ANTHOLOGY VOL.1

Free As A Bird

(Lennon)


Free as a bird,
it's the next best thing to be,
free as a bird.

home, home and dry,
like a homing bird i'll fly,
as a bird on wings.

whatever happened to
the life that we once knew?
can we really live without each other?

where did we lose the touch
that seemed to mean so much?
it always made me feel so...

free as a bird,
like the next best thing to be,
free as a bird.

home, (HOME) home and dry,
like a homing bird i'll fly,
as a bird on wings.

whatever happened to
the life that we once knew?
always made me feel so free.
ah -
ah -
ah -
free as a bird,
is the next best thing to be,
free as a bird,
free as a bird,
free as a bird.

oo-oo-oo
free -

turned out nice again, mother.

JOHN(SPECH)


"We were four guys, that, eh... i met paul, said, d'y' wanna join me band, you know,
and then george joined, and then ringo joined. we were just a band that made it very, very big, that's
all."

That'll Be The Day

(Allison/Holly/Petty)


well, that'll be the day when you say goodbye,
yeah, that'll be the day when you make me cry,
you say you're gonna leave, you know it's a lie,
'cause that'll be the day when i die.

well, you give me all your loving,
and all your turtle doving,
all your hugs and kisses,
and your money too.
you say you love me, baby,
and still you tell me baby,
that someday, well i'll be through

'cause, that'll be the day when you make me cry,
that'll be the day when you say goodbye,
you say you're gonna leave, you know it's a lie,
'cause that'll be the day when i die.

the honky tonk!

yeh, that'll be the day when you say goodbye,
yeh, that'll be the day when you make me cry,
you say you're gonna leave, you know it's a lie,
'cause that'll be the day when i die.

well, when cupid shot his dart,
he shot it at your heart,
so if we'll ever part
and i'll leave too,
and you say you call me
and you tell me boldly
that some day, well, i'll be through.

'cause that'll be the day when you say goodbye,
yeh, that'll be the day when you make me cry,
you say you're gonna leave, you know it's a lie,
'cause that'll be the day when i die.

yeah, that'll be the day, uh-huh,
that'll be the day, uh-huh,
that'll be the day, uh-huh,
that'll be the day

In Spite Of All The Danger

(McCartney/Harrison)


In spite of all the danger,
spite all that may be,
i'll do anything for you,
anything you want me to,
if you'll be true to me.

in spite of all the heartache,
that you may cause me,
i'll do anything for you,
anything you want me to,
if you'll be true to me.

i look after you like i've never done before,
i'll keep all the others from knockin' at your door

in spite of all the danger,
spite all that may be,
i'll do anything for you,
anything you want me to,
if you'll be true to me.

in spite of all the heartache,
that you may cause me,
i'll do anything for you,
anything you want me to,

if you'll be true to me.

do anything for you,
anything you want me to,
if you'll be true to me.

PAUL (SPEECH)

Sometimes iLd borrow a tape recorder, a grundig with a little green eye and we'd sort of go round to
my house and tried to record little things such as... i remember "hallelujah, i just love her so",
cause i had the eddie cochran record. but those were very much home demos, very bad
quality. i think a couple of those still exists.

Hallelujah, I Love Her So

(Charles)


let me tell you 'bout a girl i know,
she's my baby and i love her so.
every mornin' when the sun comes up,
she brings me coffee in my favourite cup.
then i know, yes i know,
hallelujah, i just love her so.

when i call her on the telephone,
hear me, baby, i'm all alone."
before i'm countin' from one to four,
she'll be knocking on the door.

in the evening when the sun goes down,
and there ain't nobody else around.
she kisses me and then she holds me tight,
says, "baby, everything's alright".
that's why i know, yes, i know,
hallelujah, i just love her so,
hallelujah, i just love her so,
hallelujah, i just love that chick so
you'll be mine
well, darling, all the night
you'll be mine and i know
you'll be mine
until you die
you'll be mine.

and so (AND SO)
all the night, (ALL THE NIGHT)
you'll be mine, (YOU'LL BE MINE)
you'll be mine.
and the stars (AND THE STARS)
always shine (ALWAYS SHINE)
you'll be mine.
oh.

my darling, when you brought me that toast the other morning,
i, i looked into you eyes and i could see a national health eyeball
and i loved you, like i never done, i have never done before!

oh, darling, in your eyes
and you'll be mine
and you will be mine
you'll be mine
at the start
yes, you'll be (mine).

