Using your mouse, you can draw a rubberband between the light-colored check
in the middle of the shadow and any other check. This allows you to compare
the color of different checks over the image. Alternatively (by clicking
on the button at the bottom of the applet), you can move around a check
that is exactly the color of the middle light-colored check, and also compare
its color to that of other checks.
The Illusion
The light-colored check
in the middle of the shadow is the same shade of gray as the dark checks
outside the shadow. Really!!! This illusion was recently discovered by
MIT professor Edward Adelson.
How It Works
Your visual system needs
to determine the color of objects in the world. In this case, the problem
is to determine the gray shade of checks on the floor. Just measuring the
light coming from a surface (the luminance) is not enough: a cast shadow
will dim a surface, so that a white surface in shadow may be reflecting
less light than a black surface in full light.
Your visual system uses
several tricks to determine where the shadows are and how to compensate
for them, in order to determine the shade of gray paint that belongs to
the surface.
The first trick is based
on local contrast. In shadow or not, a check that is lighter than its neighboring
checks is probably lighter than average, and vice versa. In this figure,
the light check in shadow is surrounded by darker checks. Thus, even though
the check is physically dark, it is light when compared to its neighbors.
The dark checks outside the shadow, conversely, are surrounded by lighter
checks, so they look dark by comparison.
A second trick is based
on the fact that shadows often have sharp edges, while paint boundaries
(like the checks) often have sharp edges. Your visual system tends to ignore
gradual changes in light level, so that it can determine the color of the
surfaces without being mislead by the shadows. In this figure, the shadow
looks like a shadow, both because it is fuzzy and because the shadow casting
object is visible.
The paintness of the
checks is aided by the form of the X-junctions formed by 4 abutting checks.
This type of junction is usually a signal that all the edges should be
interpreted as changes in surface color rather than in terms of shadows
or lighting.
As with many so-called
illusions, this effect really demonstrates the success rather than the
failure of your visual system. Your visual system is not very good at being
a physical light meter, but that is not its purpose. The important task
is to break the image information down into meaningful components, and
thereby perceive the nature of objects in view.
Thanks to professor Edward
Adelson for his kind permission to reprint this illusion and for his explanation.
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