Answering Machine Messages
[*] Hi. Now you say something.
[*] Hi, I'm not home right now but my answering machine is, so
you can
talk to it instead. Wait for the beep.
[*] You know what I hate about answering machine messages? They
go on
and on, wasting your time. I mean, all they really need to say
is,
"We aren't in, leave a message." That's why I've
decided to keep
mine simple and short. I pledge to you, my caller, that you will
never have to suffer through another long answering machine
message
when you call me...
[*] [Drawling granny voice:] Way back inna winner of fifty-two,
we didn'
have fanshy gadjets like no ansherin' machine. You jusht had to
call
and call until shummbody got home. Now, shum people, dey shay dey
don' like 'em, but I shay it'll shave you a lotta trouble if you
jusht leave a meshage. Thanksh a lot.
[*] You have reached 934-2435. We picked this machine up at a
garage
sale in "as-is" condition. You can try to leave a
message on it, but
we are not sure it will be recorded. If we don't return your
call,
it means the machine did not work.
[*] Hello. I'm David's answering machine. What are you?
[*] Hi, this is John's answering machine. He's not here, but I'm
open to
suggestions.
[*] Hi! John's answering machine is broken. This is his
refrigerator.
Please speak very slowly, and I'll stick your message to myself
with
one of these magnets.
[*] Hello, this is Ron's toaster. Ron's new answering machine is
in the
shop for repairs, so please leave your message when the toast is
done... [Cachunk!]
[*] Hello, this is Sally's microwave. Her answering machine just
eloped
with her tape deck, so I'm stuck taking her calls. Say, if you
want
anything cooked while you leave your message, just hold it up to
the
phone. [*] Hello. You are talking to a machine. I am capable of
receiving
messages. My owners do not need siding, windows, or a hot tub,
and
their carpets are clean. They give to charity through the office
and
don't need their picture taken. If you're still with me, leave
your
name and number and they will get back to you.
[*] Thank you for calling 434-2322. If you wish to speak to Tim,
push 1
on your touch tone phone now. If you wish to speak to Lynn, push
2
on your touch tone phone now. If you have a wrong number, push 3
on
your touch tone phone now. All of this button pushing doesn't do
anything, but it is a good way to work off anger, and it makes us
feel like we have a big time phone system.
[*] [Very fast:] Hi, this is 904-4344. If you want to leave a
message,
please wait for the tone. If you want to leave your name and
number,
please press pound, press 3, then dial your name, then press 6
and
dial your number. If you want to leave your name and just a
message,
press star, press 6, ask for extension 4443, then leave your name
and message. If you want to leave your number and the time you
called, please press star twice, spin in a circle, press 1 twice,
talk loud and BEEP.
[*] This is not an answering machine -- this is a telepathic
thought-recording device. After the tone, think about your name,
your reason for calling, and a number where I can reach you, and
I'll think about returning your call.
[*] [In a bored voice:] Heaven, God speaking...
[*] Hello, epicenter of the Universe, God speaking. If you leave
your
name, number, and prayer after the tone, I will call you back as
soon as I can. Please note that I answer all prayers, but
sometimes
the answer is NO. Bless you, my child, and have a nice day.
[*] Hello, this is Death. I am not in right now, but if you leave
your
name and number, I'll be right with you.
[*] Greetings, you have reached the Sixth Sense Detective Agency.
We
know who you are and what you want, so at the sound of the tone,
please hang up.
[*] Hello. I'm home right now but cannot find the phone. Please
leave a
message and I will call you back as soon as I find it.
[*] I can't come to the phone now because I have amnesia and I
feel
stupid talking to people I don't remember. I'd appreciate it if
you
could help me out by leaving my name and telling me something
about
myself. Thanks.
[*] I can't come to the phone right now because I'm down in the
basement
printing up a fresh new batch of twenty dollar bills. If you need
any money, or if you just want to check out my handiwork, please
leave your name, number, and how much cash you need after the
tone.
