F I V E   F O R  F I G H T I N G

This is the story of Five For Fighting, which is, at the moment, an alias--a
pen name--for singer, pianist, guitarist, satirist and commentator John
Ondrasik.

"What it is," says Ondrasik of another way of looking at Five For Fighting,
"is a group of people, musicians and non-musicians, working passionately to
realize these songs and ideas."

But to be clear, it's more than that.

"It's always stood as a metaphor for battling through this giant beast that
is the music business, and working to get your songs heard, while still
remaining non-trivial and honest."

A born-and-raised native of the sprawling San Fernando Valley area of Los
Angeles, Ondrasik's began his music studies at age two under the direction
of his piano teacher mother. His introduction to sports came later, and
hence the explanation to the still lingering question of just what Five For
Fighting means. Quite literally, it's a punishment in hockey--five minutes
in the penalty box for fighting. So now you know. Five For Fighting is an
aka, it's a battle cry, it's a reprimand and it's the songs and vision of
John Ondrasik. And in the previous paragraphs, all spent for the simple
purpose of explaining the name at the top of this page, you get a sense of
the depth and complexity of the man behind Five For Fighting's
Aware/Columbia debut, America Town.

America Town is an ambitious and wholly satisfying work. While it's not
necessary to dig too deep to hear sounds and melodies and instruments
reminiscent of contemporaries like Dave Matthews and Ben Folds and classics
like The Beatles and Elton John, if you do the math you discover that these
songs demand more credit than to be so quickly catalogued. "Easy Tonight"
offers plenty of evidence of that; what sounds like it might be a love song
is, in fact, about suicide. "The Last Great American," which has the feel of
a Civil War-era Appalachian arrangement, tells the ironic story of a guy who
closes the lid on his own casket just before he's buried alive. And the
piano-man appeal of "Jainy" and "Love Song" completely belie their
uncomfortable subject matter.

While his piano skills came from his mother, from his younger sister
Ondrasik got his ability to play guitar. "When I was around 13 or 14, my
sister got a guitar for her birthday, which I promptly stole and taught
myself to play." It was at about that same age that John was no longer
obligated to study piano, so he abruptly quit and wrote his first song
before diving into the guitar. "I bought the flashiest electric guitar I
could afford and got the cheap amp, put on Frampton Comes Alive and played
that for two years. I never became a great guitar player, but I became
proficient enough to be able to write songs."

And from his onetime astrophysicist father, Ondrasik gained an analytical
side, graduating from UCLA with a Bachelor's degree in applied mathematics.
"I started out majoring in computer science, but I found I spent 10 hours a
day in front of a computer and two hours a day in front of a piano. So I
changed my major to math, which allowed me to spend two hours a day in front
of a book and 10 hours a day in front of a tape machine, a piano and a
guitar." The centerpiece of America Town is "Superman," a three and a
half-minute serving of classic arena rock dressed up as an anthem in pop
clothes. It's an anything-but-popish lyric about a man feeling the
limitations of being superhuman, wrestling with the need to somehow belong;
ultimately, it speaks to man's desire to stir some dormant sense of heroism
in himself. Heroism, and the lack thereof, is also contemplated in "America
Town," while current icon worship is explored in "Michael Jordan."

John Ondrasik's third instrument is a voice that has been formally trained
in opera. Still, his heart was in the music of artists like The Beatles,
Journey, Stevie Wonder, Earth, Wind & Fire and Elton John. So, a choice was
made between rock & roll and opera. "Because I enjoyed writing songs I
decided to do that." In fact, he did a lot of it, writing "bad song after
bad song."

"It was a struggle," he'll acknowledge, "but I think you need to write a lot
of songs to become a good songwriter, and that's what I did for years."

That America Town has been made is a credit to the fortitude of the lone
member of Five For Fighting. In recent years Ondrasik has been victimized
twice by folding labels, and by some untimely terminations of enthused A&R
execs. "I am more proud that this record exists than the actual music on it,
which I'm very proud of," says Ondrasik. "The Five For Fighting name applies
now probably more than ever because it's been a battle."

America Town is a testament of the basic tenets of songwriting: robust
melodies, classic structure; unforgettable hooks; exquisite performances.
Whether it's the sing-along heartland rock of "Bloody Mary" and "Out Of Love
Again," the good-to-be-alive playfulness of "Something About You" and
"Alright" or any of the songs previously mentioned, America Town is
ultimately satisfying as a piece of music. And that's what America Town has
in common with all the great albums of our time: the fact that if you strip
away all the layers, all the intricacies, you find great songs that work on
a fundamental level first and foremost.

Ondrasik made America Town with producer Gregg Wattenburg and a group of
musicians. He played piano, guitar and sang, and he even "squeaked out a few
horrible notes" on violin on "Michael Jordan." Of Wattenburg, he volunteers,
"I thought Gregg had the right idea of doing nothing tricky--just let the
voice carry the songs. We worked very hard and spent a long time on this
record. There were a lot of trying times, but I think Gregg did a great
job." What they've created in America Town is a piece of music that is as
current as it is timeless, and a group of songs that speak of heroism; of
despair; of hope; of confusion; of joy. And of which of these are the
standouts, the hit singles? Well, let's just say that heavy-hitter Jack
Joseph Puig (The Goo Goo Dolls, Beck, Counting Crows, Semisonic) was brought
in to mix "Easy Tonight," "Superman," "Bloody Mary" and "Something About
You."

Held together by Ondrasik's keen sense of musical dynamics, his splendidly
expressive voice and his slice-of-life tales of modern day America, these
songs are, with all due credit to Nick Lowe, pure pop for now people. The
arrangements are both uplifting and remarkably uncomplicated. The melodies
sooth and soar, while the words are edgy in some places, witty in others and
honest everywhere in between.

"This music comes from the heart and hopefully it can move people. I think
there's something here for everybody; my goal was to have songs that an
8-year-old kid would love to sing along to, and songs that the college
graduate, the Dylan-lover, would love to get into. The greatest honor will
be in 10 years if someone pulls this record out of their collection, puts it
on again and remembers a song that meant something to their lives. That's
what I hope we've done"

For now, that's the story of Five For Fighting. Of course, even Superman
didn't work alone, so don't expect John Ondrasik to remain the lone member
much longer. "I look forward to bringing this music to many people in many
forms. Hopefully, in America Town, they will find a special place to live."

Website: http://www.sonymusic.com/artists/FiveForFighting/

SOME OF THE  PHOTOS ARE COURTESY OF JOHN AND SONY MUSIC.

REVIEW COMING SOON