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Bev Doolittle | |||||||||||
Music to accompany this page:
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The beginning of a new decade welcomed the release of Bev Doolittle's art in a book titled "The Art of Bev Doolittle." The book was and phenomenal Sacred Circle as been called "the visual summation of her "In Sacred Circle, Bev Doolittle expresses the beauty and "Medicine" of nature into the symbol of life, the circle. "Medicine" to the Native American improves one's connection to the Great Mystery and to all of life. . . It may be that the true subject of the painting is hidden - camouflaged - as in the pictures in this collection, but the metaphors of life bring messages of personal power, strength, and understanding. Our fellow creatures, the animals, exhibit habit patterns that will relay messages of healing to anyone astute enough to observe their lessons on how to live. The precious gifts of true medicine are free and abundant in the beauty of nature." In 1993, Bev Doolittle joined with Paul Winter to release the first Greenwich With the release of Two More Indian Horses, Doolittle did something she swore she would never do - to paint a sequel to a Doolittle's agenda remained full with the release of another book, New Magic and and accompanying print The Spirit Takes Flight. For the 25th anniversary of Greenwich Workshop, Music in the Wind, (located at top of page) was released as a limited edition print. Bev created the symphony of nature using the techniques she employed in previous paintings, allowing the viewer to slow down, step back and let the story unfold before their eyes. No Respect is Bev Doolittle's latest release, and a return to the charming, "I love nature," states Doolittle. "I try to look beyond the obvious and create unique, meaningful paintings that depict our Western wilderness and its inhabitants. I start with a concept and then attempt to convey it through strong design coupled with detailed realism. I want people to think when they look at my paintings." | ||||||||||||
Find these books and many more, available at discount prices at:
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[ Bev Doolittle ]
[ Thomas Kinkade ]
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