Dissertation Abstract

Brahms,
the early choral music heritage
and his piano music

D.M.A., University of Washington, March 2001
Chair of Supervisory Committee: Professor Craig Sheppard

A pianist himself, Brahms knew the instrument more intimately than any other.  Although his total compositional output spans diverse genres, his piano music opened the way for those other compositions, and manifested itself in his final years as a consummate body of work unto itself. Therefore, his piano music offers a view of the intellectual and artistic development of the composer.

Brahms drew on the techniques of earlier choral music to organize his melodic and contrapuntal framework, and to evoke the passion, consolatory spirit and national pride of the chorale.  His piano music demonstrates the way in which he carries the historical heritage of Renaissance and Baroque choral music into the sphere of instrumental music.  By integrating past idioms into his own vocabulary, Brahms created works of remarkable ingenuity.


"There are many chorale-like passages in Brahms's instrumental music, and some of them, indeed, appear in major keys and are often warm, introspective or promising, while the surrounding materials are in minor keys and are often more intense or unsettled."

-- From Chapter IV, p. 75.