If you're from the Department of the Treasury, please ignore this
message.
[*] Hi. I'm probably home, I'm just avoiding someone I don't
like. Leave
me a message, and if I don't call back, it's you.
[*] Hi there. This is Joe speaking. I'm home right now, and in a
moment,
I'll have a decision to make. Leave your name and number and I'll
be
thinking about it...
[*] Bob here. I'm home right now, I'm just screening my calls. So
start
talking and if you're someone I want to speak with I'll pick up
the
phone. Otherwise, well, what can I say?
[*] This is Dan Cassidy's answering machine. Please leave your
name and
number, and after I've doctored the tape, your message will
implicate you in a federal crime and be brought to the attention
of
the FBI.
[*] You have reached the CPX-2000 Voice Blackmail System. Your
voice
patterns are now being digitally encoded and stored for later
use.
Once this is done, our computers will be able to use the sound of
YOUR voice for literally thousands of illegal and immoral
purposes.
There is no charge for this initial consultation. However our
staff
of professional extortionists will contact you in the near future
to
further explain the benefits of our service, and to arrange for
your
schedule of payment. Remember to speak clearly at the sound of
the
tone. Thank you.
[*] Hello, this is David. I don't live here, so if you were
trying to
call me, you've dialed the wrong number. On the other hand, if
you
were trying to call John, Jim, or Eric, please leave your name
and
number at the tone. I don't guarantee that one of them will call
you
back -- only that I won't.
[*] [Deadpan voice:] Hi, This is Dave. Please leave a message as
soon as
possible and I'll get back to you at the sound of the tone.
[*] Hi, this is George. I'm sorry I can't answer the phone right
now.
Leave a message, and then wait by your phone until I call you
back.
[*] Hello, this is Ron. I'm not home right now, but I can take a
message. Hang on a second while I get a pencil. [Open a drawer
and
shuffle stuff around.] OK, what would you like me to tell me?
[*] We're sorry. You have reached an imaginary number. Please
rotate
your phone 90 degrees and try again.
[*] You're growing tired. Your eyelids are getting heavy. You
feel very
sleepy now. You are gradually losing your willpower and your
ability
to resist suggestions. When you hear the tone you will feel
helplessly compelled to leave your name, number, and a message.
[*] As the drugs take hold, you feel you are losing your grip on
reality. You begin to hallucinate. You see a telephone... The
telephone is next to an answering machine... You hear a faint
click
and a light flashes on the answering machine... You hear a
beep...
[*] I don't exist at the moment, but if you leave your message,
name and
number, I'll call you back when I am...
[*] I'm only here in spirit at the moment, but if you'll leave
your name
and number, I will get back to you as soon as I'm here in person.
[*] I don't want to bore you with metaphysics, but how do you
know this
is an answering machine? Maybe it's a dream, or maybe it's an
illusion, or maybe YOU don't really exist. One way to find out is
to
leave a message, and if it's reality, I will call you back.
[*] I'm not at home today, and I might not be home tomorrow. So
please
leave a message after the tone. I didn't take a shower today, and
I
might not take one tomorrow. So if you don't leave a message
after
the tone, you might have to deal with me in person.
[*] [Noisy pick-up of phone.] Hi, I'm a burglar and I was just
about to
steal Troy's answering machine. If you give me your name and
number,
I'll... Uh, I'll post it on the fridge where he'll see it. Uh...
By
the way, where did you say you live?
[*] If you are a burglar, then we're probably at home cleaning
our
weapons right now and can't come to the phone. Otherwise, we
probably aren't at home and it's safe to leave us a message.
[*] I'm writing the definitive work on pain. I would like you to
tell me
how this machine makes you feel. Remember, be honest. This is for
posterity.
[*] [Loud heavy-metal music in background; raspy voice:] Hello,
this is
the executioner. Joe can't come to the phone right now because
he's
DEAD! Leave a name and number and IF we decide to resurrect him,
he'll call you back.
