Martina McBride
Music City News, June 1996
By Lydia Dixon
Garden
Martina McBride was
thrilled to host last year’s TNN Music City News Country Awards show and
she’s “really happy” to be doing it again with Lorrie Morgan and Mark
Miller.
With one such
hosting stint under her belt, did she look back on her performance last year
and critique herself?
“No‚ I had such
a good time last year,” she tells. The only modification she plans to make
this year is not on performance, but wardrobe. “One thing I don’t think I am
going to do this year is wear a dress that is so tight at the bottom that I have
to take baby steps to get across the stage!”
This past year, however, has not been measured in baby
steps for McBride. Her career bas taken great strides in terms of recognition,
focus and creativity. She has made appearances on such high profile shows as Late
Night With David Letterman and her single Independence
Day won honors at several awards shows this past year.
Last year when we
talked to Martina, she was still in the midst of recording her “Wild Angels”
album, her third. Each album bas been a progression for her and this one is no
different. ”Who
knows what I’ll be like with the next album?” she pondered last year..
Well, the top of the
charts seems to be a likely place. The title cut from “Wild Angels” was a
No. 1 song and her current single, Phones
Are Ringin’ All Over Town, is also making a strong showing. She feels
confident that they will be able to pull five, and possibly six singles from
the project. More than ever before,
Martina feels like
she has found a batch of songs that she can connect to on a personal basis than
ever before.
“With this album,
I feel like I found songs about me,” she tells. “It’s coming from a more
personal place. The songs I sing should stand for what I believe, and people who
buy my albums should get a sense of who I am from my music.”
Comments from critics and fans alike have remarked
there is
a more positive feel to this album. That may come from the uplifting
relationships she has with her husband, John, and toddler daughter, Delaney.
Martina was pleased to find not one but three, songs for the album that really
“captured the relationship my husband John and I have.” They are Ali
The Things We’ve Never Done, Driving Ali The Time and Born
To Give My Love To You, which Martina admits she now sings more for Delaney.
“Motherhood
changes your outlook. You become really protective, and you realize that what
you do impacts someone else’s life,” she says. “She (Delaney) is with me
all the time and John most of the time. I think that is the most important thing.
It really doesn’t matter where we are. She gets to see a lot of different
things. She is really a good, easy baby and she loves to travel - on the bus,
and on planes. She gets kind of bored when we stay home too bong.”
All three of them
used to travel together, but now that Garth Brooks is back on the road, John
tours with Brooks as his Production Manager, which means he handles all the
details associated with the tour.
Earlier this year,
Martina made her second tour to Europe. She co hosted the Great British Music
Awards and then performed around a dozen shows in Holland, England, Ireland,
Scotland and Germany. Her shows have received rave reviews, a feat her manager,
Bruce Allen, says are hard to get. Allen also manages rock artist Bryan Adams
and has found European music critics are just that - critical. Martina, who
opened shows for Garth Brooks during his World Tour two years ago, has been able
to wow those in the audience.
Part of the reason
may be the hands-on approach she took when baying down the instrumental tracks
for “Wild Angels.” She co-produced with Paul Worley and Ed Seay, but she was
very involved with what the musicians played on the tracks and also came up with
some interesting and different arrangements.
“I had really
specific ideas about the production of this album,” Martina says. “First off
all, I get tired of hearing the same sounds on the radio all the time. I wanted
there to be some fun stuff that would make people go, ‘Wow, what’s that?
That’s really different.”
“I love to go in
and create,” she adds. “To do the same thing album after album would be
boring. I’m still growing, and I want my music
to grow, too.”