Gladiator
Directed by Ridley Scott

Story by David Franzoni. Screenplay by David Franzoni, John Logan, and William Nicholson
Starring Russell Crowe, Joaquin Phoenix, Connie Nielson, Oliver Reed, Richard Harris, Derek Jacobi,
and Dijmon Hounsou
154 minutes. Rated R. Original aspect ratio: 2.35:1. 2000

    I had very high expectations for Gladiator. First of all, I'm a big fan of Ridley Scott, who's given us the remarkable and genre-defining films Alien, Blade Runner, Thelma & Louise, and White Squall. Second, I -- like everyone else -- am a big fan of the unbelievable Russell Crowe, of L.A. Confidential and The Insider fame. Third, I'm a big fan of gladiator movies -- Spartacus remains one of my favorite films of all time.
    So it was with relief and delight that I discovered that Gladiator can be summed up in three words: big, magnificent, and beautiful.
    Crowe plays Maximus, a Roman general who is selected by the dying Emperor (Richard Harris) to succeed him, much to the vexation of the Emperor's whiny son, Commodus, played to perfection by the versatile Joaquin Phoenix (8MM). Commodus murders his father and orders Maximus' execution before his father announces his decision. Maximus escapes, only to be captured by a slave-dealer who sells him to Proximo (the late Oliver Reed), an ex-gladiator who now trains gladiators himself to fight and die in the ring.
    Nothing can describe Ridley Scott's skill in creating incredible visuals. His battlefields are painted in blue, Proximo's ring is painted in yellows and reds, and the glorious Rome is a steel grey. The magnificent ballet that unfolds before these landscapes is what really stands out, though. The opening battle sequence is both chaotic and dizzying, while the duels in the ring remind one of Michael Mann's exquisite choreography in The Last of the Mohicans, while at the same time remaining completely fresh and unique. The spectacle of Rome and the magnificent coliseum are recreated with computer-generated visuals that are only now and then identifiable as fake -- most of the time, they look amazing. It's not the spectacle, though, that makes this film great, nor is it the blood-splattering violence that one would expect from a film about Roman gladiators. Rather, it is the raw human emotions virtually pouring out of every character in every scene. Scott directs a terrific cast to brilliant performances.
    Crowe really stands out as a fantastic actor here, and if you weren't convinced that he's a star by his brilliant performances in L.A. Confidential and The Insider, I guarantee you, you will be here. His Maximus is a great character -- a man whose brilliance on the battlefield or in the ring cannot hope to match the fierce love he feels for his family -- and Crowe brings him to life with startling ferocity. When he swears to the new Emperor that he will have his vengeance, you believe it. And when you see the pain in his eyes that comes from having his family butchered, you can't help but share his loss.
    And Phoenix, as his adversary, does just as good a job creating a character you desperately want Crowe to hack open with a big, sharp sword. Commodus is reminiscent of Archibald from Rob Roy, or of the young prince in Braveheart, but is somehow much more vicious, more ruthless, then both of them put together. While his father and Maximus personify all that was good and honorable about Rome, Commodus portrays that which was evil and heartless in the ancient empire. The quietly beautiful Connie Nielson is extremely effective as Commodus' sister, whose loyalties may lie with her brother, with Maximus, or with herself and herself alone. Rounding out the cast nicely are Derek Jacobi (Hamlet) as a Roman senator who seeks the end of Commodus' reign, and Djimon Hounsou (Amistad, TV's ER) as Maximus' fellow gladiator and friend.
    The script is good, moving the story along at a nice pace. None of the battle scenes are gratuitous -- each is there for it's own reason, and the dialogue is for the most part dramatic and realistic. That, combined with the terrific performances I mentioned above, Scott's talented direction, and a powerful and moving score from Hans Zimmer, and you've got a picture where all the individual elements come together wonderfully to work together and create a masterpiece the likes of which I haven't seen in quite a while.

    Bottom line: Ridley Scott does it again, creating a terrific masterpiece with great characters, real emotions, fantastic action, and a powerful finale.
    My grade: A
    My advice: Try and see Gladiator on the big screen, which'll do this big movie justice.

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