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Random things -The Limelight On Shaun Micallef


And ye, doth Frances' knee spake to thy guests in a knee and spaking manner


"Hear ye! Hear ye!"


click for larger image

WARNING:The following article has been written by an unhealthily happy Nightshade_pheonix, who is angry at daylight saving and is listening to lovey-dovey music from the film Moulin Rouge, so it shall be very silly and ridiculously detailed. We accept no responsibility for any resulting brain damage.

If, should you live in Australia, somewhere near a newsagent and be reasonably upright and sentient, then you should be able to easily purchase the ABC magazine, Limelight, for about $5.00. If you don't, too bad. Anyhoo, if it is sometime in October, 2003, you should buy the mag as it has Micallefy goodness in it.

The lovely, lovely (for this month only) magazine has the name "Shaun Micallef" in green closely followed by the words "What Now?" (in white) the seventh block of text down (if you count title, price e.t.c.). I have a strong hunch that the font involved is Times New Roman. Anyway, it is on the cover. Then, on page 5, the index page, the following text is included:

28 SHAUN MICALLEF
He's appeared on TV in more guises then Agent 86 but Shaun Micallef's now peering out at us from the big screen.

Now, allow me to clear away any misconceptions about this text. It does NOT mean that Shaun Micallef IS Agent 86, nor 85 or 84. It also surely does not particularly set out to imply that there are 28 Shaun Micallefs, as it would be very hard to provide evidence for such a claim without using sophisticated technology that is far beyond any ABC budget. This also should not cause alarm about government plots to clone Shaun Micallef, as it would result in 36 knees to be holy and worship, and whilst that would be very confusing, it would be a very spiffy occurrence.

So, if you are not by this point bouncing in your car seat whilst your father has gone shopping in the mall and left you to your Micallefy fandomness (or the closest situation achievable without the aid of paperclips, elastic bands or maths exams) and feel that you need more Micallef to sustain you, read on. Not off, as this would result in your eyes not being directed at the screen, and you would be unable to finish being educated by me, or the typed words I have left for you.

Then, being sure not to hurt the magazine’s fragile pages (it has brought you Micallefy goodness and should be respected) turn to page 28. The first thing you will see will be
(a) The back of your eyelids as you have just blinked
(b)Darkness because you haven’t turned the light on/lit your candle
(c) The picture at the top of this page of Shaun Micallef as Ken Oats.
Should you indeed see, (b), then you should proceed to attempt to stop melting onto the seat/donkey and read the caption:

ABOVE
Shocking: Shaun
Micallef as Ken Oats
in The Honorable
Wally Norman

This should, if you do indeed have eyes, be followed by the words:

The laws of comedy

Early this year, he was everywhere. Within months, he was nowhere. But Shaun Micallef is far from beaten, as Jo Litson discovered on the set of his new movie

Now, please don't take these fonts literally as they were the closest I could find that would work on the internet. Please don't throw socks or buildings at me. If you haven't gathered it by now, this is about the latest film Shaun is in, the Honerable Wally Norman (comes out in australia on 13th November, 2003)

To avoid legal stuff (and very sore hands) I will not type out the whole three page, size 9 fonted article, but the highlights i.e. the bits Shaun said. Hmm.

"Cut"
A random word thingy. How nice.

(when asked if he could provide any anecdotes about filming)

"I remember that being a hilarious day," he says. "One of us would go off to shoot our lines and then come back to do the electronic press cut interview, which seemed more important [than the actual filming]. We had lots of fun"

(On the other actors)
"I remember Greig as HG reading it out a few times, so it was funny that a few years later we should be working together. We didn't have a lot of scenes together, but we spent a lot of time sitting around and talking and laughing."

(On the first showing of the film, "The Honorable Wally Norman")
"I sat there literally feeling sick [with nerves] before it started." he says. "I was pleasantly surprised and pleasantly relieved. It wasn't that bad. And it's a fun film. It's quite a sweet film, not the kind of thing I'm often connected with."

(On the character of Ken Oates)
"It's a pretty unpleasant character so it might be less then flattering. But I must say, it was easy for me to play. I wasn't aware they'd actually written it for me until I'd said yes to it.

But I read it and thought, this feels like my voice, so it was quite easy to get into the character and ad-lib around the lines a bit, which they kindly left in the final edit.

It wouldn't be accurate to say that there is a lot of improvisation in there. But either I'd be so poor an actor that I'd forgotten my lines and had to improvise my way back to them or Ted would come up with an idea he wanted us to try out."

(On acting on the big screen)
"I was conscious that there would be a difference between the big screen versus what you would do on the small screen. I just assumed that I'd be a bit subtler and not so broad. It turns out that you can't go in with these sorts of rules.

I watched the rushes and thought, oh, I was a bit small there. I was underdoing rather than underplaying- and there's a subtle difference between the two. So I was learning on the job, and it was reassuring to have Ted directing."

(On his favourite movies)
Micallef also loves Capra. "It's a wonderful life, in which James Stewart tries to kill himself and is rescued by an angel, is one of my favourite films," he says. "also, Mr. Smith Goes To Washington and Meet John Doe. These sorts of films were standard telivision standard when I was growing up."

(On his comedic preferences)
"But as a youngster, I went for the performers: The Marx Brothers, Dean Martin, Jerry Lewis, Laurel and Hardy, Moracambe and Wise. The clowns. I had a great affection for them. I remember coming home from school and the family sitting down to watch Laurel and Hardy on ABC before dinner." His mum introduced him to The Goons, from which he discovered Peter Cellars, who became an influence.
"You can see that in the characters I choose to play. I tend to gravitate towards the fools who think that no-one's noticed they're fools."

(On the general character traits of his roles)
"I rather suspect that if I play the villain or the bastard in these things, he's always going to be a bit of an idiot," says Micallef. "it wouldn't be as much fun otherwise. I much prefer playing that kind of role then somebody a bit noble.

I just find it funny and instinctively go there when I'm playing the character. It seems a bit cold if I don't. It enables me to both be vulnerable and authoritative at the same time. Without the vulnerability, it'd just come off as unlikable."

(On the subject of returning to law)
"It's something that doesn't interest me enough to go back to it and it would be very difficult for me to do these days. It's the lack of gravitas I would have in courtroom. It would be a joke."

So, thankies to Limelight, I now have something to tide me over until November the 13th *scurries off to moneybox to see if she has enough to go to the first screening of the movie*

How did I come across this little gem of up-to-date goodness?? Welll

*insert trippy flashback music here*


One night, I was innocently watching my beloved television, hoping that Dad would give in and let me watch my Micallef video for the millionth time, and I got the munchies. I left the room to partake in the never-ending quest, hosted in the land of refrigerator to obtain chocolate. When I returned, my father informed me that Shaun Micallef had been in an advertisement for a magazine. Well, pictures of him anyway and someone mispronouncing his name (Mic-ah-lef you mongweeds, not Mic-ae-lef!). Naturally I was devastated at missing the holiness and had to get more chocolate. Much to my parent's dismay, I stayed resolutely watching TV till 11:05 until the ad was shown again.

After peeling myself (and choccie) off the carpet from the joy of seeing a new pic of his holiness and his knees, I woke Mum and Dad up and proceeded to shine a torch into their eyes until they agreed to buy me the magazine, limelight. Ahh, happy times. I still miss Micallef Tonight though *leans back* DAMN YOU KASPAROV!!...I mean DAMN YOU CHANNEL NINE!!!...I think I'd better crawl back under my little rock...

Here endeth the sore eyes from reading such small font in that magazine (Dear Limelight, could you please make the font a bit above microscopic??).


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