Produced by |
Model |
Year |
Innovative characteristic |
Lense |
Picture |
Jules Richard |
Homeos |
1920 |
tra le prime in assoluto ad usare la pellicola 135 nel formato "Leica" 24x36, a fuoco fisso, diaframma a tamburo f/4.5, f/6.3, f/8, f/10 e f/20 |
Krauss Tessar 1:4.5/28 |
 |
Cornu |
Ontoscope |
1928 |
24x30, otturatore a ghigliottina
24x30, Shutter: Guillotine |
Zeiss Tessar 1:4.5/75 |
 |
Kern |
Astro Small Stereo |
1928 |
20x20mm, otturatore a ghigliottina
20x20mm, Shutter: Guillotine |
Kernon 3.5/35 |
 |
Leullier |
Summum Stereochrome |
1940 |
24x30mm, no syncro-flash |
Boyer Saphir 1:3.5/40 |
 |
Jules Richard |
Verascope F40 ver.1 |
1946 |
24x30mm, no syncro-flash, lacks depth of field scale under the focus knob, minimum focus to 0,5m. |
Som Berthiot Paris Flor Tessar 1:3.5/40 |
 |
Jules Richard |
Verascope F40 ver.2 |
1946 |
24x30mm, no syncro-flash, depth of field scale under the focus knob, minimum focus to 0,5m. |
Som Berthiot Paris Flor Tessar 1:3.5/40 |
 |
Jules Richard |
Verascope F40 ver.3 |
1948 |
24x30mm, only one syncro-flash, minimum focus to 0,6m. all the cameras can be switched to Mono Mode (M) by turning a knob. |
Som Berthiot Paris Flor Tessar 1:3.5/40 |
 |
Jules Richard |
Verascope F40 ver.4 |
1949 |
24x30mm, a built-in dark slide will cover the right image. Two syncro-flash, minimum focus to 0,6m, with modern syncro-flash M & F |
Som Berthiot Paris Flor Tessar 1:3.5/40 |
 |
Jules Richard |
Bush Verascope F40 |
1949 |
24x30mm, a built-in dark slide will cover the right image. Two syncro-flash, minimum focus to 0,6m. Sold as Busch Verascope f40 in the USA, with modern syncro-flash M & F |
Som Berthiot Paris Flor Tessar 1:3.5/40 |
 |
David White Co. |
Stereo Realist 3,5 |
1947 |
23x25mm, optical reflex viewfinder (approx. 0,5x). Parallax-free |
David White Anastigmat 1:3.5/35 |
 |
David White Co. |
Stereo Realist 2,8 |
1951 |
23x25mm, double exposure prevention (overrideable), eyelets for carrying-strap, cable realease provision |
David White Anastigmat 1:2.8/35 |
 |
David White Co. |
Stereo Realist 45 |
1955 |
22x24mm, no telemetro, contatto caldo per flash |
Steinheil Cassar-S 1:3.5/35 |
 |
Graflex Inc. |
Stereo Graphic |
1950 |
24x22mm, simple shutter, Sold as "Wray Stereo Graphic" in the United Kingdom |
Graflex Graflar 1:4/35 mm, Wray 1:4/35 |
 |
Tougodo |
Stereo Leader |
1950 ? |
24x23mm, senza telemetro, anche con possibilità di una foto singola |
Leader 1:4/45 |
 |
Stereo Corporation |
Contura |
1950 |
con telemetro, otturatore a ghigliottina |
Volar 1:2.7/35 |
 |
Iloca |
Stereo 1 |
1950 |
24x36mm |
Ilitar by "Illing", 1:3.5/45 |
 |
Iloca |
Stereo 1b |
1950 |
24x36mm |
Ilitar by "Iloca", 1:3.5/45 |
 |
Iloca |
Stereo II |
1953 |
24x36mm |
Iloca Ilitar by "Optische Werke Göttingen", 1:3.5/35 |
 |
Wollensak Optical Co. |
Wollensak Stereo 10 |
1950 |
23x25, simile alla Revere Stereo 33 |
Wollensak Amaton 1:2.7/35 |
 |
Stereocraft for Sawyer's |
View Master Stereo Personal |
1952 |
formato 12.90 x 11.90 mm |
View-Master Anastigmat 1:3.5/25 |
 |
David White Co. |
Stereo Realist Macro Model 1060 |
1971 |
24x24mm |
David White Anastigmat 1:2.8/35 |
 |
Revere Camera Co. |
Stereo Revere 33 |
1953 |
23x25, simile alla Wollensak Stereo 10, con messa a fuoco mediante spostamento del piano focale |
Wollensak Revere Amaton Anastigmat 1:3.5/35 |
 |
Bodenseewerk |
Bodan Stereo |
1953 |
24x24mm |
Trinar 1:3.5/35 |
|
Stereocrafters |
Videon |
1953 |
24x24mm |
Stereon 1:3.5/35 |
 |
Speich |
Speich Stereo |
1953 |
1cm.x1cm., 110 immagini su un rullino da 135 ! Otturatore da 1 a 1/250, forse 20 prodotte. |
Rodenstock 1:2.8/20 |
 |
Heinz Kilfitt |
Prototipo Stereo |
1953 |
con telemetro, esteticamente tra le più belle, un'altra fotocamera geniale da chi progettò le prime Alpa e la superba Mecaflex |
Schneider Xenar 1:2.8/35 |
 |
Kamerawerke Wilhelm Witt |
Tower Stereo 35 |
1953 |
23x24 |
Iloca Ilitar by "Optische Werke Göttingen" 1:3.5/35, Isco Westar 3.5/35, Isconar 3.5/35 |
 |
Kinder Co. per Kilfitt |
Kin-Dar |
1954 |
25x23, con telemetro, otturatore a caricamento separato dall'avanzamento della pellicola |
Steinheil München Cassar 1:3.5/35 |
 |
Universal Camera Co. |
Universal Sterè'all |
1954 |
23x25mm |
Tricor 1:3.5/35 |
 |
Stereocrafters |
Videon II |
1954 |
24x24mm |
Stereon 1:3.5/35 |
 |
Bodenseewerk |
Stereo Colorist |
1954 |
24x24mm, prodotta anche per Bell & Howell |
Rodenstock Stereo-Trinar 1:3.5/35 |
 |
Bodenseewerk |
Stereo Colorist II |
1954 |
24x24mm, prodotta anche per Bell & Howell |
Rodenstock Stereo-Trinar 1:3.5/35 |
 |