My Bonnie

(Pratt)


"First of all we made a recording with a fella called tony sheridan.we were working in a club called
"the top ten club" in hamburg and we made a recording with him called "my bonnie" which
got to number five in the german hit parade, but, it never, it didn't do a thing over here"
(my bonnie lies over the ocean,)
my bonnie lies over the sea.
well, my bonnie lies over the ocean,
oh, bring back my bonnie to me.

my bonnie lies over the ocean,
my bonnie lies over the sea.
well, my bonnie lies over the ocean,
yeh, bring back my bonnie to me.

yeh, bring back, ah, bring back, (NOW)
oh, bring back my bonnie to me, to me.
oh, bring, oh, bring back, (NOW) ah, bring back,
oh, bring back my bonnie to me.

WHOA!
AH! HO! HO! HO!
AH! GO! GO! GO! GO!
HO! HO! HO!
GO! GO! GO!
OH HO! OH HO!

(I KNOW) well, my bonnie lies over the ocean,
my bonnie lies over the sea.
yeh, my bonnie lies over the ocean,
oh, i said, bring back my bonnie to me.

(I KNOW) yeh, bring back, (NOW) ah, bring back,
oh, bring back my bonnie to me, to me. (NOW)
oh, bring back, (NOW) ah, bring back,
ho! bring back my bonnie to me.

Ain't She Sweet

(Yellen/Ager)

Oh, ain't she sweet?
well, see her walking down that street.
yes, i ask you very confidentially,
ain't she sweet?

oh, ain't she nice?
well, look her over once or twice.
yes, i ask you very confidentially,
ain't she nice.

just cast an eye in her direction,
oh me, oh my, ain't that perfection?

oh, i can repeat,
well, don't you think that's kind-a neat?
yes, i ask you very confidentially,
ain't she sweet?

oh, ain't she sweet?
well, see her walking down that street.
well, i ask you very confidentially,
ain't she sweet?

oh, ain't that nice?
well, look her over once or twice.
yes, i ask you very confidentially,
ain't she nice.

just cast an eye in her direction,
oh me, oh my, ain't that perfection?

oh, i can repeat,
well, don't you think that's kind-a neat?
yes, i ask you very confidentially,
ain't she sweet?

oh, ain't she sweet?
well, see her walking down that street.
well, i ask you very confidentially,
ain't she sweet?

well, i ask you very confidentially,
ain't she sweet?

JOHN LENNON (SPEECH)

"Brian was a beautiful guy, brian epstein, and he was a, an intuitive,
theatrical guy and he knew we had something.
he presented us well."

Searchin'

(Leiber/stoller)


("I secured them an audition at decca on new years day 1962. they came to london and stayed at the
royal hotel paying 27 shillings a night for bed and breakfast. they were poor and i wasn't rich
but we all celebrated with rum, scotch and coke which was becoming a beatle drink even then")

(GONNA FIND HER)
(GONNA FIND HER)
Well, searchin', yeah, i've been searchin',
mm, i'm searchin' evLry which a-way. (YEAH, YEAH)
oh, lord, i've gone searchin',
my good lord, (SEARCHIN')
you know, honey, searchin' evLry which a-way.
but like that north west mountie, yeah,
you know iLll bring her in some day.
(GONNA FIND HER) yeah.
(GONNA FIND HER)

Well, now charlie chan, simon spade, got nothin', child, on me.
sergeant friday and, eh, peter gunn, well, i, ooh, let 'em be.
as no matter where she's a-hidin' she's gonna see me a-comin',
gonna walk right down that street like a bulldog drummond.

yeah, 'cause i'm searchin', oh, honey, searchin',
my goodness, searchin' evLry which a-way. (YEAH, YEAH)
but like that north west mountie, yeah,
you know iLll bring her in some day.
(GONNA FIND HER)
ooh, ooh -
(GONNA FIND HER)

yeah, ho! ho!
ho! ho! ho!

well, now charlie chan, simon spade, they've got nothin', child, on-a me.
sergeant friday and, eh, peter gunn, well, i, ooh, let 'em be.
yeah, 'cause no matter where she's a-hidin' she's gonna see me a-comin',
gonna walk right down that street like a bulldog drummond.

i'm searchin', yeah, honey, searchin',
mm, my, my goodness, searchin' evLry which a-way. (YEAH, YEAH)
but like that north west mountie, yeah,
you know iLll bring her in some day.
(GONNA FIND HER)
yeah.
(GONNA FIND HER)
yeah, lord, i'm gonna find her,
ooh, i'm gonna find her, yeah,
yeah!

