Maximaphily USA, Messages from the President 2000

Maximaphily USA Front Pages:

volume 20, issue 1
volume 20, issue 2
volume 20, issue 3
volume 20, issue 4
Feb. 2000
May. 2000
Aug. 2000
Nov. 2000

November 2000
By Daniel Olsen

Maximaphily, with 18 exhibits, was well represented at rthe International Stamp Show ESPANA 2000, which was held from 6 to 14 of October. They came from 13 countries: Armenia, Belgium, Canada, Cyprus, France, Greece, Hungary, Italy, Korea, Poland, Spain, and the U.S.A.

I greatly enjoyed looking over this major presentation by those in our hobby who like to display their work for themselves and for the enjoyment of others. Medals competition is a factor of course, so I hope that all exhibitors werw pleased with end results. Our Editor George Constantourakis won a Vermeil for his exhibit of 'Greco - Roman Sculpture and its Influence'. Another Vermeil went to my exhibit 'To Conquer the Sky'. There were two European exhibits, one that I personally felt was undervalued and one that was clearly overvalued.

The overvalued exhibit, I was told by a judge, was because of 'politics'. The undervalued exhibit, I believe, was because it contained many relatively new Maximum Cards. I value the scarcity of a Maximum Card, as well as its age. There are recently created Maximum Cards that are pretty scarce - only a few made with a large quantity or only one.

The show was held in Madrid, densely populated by four million Madrileson, one tenth of the entire population of Spain. Streete, sidewalk, and the usual tourist attractions were crowded. The show itself was crowded every day with touring schoolkids. Atotal of 82,000 of them visited the show. That's right 82,000! The future of Philately - and Maximaphily - shines a little brighter in Spain.

I got a chance to talk to Ann Triggle. She is a F.I.P. judge and major force in the U.S.A. expanding all areas of exhibiting. We talked about the fact that Maximaphily is an International Class and that she would like to see more Maximaphily exhibits in shows in Canada and the U.S.A. so wouls I. In Closing, my best wishes to all our members for the New Year, plus a friendly reminder that the membership fees for 2001 are now due.

MACSU President Daniel Olsen (left) with editor George Constantourakis, at the ESPANA 2000 exhibition in Madrid, Spain.


May 2000
International Philatelic Exhibitions:
The Stamp Show 2000 & WIPA 2000
The Maximaphily Exhibits By Daniel Olsen

Stamp Show 2000

The Stamp Show 2000, held in London from May 22 to 28, included just four Maximaphily Exhibits. One by Nicos Rangos showing, in five frames of 16 pages each, much about the history, culture and Civilisation of Cyprus entitled Cyprus: Cross roads of Three Continents, won a large Silver medal with 77 points.

A vermeil medal with 84 points was awarded to David Rodrigues Cruz of Portugal for his eight-frame exhibit The Military During Peace and war, which illustrated some of the many significant conflicts in history between major world powers. It had quite a few pre 1940's maximum cards showing the heads of countries involved. Peace, it seems, was rather short intervals between wars.

Vermeil also went to Daniel Olsen for his five frames exhibit about aviation, To Conquer the Sky.

A pleasant surprise was to find a maximum card exhibit in the Youth Class winning a Bronze medal in this International Stamp Show. entitled Cyprus My Country, br George Christofi. It was described as "Cyprus captured through maximum cards". This demonstration of youthful enthusiasm for Maximaphily, proves that more of our members should be exhibiting at stamp shows held in their own home town or region.

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WIPA 2000

WIPA 2000 was held in Vienna, Austria from May 31st to June 4th. In the exhibition catalogue there were five exhibits listed, but only four were on display.
Women in Art, by Rosa Halinger of Austria, showed paintings and sculptures of women in 7 frames of 12 pages each.

Magnificent Buildings through the Centuries, by Peter Reidl of Austria was also 7 frames. One of 7 frames was from Cyprus: Women in the Arts, by Leda Theocharides. This was about women famous in different artistic fields. All of these were well done with good information by each card.

The fourth was 11 frames from Luxembourg: Maximum Cards of Luxembourg, by Bernard Kraemer. At first my impression was that there was too little information about the subject of each maximum card. There was only two, sometimes three lines of information below each card which included the date of the stamp issue and the date of cancellation.

Then I examined the maximum cards one by one, I realised that the briefest identification of the subject was all I really needed, because the card itself was so excellent. Quite a few of the M.C. were pre-1940, but many others were very old postcards used to make these maximum cards with much more recent stamp issues.

They were well matched with the stamp and quite a few had a concordant pictorial postmark. One could appreciate the care taken to create a really fine maximum card. Unfortunately I can not report the results of these WIPA 2000 exhibits due to my very short visit to Vienna.


February 2000
By Daniel Olsen

Upon receiving the last issue of our journal, I quickly read it from cover to cover and then went through it again. The quality and quantity of information in it impressed me a lot. For their informative first hand reportage on the Maximaphily exhibits at two important International Exhibitions in Paris and Beijing, I would like to thank Bruno Bouveret and Yulong Zhong.

And how about that wonderful batch of U.S.A Celebrating the Century maximum cards? That should encourage others to try their hand in creating their own MC! Our MACSU is small in comparison to Maximaphily societies in some other countries. We do not have a service that can supply our members with maximum cards of the latest U.S.A stamp issues. So some of our members make their own, and that is the heart and soul of Maximaphily. Many of the MC issued by other societies are on postcards that have been printed to suit the stamp issue. We have to search for previously issued postcards and that can be the most difficult part of making a maximum card.

Then not all of our FDI cancellations have correct concordance with the stamp subjects (and hardly add the appearance). So extra challenge of getting either a pictorial postmark or a more appropriate town cancel presents itself.

Here anaemic ink, rubber canceller, and human frailty (indifference?) can wreck havoc on a carefully prepared, potentially wonderfull effort.

Glossy postcards are the devil's Handiwork! Finally, how many were made? Ten, Twenty- often one or two. Compare this to 300 to 1500 produced by some societies.

When the first opportunity came along for me to exhibit in the Maximaphily, someone told I should show only my pre 1940 MC's, rather than put together a thematic exhibit. Sure enough, I got a very high award which was great but there was a very imaginative exhibit at the show that I really liked. It consisted entirely of comic postcards made into maximum cards.

Such as a stamp of a skier, on a postcard of a skier, ending up with his hand buried in the snow; or a diver stamp, on a postcard of a diver, jumping into an empty pool. It showed tremendous creativity and effort in acquiring the postcard and the matching stamp and then getting it cancelled. Most of the results were probably one of a kind. All this effort was rewarded with a mediocre medal.

My point is simple: the rarity value of a maximum card should not be judged by its antiquity. There are rare, and some times unique maximum cards that are spanking new.



Maximum Card Samples :

General
Yankee Stadium
Vietnam Women's Memorial
Korean War Memorial
Pioneer Pilot
Special Postmark
Ebbet Field
Bronks NY
Oct-27-1999
U.S.A.
Regular Postmark
Women in Service
Washington DC
Sep-02-1999
U.S.A.
Regular Postmark
Memorial
Washington DC
Sep-02-1999
U.S.A.
Special Postmark
Jacqueline Cochran
Reno NV
Sep-19-1999
U.S.A.



1999's Messages



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Last Updating: Mar-08-2001


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