[*] Tim's dead! And God only knows where Lisa is! Fortunately
resurrections and divine revelations do tend to occur from time
to
time, so leave a message and we'll let you know when the next
miracle occurs.
[*] [Drunken voice:] You have reached Bob's hotline. We are not
able to
respond due to uninevitable circumcisions. But if you leave your
name and noomber, we won't be in wonder... pa-a-a-a!
[*] Hello, this is Marlin's answering machine reminding you that
yesterday was the last day of the previous period of your life.
After the beep you can tell me how it was, or leave some other,
informative message. Thanks.
[*] I can't come to the phone now, so... Hey -- that's a nice
phone you
have there. Hey sugar, you call this number often? I bet you have
answering machines bothering you all the time... Yes indeedy. Why
don't you give me a call sometime and we can listen to some old
recordings... I might even play my beep for you.
[*] Starship Enterprise, Uhura here, can you hold please? --
Captain,
there is a transmission coming in on hailing frequency seven, do
you
want it on screen?
[*] [Star Trek theme in the background:] [Voice 1:] Room 17, the
final
frontier.
[Voice 2:] These are the messages of Chad's answering machine.
Its
two semester mission: To seek out your name and your telephone
number. [Voice 3:] To boldly inform you to wait for the tone.
[*] Hello, you've reached 344-1312, the Apartment at the End of
the
Universe. Please leave your message, name and number at the sound
of
the tone. Keep your hands, feet, extremities and obscenities
inside
the car at all times. Enjoy your ride.
[*] [Darth Vader voice:] Speak, worm!
[*] Alpha Centauri Space Station. Commander Marlin can't come to
the
phone right now. He's either saving the universe from some dread,
unnamed peril, or perhaps taking a nappie. Leave your name and
number after the beep and he will return your call.
[*] A bubble in the space-time continuum has connected your line
to a
channeler in the 23rd century. Any message you leave will be
broadcast into the future.
[*] You have reached the offices of the planet Zarton. All our
agents
are busy undermining the governments of the Earth and cannot come
to
phone at the moment. However, your name and number can be left at
the tone and a representative will gladly contact you shortly to
arrange for your assimilation into the new order. Long groblint
the
ultimate blenstron.
[*] Steve has been captured by a flying saucer and can't come to
the
phone right now, but if you leave your name, phone number, and a
message, I'll have him call you back as soon as he gets away.
Read
all about it in next week's National Enquirer.
[*] Hello, this is Jim. Unfortunately I can't answer the phone
right now
because I've just come back from the Mirror Worlds and I'm still
made up of antimatter, so if I were to pick up the phone right
now,
the resulting energy release would make Hiroshima look like a wet
firecracker. So leave a message at the tone and I'll get back to
you
as soon as my component particles have been restored to their
normal
charges. [*] I'm gone. [*] You have reached 555-6238. Why?
[*] This is you-know-who. We are you-know-where. Leave your
you-know-what you-know-when.
[*] You have reached 234-1243. This is an answering machine. This
is the
nineties. You know what to do.
[*] You have reached the number you have dialed. Please leave a
message
after the beep.
[*] This is a boring answering machine message. Leave a message
anyway.
[Useful to keep people from calling at odd hours to hear your
latest
exciting message.]
[*] [Classical music in background, slow stoned voice:] Don't you
ever
wonder what life would be like? ...
[*] So long as phones can ring and eyes can see, So leave a
message, and
I'll get back to thee.
[*] This is 234-3249, and no, it's not Pete's Pizzaria. It's not
the
Credit Union either, and no one named Pam lives here. You can
leave
a message though.
[*] Hi. Do you ever feel, like, your head is full of sand, not
your
regular loose sand mind you, but compacted sand, and there were
like, I dunno, bugs or something jumping up and down on the
compacted sand? Well, sometimes I do. Bye.
[*] Bullwinkle: Hey, Rocky, somebody called while we weren't
home. Watch
me pull their message out of this machine! Rocky: Again?