Three Cool Cats

(Leiber/Stoller)


three cool cats.
three cool cats.
a-hung on the corner in a beat up car,
splitting up a nip from the candy bar,
talking all about how sharp they are,
these three cool cats.

three cool chicks
are walking down the street, swinging their hips,
splitting up a bag of potato chips.
and three cool cats did three big flips for
three cool chicks,
yeah, three cool chicks.

well, up popped that first cool cat,
he said "man, look at that!
man, do you see what i see?
well, i want that middle chick!"
"i want that little chick!"
"hey man, save one chick for me!" - yeh!

well, three cool chicks,
three cool chicks,
well, they looked like angels from up above
and three cool cats really fell in love.
but three cool chicks made three fools of
those three cool cats,
three cool cats.

well, up popped that first cool cat,
he said "man, look at that!
man, do you see what i see?
well, now, i want that middle chick!"
"i want that little chick!"
"hey man, save one chick for me!" - yeh!

three cool chicks,
three cool chicks,
they looked like angels from up above
and three cool cats really fell in love.
but three cool chicks made three fools of
those three cool cats,
three cool cats,
three cool cats,
three cool cats.

three cool cats!
ah, three cool cats!

The Sheik Of Araby

(Snyder/Smith)


well, i'm the sheik of araby,
your love belongs to me.
well, at night when you're asleep,
into your tent iLll creep.

aha!

the stars that shine above us,
will light a way to love.
you rule this world with me,
i'm the sheik of araby.

well, i'm the sheik of araby,
your love belongs to me.
ooh, at night when you're asleep,
into your tent iLll creep.

aha!

the stars that shine above us,
will light a way to love.
you rule this world with me,
i'm the sheik of araby,
well, i'm the sheik of araby,
well, i'm the sheik of araby, yeah!

sheik of araby!

Like Dreamers Do

(McCartney)


I, i saw a girl in my dreams,
and so it seems
that i will love her.

oh, you, you are that girl
in my dreams,
and so it seems
that i will love you.

and i, i, i, i, i,
waited for your kiss,
waited for the bliss,
like dreamers do.

and i-i-i-i-i-i-i,
oh, i'll be there, yeah,
waiting for you, you, you, you, you, you,

you came just one dream ago,
and now i know
that i will love you.

i knew when you first said hello,
that's how i know
that i will love you.

and i, i, i, i,
waited for your kiss,
waited for the bliss,
like dreamers do.

and i-i-i-i-i-i-i,
oh i'll be there, yeah
waiting for you, you, you, you, you, you

you came just one dream ago,
and now i know
that i will love you.

oh, i knew when you first said hello,
that's how i know
that i will love you.

and i, i, i, i,
waited for your kiss,
waited for the bliss,
like dreamers do,
oh, like dreamers do,
like dreamers do.

Hello Little Girl

(Lennon/McCartney)


hello little girl,
hello little girl,
hello little girl.
when i see you everyday, i say, mm-mm,
hello little girl.
when you're passing on your way, i say, mm-mm,
hello little girl.

when i see you passing by, i cry, mm-mm,
hello little girl.
when i try to catch your eye, i cry, mm-mm,
hello little girl.

(HELLO)
i send you flowers but you don't care,
you never seem to see me standing there,
i often wonder what you're thinking of,
i hope it's me and love, love, love.

so i hope there'll come a day when you'll say, mm-mm,
you're my little girl.

(HELLO)
it's not the first time that it's happened to me,
it's been a long, lonely time
and it's so funny, so funny to see
that i'm about to lose my mi-mi-ind.

so i hope there'll come a day when you say, mm-mm,
you're my little girl, mm-mm-mm,
you're my little girl, mm-mm-mm,
you're my little girl, oh yeah,
you're my little girl.

do-do-do-do-do

BRAIN EPSTEIN(SPEECH)

"Well, the recording test came and went. the people that decide about these things at decca said "no". well, you can imagine i was more worried about what i was going to say to the boys, having built up their hopes. so i allowed myself a final 24 hours to exhaust the remaining disc companies and i booked into the green park hotel. in the morning i took a cab to the emi office block in manchester square, london, to meet the man who would within less than 2 years produce 16 number one discs by my artists."

