Star Trek:
Insurrection
Directed
by Jonathan Frakes
Screenplay
by Michael Piller
Story
by Rick Berman & Michael Piller
Starring
Patrick Stewart, Jonathan Frakes, Brent Spiner, Levar Burton, Michael Dorn,
Gates McFadden, Marina Sirtis, F. Murray Abraham, Donna Murphy, and Anthony
Zerbe
103
minutes. Rated PG. Original aspect ratio: 2.35:1. 1998
Star Trek Insurrection is the second Star Trek film in a row
to be little more than an example of wasted potential. This is not to say
the ninth Star Trek feature is not an enjoyable diversion. I thought
it was a good deal of fun. But it could have been so much more.
When
Insurrection
was in the wings, I thought that the "fountain of youth" storyline sounded
childish and absurd. Surprisingly, the story is actually a good one. The
problem is the script. Like First Contact, Insurrection feels extremely
hurried. You get the sense that scenes were filmed and then deleted in
the final cut, or even written into the script but never filmed. It gives
you the feeling that this is just another two-parter of the television
series, desperately trying to fit the episodes into the time allotted.
Granted, a two-part episode wouldn't run for more than about 90 minutes,
plus commercials, but Insurrection is a scant 103 minutes, which
is really not much longer.
For a franchise which prides itself on it's characters, there is not much
characterization in this picture. Perhaps the creators feel that after
seven seasons and two previous motion pictures, there is no more character
development to be written. I disagree. And not only could the crew of the
Enterprise
used some fleshing out in this film, but the supporting cast as well. Donna
Murphy (who appeared in the Ally McBeal - The Practice crossover
and in the forthcoming film The Astronaut's Wife) plays a character
who could have had so much more depth and much more of a connection with
Picard (Stewart) than she does. The "live in the moment" thing seems more
a parlor trick (one she "teaches" to Picard with no problem whatsoever)
than an emotional and spiritual state, which is what I believe they were
aiming for. Also, her relationship with
Picard
is glossed over as if it were unimportant. It's vaguely implied that they
make love, but that is all. I was disappointed with that. God forbid someone
other than Riker (Frakes) has sex on the Enterprise. Another wasted
opportunity was that of Academy Award winning actor F. Murray Abraham playing
the one-dimensional villain of the film, Adhar Ru'afo. Abraham (who won
for Amadeus) does a fine job, but couldn't Piller have written a
more interesting and three-dimensional character for such a distinguished
and honored actor to play? And Admiral Dougherty (Zerbe), the Starfleet
Admiral who at first supports Ru'afo but then backs down, could have been
so much more interesting and complex. Why was he so
adamant
about supporting Ru'afo and the Son'a? There could have been some wonderful
character development with the Admiral, had Piller taken the time to write
it (and had a better actor, Gene Hackman, perhaps, played the part. Zerbe
bugs me). And finally, Worf. Worf, Worf, Worf, Worf, Worf. Worf (Dorn),
who was such a wonderfully diverse and interesting character on The
Next Generation and in "The Way of the Warrior" episode of Deep
Space Nine (the episode where he first arrived on the station), has
become on DS9 and in
Insurrection a source for simply comic
relief and a boost of testosterone. They even managed to combine both of
these elements into a single moment, when Worf swings his phaser rifle
to destroy an incoming drone-thingie and then shouts "definitely feeling
aggressive tendencies, sir!"
I know
that the creators wanted this to be a more light-hearted adventure, especially
after the heavy-handed Generations and First Contact. But
it could have been done with so much more skill and subtlety. The one attempt
at subtlety they took, in fact, they blew, when Picard out loud compares
the relocation of the Ba'ku to "some of the worst moments in my planet's
history," making reference to the concentration camps in Nazi Germany,
as well as the internment camps for the Japanese here during World War
II. Something that could have been a subtle subtext, they had to drag out
into the open, waving it around like a flag, shouting "see, we still have
important issues in Star Trek!"
My final
gripe comes from simply the lack of space battle scenes! There has not
been a decent space battle in a Star Trek movie since The Wrath
of Khan in 1982. The attack on the Klingon ship in Spock was
short and uneventful, there was no action at all in Voyage Home
or Final Frontier, the climax of Undiscovered Country was
great, but it was basically the Enterprise being shot at. The attack
on the Enterprise-D in Generations was exciting and well-done,
but way too short. And the battle with the Borg in First Contact
was depressingly short. And here in Insurrection, we have not a
good old fashioned space battle (they shoot, we shoot back, things blow
up, they shoot again...) but instead we have the Son'a using illegal subspace
weapons from which the Enterprise
can
only escape by ejecting the warp core (another could-have-been-great moment
lost - we don't even see the core eject, we simply see it's tiny silhouette
as it falls into the subspace tear thingie), and we have Riker (steering
the Enterprise with a joystick?) spraying some sort of volatile
gas out of the warp nacelles, which the Son'a happily fire into, destroying
themselves. Tricks and gimmicks. What I wouldn't give to see a Return
of the Jedi style space battle in a Star Trek movie, or even
a Wrath of Khan style space battle. Also: the special effects. They
looked impressive in the theatre, simply because they were big, but on
the small screen it's apparent that the visual effects in Deep Space
Nine and Voyager are of a much higher caliber. Maybe next time
the producers will be willing to spring for Industrial Light and Magic.
I mean, the last time they didn't was Star Trek V. Don't they learn
from their mistakes? (I guess they do; William Shatner hasn't directed
a movie since then)
There
will not be another Star Trek movie for at least three years, I've
read. For this I am glad. Maybe they'll spend the time to write an decent
script, with subtext and fully developed characters and plot. Maybe they'll
enlist ILM to do the effects. Maybe they'll get a "real" director to do
the film, instead of Jonathan Frakes. Star Trek X. Directed by Ridley
Scott. Directed by John McTiernan. Directed by Michael Mann. Directed by
Steven Spielberg. Directed by Francis Ford Coppola. Even directed by Nicholas
Meyer (Trek II, VI).
Written
and directed by Matthew Robert Bowers.
There
we go!
Bottom line: An okay film that could
have been so much better, had the script developed the plot and the characters
much more than it did.
My grade:
B-
My advice:
If you like Star Trek, it's worth a look. But if you've never seen
a Trek film, don't start with this one. Try Khan instead.
Get the movie
poster!