Bullwinkle:
Nuthin' up my sleeve... PRESTO! [Sound of vicious dog barking,
stops
abruptly.] Bullwinkle: Must have been a wrong number. Rocky:
Here's
a chance for you to REALLY leave your message.
[*] These words are lovely dark and deep, but I've got promises
to keep
and miles to go before I sleep, so leave a message at the beep.
[*] Now I lay me down to sleep; Leave a message at the beep. If I
die
before I wake, Remember to erase the tape.
[*] Thank you for calling Santa's workshop. Santa can't come to
the
phone right now, and the elves are out back barbecuing Blitzen.
After the tone, please leave your Christmas list, and maybe we'll
get back to you!
[*] C'mon...you can do it...just a little one. That's the
way...just a
little beep, just a little one. C'mon...good boy...here we
go...like
this--beeeeep, just a little one, beeeeeeeeeep, c'mon...There you
go!
[*] Kemosabe no in teepee now. You leave'um message after little
smoke
signal, and Kemosabe get back for pow-wow real fast.
[*] [VOICE 1] Answer the
phone, please, Hal.
[VOICE 2] I'm sorry, Dave, I can't do that.
[*] Thanks for calling Dial-A-Shrink. I can't come to the phone
right
now, so after the tone, please leave your name and number, then
talk
briefly about your childhood and tell me what comes to mind when
you
hear the following words: orange...mother...unicorn. I'll get
back
to you with my diagnosis as soon as possible.
[*] [Sung to the tune of "Ride of the Valkyries"] Leave
me a
message...leave me a message....etc.
[*] Next on Public Radio 91 we'll be hearing music of Antonin
Dvorak.
This is the Beep Serenade in C-Sharp Minor, Opus 72....
[*] This is a test. This is a test of the Answering Machine
Broadcast
System. This is only a test.
[*] No! NO! Not THAT! Anything but that! Not the beep! No!
Please! Not
the beep! Anything but the beep! AAAAIIIIEEEEEEEEEEEE!
[*] This is the National Security Emergency Password Notification
Network. To initiate destruct sequence, call the CIA with today's
password. Today's password is BABY BOOTIES.
[*] Prepare for alpha test of Beep Software revision 1.05.
Counting down
to test: 5...4...3...2...1...
[*] After the tone, leave your name, number, and tell where you
left the
money. I'll get back to you as soon as it's safe for you to come
out
of hiding.
[*] The President is not in his office at this time. Please leave
your
name, phone number, the name of the country you wish to invade,
and
the secret password.
[*] Don't you do it! Don't you dare! I don't want to hear it!
Don't you
beep! If you beep, I'll...don't even think about
it!....Don't....!
[*] This is the Metropolitan Opera Amateur Audition Hotline.
After the
tone, sing Vesti la Giubba and La Donna e Mobile....
[*] I can't come to the phone now, so if, well, actually, I CAN
come to
the phone now, I mean, like, I'm at the phone NOW, recording this
message, but I'm doing this NOW, while you're listening to it
LATER,
except for you I guess it's NOW, like, when you're listening to
it...I mean, like, wait, gosh. This is so confusing.
[*] How do you leave a message on this thing? I can't understand
the
instructions. Hello. Testing 1 2 3. I wonder what happens if I
touch
this...YOW!!
[*] This is the Literacy Self Test Hotline. After the tone, leave
your
name and number and recite a sentence using today's vocabulary
word.
Today's word is acetylcholinesterase {or clitoris, or scaphoid,
or
arrhenotky...}
[*] [Must have good Australian accent] G'day mate. Can't come to
the
phone now because I'm a bit tied up with this crocodile. Just
leave
a message, and I'll get back to you.
[*] [Note the spelling in this one!] After the tone, please leave
a
massage--my shoulders really could use it, and... What? You're
only
supposed to leave a MESSAGE? Darn....
[*] Bwana fella no home now, so you fella leave talkie-talk.
Bwana 'im
big fella mek talkie-talk back real fas'