Besame Mucho

(Velazquez)


cha cha boom!

besame, besame mucho,
each time i cling to your kiss
i hear music divine.
so besame, besame mucho,
ah, love me forever,
say that you'll always be mine.

cha cha boom!

dearest one, if you should leave me,
then each little dream will take wings
and my life would be through.
oh, besame, besame mucho,
oh, love me forever,
make all my dreams come true.

uh, this joy is something new,
my arms enfolding you,
never knew this thrill before.
who'd ever thought iLd be holding you close to me,
whisp'ring it's you i adore.

yes, so dearest one, if you should leave me,
then each little dream will take wings
and my life would be through.
oh, so besame, besame mucho,
yeah, love me forever,
make all my dreams come true.

uh, this joy is something new,
my arms enfolding you,
never knew this thrill before.
who'd ever thought iLd be holding you close to me,
whisp'ring it's you i adore.

oh, so dearest one, if you should leave me,
then each little dream will take wings
and my life would be through
. oh, so besame, besame mucho,
now love me forever,
make all my dreams come true.
uh, love me forever,
make all my dreams come true.
uh, love me forever,
make all my dreams come true.

Love Me Do

(McCartney)


Love, love me do,
you know i love you,
iLll always be true,
so please
love me do,
love me do.

love, love me do,
you know i love you,
iLll always be true,
so please
love me do,
oh-oh, love me do.

someone to love, somebody new.
someone to love, someone like you.

love, love me do,
you know i love you,
iLll always be true,
so please
love me do,
oh-oh, love me do.

love, love me do,
you know i love you,
iLll always be true,
so please
love me do,
oh-oh, love me do,
yeah, love me do,
oh, love me do.

How Do You Do It

(Murray)


how do you do what you do to me?
i wish i knew.
if i knew how you do it to me,
i'd do it to you.

how do you do what you do to me?
i'm feeling blue.
wish i knew how you do it to me,
but i haven't a clue.

you give me a feeling in my heart, (OH LA LA LA)
like an arrow passing through it.
suppose that you think you're very smart,
but won't you tell me how do you do it?

how do you do what you do to me?
i wish i knew.
if i knew how you do it to me,
i'd do it to you.

you give me a feeling in my heart, (OH LA LA LA)
like an arrow passing through it.
suppose that you think you're very smart,
but won't you tell me how do you do it?

how do you do what you do to me?
i wish i knew.
wish i knew how you do it to me,
but i haven't a clue.
wish i knew how you do it to me,
i'd do it to you.
wish i knew how you do it to me,
i'd do it to you.

Please Please Me

(Lennon)


Last night i said these words to my girl,
i know you never even try, girl.
come on, (COME ON) come on, (COME ON)
come on, (COME ON) come on, (COME ON)
please, please me, woh yeah,
like i please you.

you don't need me to show the way, love,
why do i always have to say, love?
come on, (COME ON) come on, (COME ON)
come on, (COME ON) come on, (COME ON)
please, please me, woh yeah,
like i please you.

i don't wanna sound complaining,
but you know there's always rain in my heart,
i do all the pleasing with you,
it's so hard to reason with you, woh yeah,
why do you make me blue?

last night i said these words to my girl,
i know you never even try, girl.
come on, (COME ON) come on, (COME ON)
come on, (COME ON) come on, (COME ON)
please, please me, woh yeah,
like i please you,
me, oh yeah, like i please you,
me, oh yeah, like i please you.

One After 909 (SEQUENCE) (TAKE 3)

(Lennon)


i said, "move over!" once,
"move over!" twice,
"come on, baby, don't be cold as ice!"
she said she's trav'lin' on the one after 909.

picked up my bag, run to the station,
railman said, "you've got the wrong location, yeah."
picked up my bag, run right home.

