Into the Blue
Into the Blue |
The Deep |
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An attractive couple, Jared and Sam, work in The Bahamas: blond volatile hunk (Paul Walker) is determined to find treasure; loyal brunette hottie (Jessica Alba) is sceptical. | An attractive couple, David and Gail, vacation in Bermuda: blond volatile hunk (Nick Nolte) is determined to find treasure; loyal brunette hottie (Jacqueline Bisset) is sceptical. |
They are aided by foolish and unlikeable Bryce (Scott Caan) and conniving Amanda (Ashley Scott). | They are aided by roguish and likeable Treece (Robert Shaw) and conniving Adam (Eli Wallach). |
The group finds a sunken plane full of cocaine. | The group finds a sunken ship full of morphine. |
Jared also finds evidence of sunken treasure from a ship called the Zephyr, which was transporting jewels for a beautiful woman. | David also finds evidence of sunken treasure from a ship called the Grifon, which was transporting jewels for a beautiful woman. |
After one dive, Jared and Bryce find thugs have been snooping aboard their boat; a ball cap is left behind. | After one dive, David and Treece find thugs have been snooping aboard their boat; a dead cat has been left behind. |
A slimy, goateed drug dealer named Bates (Josh Brolin) wants to make a deal. | A slimy, goateed drug dealer named Cloche (Louis Gossett Jr.) wants to make a deal. |
There are several harrowing shark attack sequences. | There is one humdrum shark attack sequence. |
There is a car chase down a narrow alley. | There is a moped chase down a narrow alley. |
Bates threatens Sam. | Cloche threatens Gail. |
On the deck of a boat, Sam must defend herself from a henchman. | On the deck of a boat, Gail must defend herself from a henchman. |
There is an elaborate underwater fight. | There is an elaborate underwater fight. |
There are long scenes of diving and exploring coral reefs. | There are long scenes of diving and exploring coral reefs. |
Beautiful scenery. | Bland scenery. |
Lots of tanned gorgeous bodies. | Lots of tanned average bodies. |
Acting is pedestrian. | Acting is professional. |
Promoted as scary, but is not. | Promoted as scary, but is not. |
Idiotic dialogue. | Intelligent dialogue. |
Tedious pacing due to contrived plot twists. | Tight pacing due to careful problem-solving. |
Unexceptional score by Paul Haslinger. | Exceptional score by John Barry. |
Directed by John Stockwell. | Directed by Peter Yates. |
Produced by Peter Guber. | Produced by Peter Guber. |
Rating: 5 out of 10. | Rating: 7 out of 10. |