Stereocamere 135

solo fotocamere che, indipendentemente dal formato,
usano pellicola in caricatori 135

only 135 stereocameras ...

Most of the material on this page is taken from two articles by John Marriage, "The History of the 35mm twin lens reflex". They were published in Photographica World; Part 1 was published in issue 112, 2005/2 page 13-20; Part 2 in issue 113, 2005/3, page 5-14. Much more detail is presented in the original articles. An extended summary may be found at http://www.tapestry.org.uk/html/35tlr.html

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Produced by Model Year Innovative characteristic Lense Picture
Jules Richard Homeos 1920 tra le prime in assoluto ad usare la pellicola 135 nel formato "Leica" 24x36, a fuoco fisso, diaframma a tamburo f/4.5, f/6.3, f/8, f/10 e f/20 Krauss Tessar 1:4.5/28
Cornu Ontoscope 1928 24x30, otturatore a ghigliottina
24x30, Shutter: Guillotine
Zeiss Tessar 1:4.5/75
Kern Astro Small Stereo 1928 20x20mm, otturatore a ghigliottina
20x20mm, Shutter: Guillotine
Kernon 3.5/35
Leullier Summum Stereochrome 1940 24x30mm, no syncro-flash Boyer Saphir 1:3.5/40
Jules Richard Verascope F40 ver.1 1946 24x30mm, no syncro-flash, lacks depth of field scale under the focus knob, minimum focus to 0,5m. Som Berthiot Paris Flor Tessar 1:3.5/40
Jules Richard Verascope F40 ver.2 1946 24x30mm, no syncro-flash, depth of field scale under the focus knob, minimum focus to 0,5m. Som Berthiot Paris Flor Tessar 1:3.5/40
Jules Richard Verascope F40 ver.3 1948 24x30mm, only one syncro-flash, minimum focus to 0,6m. all the cameras can be switched to Mono Mode (M) by turning a knob. Som Berthiot Paris Flor Tessar 1:3.5/40
Jules Richard Verascope F40 ver.4 1949 24x30mm, a built-in dark slide will cover the right image. Two syncro-flash, minimum focus to 0,6m, with modern syncro-flash M & F Som Berthiot Paris Flor Tessar 1:3.5/40
Jules Richard Bush Verascope F40 1949 24x30mm, a built-in dark slide will cover the right image. Two syncro-flash, minimum focus to 0,6m. Sold as Busch Verascope f40 in the USA, with modern syncro-flash M & F Som Berthiot Paris Flor Tessar 1:3.5/40
David White Co. Stereo Realist 3,5 1947 23x25mm, optical reflex viewfinder (approx. 0,5x). Parallax-free David White Anastigmat 1:3.5/35
David White Co. Stereo Realist 2,8 1951 23x25mm, double exposure prevention (overrideable), eyelets for carrying-strap, cable realease provision David White Anastigmat 1:2.8/35
David White Co. Stereo Realist 45 1955 22x24mm, no telemetro, contatto caldo per flash Steinheil Cassar-S 1:3.5/35
Graflex Inc. Stereo Graphic 1950 24x22mm, simple shutter, Sold as "Wray Stereo Graphic" in the United Kingdom Graflex Graflar 1:4/35 mm, Wray 1:4/35
Tougodo Stereo Leader 1950 ? 24x23mm, senza telemetro, anche con possibilità di una foto singola Leader 1:4/45
Stereo Corporation Contura 1950 con telemetro, otturatore a ghigliottina Volar 1:2.7/35
Iloca Stereo 1 1950 24x36mm Ilitar by "Illing", 1:3.5/45
Iloca Stereo 1b 1950 24x36mm Ilitar by "Iloca", 1:3.5/45
Iloca Stereo II 1953 24x36mm Iloca Ilitar by "Optische Werke Göttingen", 1:3.5/35
Wollensak Optical Co. Wollensak Stereo 10 1950 23x25, simile alla Revere Stereo 33 Wollensak Amaton 1:2.7/35
Stereocraft for Sawyer's View Master Stereo Personal 1952 formato 12.90 x 11.90 mm View-Master Anastigmat 1:3.5/25
David White Co. Stereo Realist Macro Model 1060 1971 24x24mm David White Anastigmat 1:2.8/35
Revere Camera Co. Stereo Revere 33 1953 23x25, simile alla Wollensak Stereo 10, con messa a fuoco mediante spostamento del piano focale Wollensak Revere Amaton Anastigmat 1:3.5/35
Bodenseewerk Bodan Stereo 1953 24x24mm Trinar 1:3.5/35
Stereocrafters Videon 1953 24x24mm Stereon 1:3.5/35
Speich Speich Stereo 1953 1cm.x1cm., 110 immagini su un rullino da 135 ! Otturatore da 1 a 1/250, forse 20 prodotte. Rodenstock 1:2.8/20
Heinz Kilfitt Prototipo Stereo 1953 con telemetro, esteticamente tra le più belle, un'altra fotocamera geniale da chi progettò le prime Alpa e la superba Mecaflex Schneider Xenar 1:2.8/35
Kamerawerke Wilhelm Witt Tower Stereo 35 1953 23x24 Iloca Ilitar by "Optische Werke Göttingen" 1:3.5/35, Isco Westar 3.5/35, Isconar 3.5/35
Kinder Co. per Kilfitt Kin-Dar 1954 25x23, con telemetro, otturatore a caricamento separato dall'avanzamento della pellicola Steinheil München Cassar 1:3.5/35
Universal Camera Co. Universal Sterè'all 1954 23x25mm Tricor 1:3.5/35
Stereocrafters Videon II 1954 24x24mm Stereon 1:3.5/35
Bodenseewerk Stereo Colorist 1954 24x24mm, prodotta anche per Bell & Howell Rodenstock Stereo-Trinar 1:3.5/35
Bodenseewerk Stereo Colorist II 1954 24x24mm, prodotta anche per Bell & Howell Rodenstock Stereo-Trinar 1:3.5/35

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14 Giugno 2002 , Massimo Bertacchi