JOHN: "WHAT ARE YOU DOING?"
PAUL: "AH, IT'S MURDER! I CAN'T DO IT, CAN'T KEEP IT UP, i'M JUST GOING..."
GEORGE: "USE YOUR PLEC!"
PAUL: "I HAVEN'T GOT ONE!"
JOHN: "FUCKING HELL!"
PAUL: "USE THE PLEC...I'VE BEEN TRYING TO GET THEM ALL DAY."
JOHN: "WELL, YOUR CLOTHES HAVE BEEN BROUGHT HOURS AGO."
PAUL: "I KNOW BUT THE CASE WAS HARDLY MOVED."
JOHN: "I SAID TO YOU BEFORE, pAUL, DON'T FORGET YOUR PLEC.....WITH YOUR CLOTHES IN."
PAUL: "I KNOW BUT THE CASES ARE STILL UP AT THE DOOR.
NEIL ASPINAL: "I SAID DO YOU WANT ME TO BRING YOUR CASE IN AND YOU JUST WALKED AWAY!"
PAUL: "I DIDN'T THINK, i THOUGHT YOU SAID i DIDN'T REALLY WANT..."
CONTROL ROOM: "HERE WE GO!"
PAUL: "GEORGE!"

you've got the number wrong.
well, she said she's trav'lin' on the one after 909.
i said, "move over, honey, i'm travelling on that line."
i said, "move over!" once,
"move over!" twice,
"come on, baby, don't be cold as ice!"
she said she's trav'lin' on the one after 909.
v oh yeah!

well, my baby says she's trav'lin' on the one...

JOHN: "OH, FUCKING HELL! i TOLD YOU!"
PAUL: "YOU SEE, IT'S YOU! iT'S YOU!"
JOHN: " YOU SAID WE'D MISS OUT...A BIT LATE."
RINGO: YOU'RE COMING IN DURING THE SOLO.
PAUL: "YOU'RE COMING IN WRONG, HALFWAY THROUGH THE SOLO!"
JOHN: OH! WHAT? WAS IT A 12 BAR...
GEORGE MARTIN: "YEAH, YEAH, 4 BARS...ONCE AGAIN
PAUL: "TWO, THREE, ONE, TWO, THREE, FOUR!"

said she's trav'lin' on the one after 909.

ow! oh!

one after 909

(Lennnon)


well, my baby said she's trav'lin' on the one after 909.
she said, "move over, honey, i'm travelling on that line."
she said, "move over!" once,
"move over!" twice,
"come on, baby, don't be cold as ice!"
she said she's trav'lin' on the one after 909.

well, i begged her not to go,
and i begged her on my bended knees,
said you're only foolin' 'round,
only foolin' 'round with me.
said, "move over!" once,
"move over!" twice,
"come on, baby, don't be cold as ice!"
she said she's trav'lin' on the one after 909.

picked up my bag, run to the station,
railman said, "you've got the wrong location." yeah.
picked up my bag, run right home.
then i find, you've got the number wrong.

well, she said she's trav'lin' on the one after 909.
said, "a-move over, honey, i'm travelling on that line."
said, "move over!" once,
"move over!" twice,
"come on, baby, don't be cold as ice!"
she said she's trav'lin' on the one after 909.

oh yeah!

well, my baby said she's trav'lin' on the one after 909.
said, "a-move over, honey, i'm travelling on that line."
she said, "move over!" once,
"move over!" twice,
"come on, baby, don't be cold as ice!"
said she's trav'lin' on the one after 90,
said she's trav'lin' on the one after 90,
said she's trav'lin' on the one after 909.

Lend Me Your Comb

(Twomey/Wise/Weisman)

.
lend me your comb,.
it's time to go home..
i gotta confess.
my hair is a mess.
.
your mammy will scold,.
your pappy will shout..
unless we come in.
the way we went out..
.
kissing you was fun, honey,.
but thanks for the date..
time has come to run, honey, but.
you know, darling, it's getting late..
.
just wait till i.
straighten my tie,.
lend me your comb..
we got to go home..
.
(WHOA!) ow!.
.
kissing you was fun, honey,.
but thanks for the date..
time has come to run, honey, but,.
sugar-buggar, it's getting late..
.
just wait till i.
straighten my tie,.
lend me your comb..
we got to go home..
.

