| "I really truly dug [this] CD. Refreshing. None of that hideous LA production. Good songs and great singing and playing...better than 99.9% of the sh*t in Holly[wood]." --Michael Simmons, writer for LA Weekly, 2/3/03 "Working-class rock and roll just like Jimmy and Robert used to make - with a couple of cool twists!...Chuck Moses was, to put it simply, born too late. He and his band are on a mission to bring back the days of monumental guitar riffs, slamming drums and wailing vocals, and they do an admirable job of catching that classic-rock vibe. But to leave it at that would be to suggest that Moses is working in a vacuum, and this is not the case..." For more click here. --Don Waller, editor, BLAH3.com Music 1/11/03 “If you you’re a fan of the guitar in any form or fashion, you’re gonna LOVE this band MOSES.” --Ross Byron, host “Byron’s Red Roller”, MNN-TV, ch. 56 Manhattan, NYC 6/6/02 “I've heard [this] CD and it's not bad.” --Al Aronowitz, The Blacklisted Journalist. (early critic of Beatles, Hendrix, etc.) 04/02 “Moses is a very enjoyable band who paint many different musical pictures, thus showing a striking degree of originality which will hopefully gain the band wider exposure in the future.” For more click here. --Nicholas Baldrian, co-ed. Strutter Magazine, adv. ed. Fireworks Magazine, Wales, UK...as seen at AOR website (owner Valerie Bertamino FLASH magazine writer) 2/25/02 “MOSES’ sweeping, hard-rocking, epic-guitar originals owe more to 1970’s classic rock than any musical style that’s come along since. This is, in other words, an utterly unfashionable band, one that wouldn’t know Tool from Tantric, one that doesn’t sound like yet another hand-me-down Pearl Jam. They’re more influenced by artists such as Led Zeppelin, Jimi Hendrix, Boston, Humble Pie, the Stones, and Rush than anyone who’s come along since.” Full text click here. --Dave Richards, “Showcase” (Erie Times), 5/24/01 "Interesting combination of influences ...style is cool...Musically interesting...An interesting, stripped-down sound here that suggests classic rock, but borrows a kind of barren, slightly British 80's sonic feel and vocal approach that gives this a vintage yet hard-to classify style. An enjoyable listen ...riddled with potential...There's some good ferocity in the playing and moments where the vocal is totally engaging...there's good stuff here...reminds me of Cheap Trick gives (it) a palpable inherent energy..." --critiques by TAXI, Spring 2001 "Moses is an artist with a vision..." --M.F. Atlantic Records, 2000 "The Slippery Rock resident is mighty good with his instrument, strumming up macho, hard-driving notes that recall rock ‘n' roll's glory years...You can hear a little Jimmy Page, a dash of Jeff Beck and a hint of Boston's Tom Scholz in Moses/guitar work..." Full text click here. --Scott Tady, Beaver Times,12/9/99 "...Reminds me of the eighties...Bon Jovi voice... has some good themes to their songs, like "False Revolution" and "Post Cold War Tune"...good poetry...drums and acoustics are good on "Truth & Lies" ... "Say It's OK" has good energy..." --from Rock ‘N' Roll Reporter, McKees Rocks, PA 7/99 "I really feel he has good tunes. They echo in my head... He always has a draw. People seem drawn to him... The three of them together, there's just some kind of magic. They really click... (I like) the band's rhythm and Moses' vocals. From what I've heard since the time we got here, they're good...They get your attention. It keeps you listening. You wonder what the next song will be...They definitely got potential...They take me back to the day you used to be able to hear music like this more often..." Full text click here. --Brian Rittmeyer, The Butler Eagle 6/9/99 (MOSES opens for Journey/Foreigner) |
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| *Praise from MOSES FANS* click here *Praise From MOSES FANS* |