visual discernment interact with our dreams and soul awarness.
Visionary art is a language describing the beauty of underlying layers of reality.
`Like a mirror underneath reality is the force of manifestation that breaths existence into being. Visions of this reflective minds eye become more real in the illustration of the Visionary artist
Careful study shows the
work to be multi-layered, and with many regions of lambent radiance and lustrous depth. It might be best described as shimmering with the colors of moonlight. After a time, viewers can easily find themselves being pulled into another dimension.
Such influences keep the visions fresh, moving them in different directions.
Art of the Visionary attempts to show what lies beyond the boundary of our sight. Through dream, trance, or other altered states, the artist attempts to see the unseen - attaining a visionary state that transcends our regular modes of perception.
Visionary healing art specifically spiritual theme, the luminosity, complexity and, indeed, ethereal nature of the paintings often combine to transport the viewer
to a wholly different place.
When viewing the art, she emphasizes the exploration and depiction of other realities that are accessed in non-ordinary states of consciousness.
My methods are structures formed out of the creative spirit I am; organized in a form that assists others to expand their own consciousness and intuitively receive the light and wisdom from deepening their life and vision as I have done.
When the eye is activated, perceptions of the physical world alters in all sorts of unexpected ways; mass is preceived as a fluid substance, arbitrarily contained within the outlines of objects taking form. Space is conceived as dense and solid more solid than mass. ` As time seems to slow down during meditation, physical light also seems to move in slow motion, more like fluid than time itself. Thus, there is a recognition of the deeper layers of reality.
Evidence of the transcendent truth of existence is shown like a fleeting shadow of an AWARNESS that deepens thru our personal vision of how time and intimacy interact within our soul and our environment.
The gift of the visible is earned by shifting our perceptions of time consciousness, a screen which catches our vision in a network of transcendent apects.
Vision is a passage between two spaces and a metaphor for our meditated experience of an intelligible world.
Visionary Art bridges a perceived — yet illusionary — gap between ourselves and this "other". Its purpose is to heal this perception and to allow others access to this point of attention. Visionary Art inspires a mind toward the dissolution of boundaries and an expansion toward the infinite self.
Artworks that can facilitate a dialogue between ourselves and these spaces or have been inspired by a vision of assisting my mother thru her death experience...together we touched the very soul of God.

For more information, please contact:
Mericiana Howard
Phone: (808) 234-1314
Email: HiGoddess@webtv.net

Contact Mericiana ^2006©
Mericiana

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