I'll Get You

(Lennon).
From Val Parnell's Sunday Night At The London Palladium, 13 October 1963

.
PAUL: "IT'S CALLED "I'LL GET YOU.".
.
one, two, three!.
.
oh yeah, oh yeah,.
oh yeah, oh yeah..
imagine i'm in love with you,.
it's easy 'cause i know;.
i've imagined i'm in love with you.
many, many, many times before..
.
it's not like me to pretend,.
but iLll get you, iLll get you in the end;.
yes, i will, iLll get you in the end..
oh yeah, oh yeah..
.
i think about you night and day,.
i need you and it's true..
when i think about you i can say.
i'm never, never, never, never blue..
.
so i'm telling you, my friend,.
that iLll get you, iLll get you in the end;.
yes, i will, iLll get you in the end..
.
well, there's gonna be a time,.
when i'm gonna change your mind,.
so you might as well resign yourself to me, oh yeah..
.
imagine i'm in love with you,.
it's easy 'cause i know;.
i've imagined i'm in love with you.
many, many, many times before..
.
it's not like me to pretend,.
but iLll get you, iLll get you in the end;.
yes, i will, iLll get you in the end..
.
oh yeah, oh yeah,.
oh yeah, oh yeah,.
oh yeah..
.

JOHN (SPEECH)

We were performers in liverpool, hamburg and round the dance halls, y'know and what we generated was fantastic. when we played straight rock and there was nobody to touch us in britain, y'know..

I Saw Her Standing There

Recorded live at Karlaplansstudion, Stockholm, 24 October 1963.


well, she was just seventeen,.
you know what i mean,.
and the way she looked was way beyond compare. (YEAH!).
how could i dance with another, ooh,.
since i saw her standing there..
well, she looked at me,.
and i, i could see.
.
that before too long iLd fall in love with her..
she wouldn't dance with another, ooh,.
since i saw her standing there..
.
well, my heart went boom,.
when i crossed that room,.
and i held her hand in mine..
woh, we danced through the night,.
yeah, and we held each other tight,.
and before too long i fell in love with her..
now iLll never dance with another, ooh,.
since i saw her standing there..
.
ow! ow!.
.
well, we danced through the night,.
and we held each other tight,.
and before too long i fell in love with her..
now iLll never dance with another, ooh,.
since i saw her standing there,.
since i saw her standing there,.
oh, since i saw her standing there..
.
hey! yeah!.
"THANK YOU, VERY MUCH, THANK YOU, TA, THANK YOU VERY MUCH. THAT WAS A SONG FROM OUR FIRST LP AND...EH...WE'D LIKE TO SING A SONG CALLED FROM ME TO YOU.".

From Me To You

Recorded live at Karlaplansstudion, Stockholm, 24 October 1963

one, two, three!.
.
da da da da da dum dum da,.
da da da da da dum dum da..
.
if there's anything that you want,.
if there's anything i can do,.
just call on me and iLll send it along,.
with love from me to you..
.
i've got evLrything that you want,.
like a heart that's oh so true..
just call on me and iLll send it along,.
with love from me to you..
.
i've got arms that long to hold you.
and keep you by my side..
i've got lips that long to kiss you.
and keep you satisfied -oo-..
.
if there's anything that you want,.
if there's anything i can do,.
just call on me and iLll send it along,.
with love from me to you..
.
from me.
to you..
just call on me and iLll send it along,.
with love from me to you..
.
i've got arms that long to hold you.
and keep you by my side..
i've got lips that long to kiss you.
and keep you satisfied -oo-..
.
if there's anything that you want,.
if there's anything i can do,.
just call on me and iLll send it along,.
with love from me to you,.
to you,.
to you,.
to you..
.
PAUL: THANK YOU, THANK YOU. AND NOW WE'D LIKE TO SING A SONG FROM OUR NEW LP...".
JOHN: "NEW LP!".
PAUL: "RELEASED, NEW LP, RELEASED IN NOVEMBER. THE SONG'S CALLED MONEY.".

Money (THAT'S WHAT I WANT)

(Gordy/Bradford) Recorded live at Karlaplansstudion, Stockholm, 24 October 1963

.
yeah! yeah!.
.
The best things in life are free,.
but you can keep 'em for the birds and bees;.
now give me money, (THAT'S WHAT I WANT).
that's what i want, (THAT'S WHAT I WANT).
that's what i want, (THAT'S WHAT I WANT) yeah,.
that's what i want, yeah!.
.
your lovin' give me a thrill,.
but your lovin' don't pay my bills; (OW!).
now give me money, (THAT'S WHAT I WANT).
that's what i want, (THAT'S WHAT I WANT).
that's what i want, (THAT'S WHAT I WANT) oh yeah,.
that's what i want..
.
money don't get evLrything it's true,.
what it don't get i can't use;.
now give me money, (THAT'S WHAT I WANT).
that's what i want, (THAT'S WHAT I WANT).
that's what i want, (THAT'S WHAT I WANT)oh yeah,.
that's what i want..

oh yeah!.
yeah!.
.
money don't get evLrything it's true,.
what it don't get i can't use;.
now give me money, (THAT'S WHAT I WANT).
that's what i want, (THAT'S WHAT I WANT).
that's what i want, (THAT'S WHAT I WANT) oh yeah,.
that's what i want..
.
well, now give me money, (THAT'S WHAT I WANT).
whole lotta money, (THAT'S WHAT I WANT).
oh yeah, i wanna be free, (THAT'S WHAT I WANT).
yeah, now give me money, (THAT'S WHAT I WANT).
that's what i want, (THAT'S WHAT I WANT) yeah,.
that's what i want, yeah!.
.
well, now give me money, (THAT'S WHAT I WANT).
whole lotta money, (THAT'S WHAT I WANT) yeah!.
oh, now give me money, (THAT'S WHAT I WANT).
whole lotta money (THAT'S WHAT I WANT).
that's what i want, (THAT'S WHAT I WANT) yeah,.
that's what i want..
(OW!) .
.

You Really Got A Hold On Me

(Robinson)

Recorded live at Karlaplansstudion, Stockholm, 24 October 1963
JOHN: "NOW WE'D LIKE TO CARRY ON WITH A NUMBER BY AN AMERICAN GROUP CALLED THE MIRACLES. IT'S CALLED YOU REALLY GOT A HOLD ON ME."

I don't like you, but i love you;
seems that i'm always thinking of you.
oh, oh, oh, you treat me wrong now,
my love is strong now,
you've really got a hold on me.
(YOU REALLY GOT A HOLD ON ME)
you really got a hold on me.
(YOU REALLY GOT A HOLD ON ME)

baby,
i don't want you, but i need you;
don't wanna kiss you, but i need to.
oh, oh, oh, you do me badly,
i love you madly,
you've really got a hold on me.
(YOU REALLY GOT A HOLD ON ME)
you really got a hold on me.
(YOU REALLY GOT A HOLD ON ME)

(BABY)
i love you and all i want you to do
is just hold me, hold me, hold me, hold me.

tighter,
tighter!
i wanna leave you, don't wanna stay here;
don't wanna spend another day here.
oh, oh, oh, i wanna split now,
i just can't quit now,
you've really got a hold on me.
(YOU REALLY GOT A HOLD ON ME)
you really got a hold on me.
(YOU REALLY GOT A HOLD ON ME)

(BABY)
i love you and all i want you to do
is just hold me, please,
hold me, squeeze,
hold me, hold me.

you really got a hold on me.
(YOU REALLY GOT A HOLD ON ME)
you really got a hold on me.
(YOU REALLY GOT A HOLD ON ME)

Roll Over Beethoven

(Berry)
Recorded live at Karlaplansstudion, Stockholm, 24 October 1963


I'm gonna write a little letter,
gonna mail it to my local dj
it's a rockin' little record
i want my jockey to play.
roll over beethoven,
gotta hear it again today.

you know my temp'ratureLs risin'
the jukebox blows a fuse.
my heart's beatin' rhythm
and my soul keeps a-singin' the blues.
roll over beethoven
and tell tchaikowsky the news.

well, if you feel it 'n' like it,
go get your lover and reel and rock it,
roll it over and move on up just a trifle further
and a-reel and rock it, roll it over.
roll over beethoven,
rockin' in two by two.

early in the mornin' i'm a-givin' you the warnin',
step on my blue suede shoes!
hey diddle, diddle, i'm a-playin' my fiddle,
ain't got nothin' to lose.
roll over beethoven
they're rockin' in two by two.

you know she wiggles like a glow-worm,
dance like a spinnin' top.
she's got a crazy partner,
ought to see 'em reel and rock.
long as she got a dime,
the music will never stop.

roll over beethoven,
roll over beethoven,
roll over beethoven,
roll over beethoven,
roll over beethoven,
and dig to these rhythm and blues!

"THANK YOU."

Disco 2