POSITIONS AND COMMANDS
A well trained kajira is expected to know a variety of slave positions and be able to respond to a series of common commands. There is some erroneous information online concerning Gorean positions and commands as depicted in the novels.
Positions such as "kar-ta" and "sula-ki" are never explicitly named in the novels. Their names have been created by others online to describe certain matters mentioned in the novels but never formally named.
Kneeling: The primary position for all slaves is kneeling. The Gorean word for kneel may be "nadu" but that is only speculation.. All women, free and slave, kneel when sitting. Women who dare to sit cross-legged, like men, are seen as insolent and insulting. Slaves are not permitted generally to sit in chairs and could even be whipped or slain for daring to. Kajirae must
commonly kneel when entering her owner's presence, if her owner is present nearby, or in the presence of any other free person. Kneeling though is a position that can be assumed easily and beautifully. A kajira can also rise from the kneeling position with beauty and grace. Kneeling is seen as a sign of respect, expressing the submission of a slave. In kneeling, all women, free and slave, are expected to carry themselves well. Their backs should be straight, their chin high, and they should be properly poised. Women do not slouch in such a position.
When a girl kneels, it is customary for her to remain a few feet away from her owner. This distance symbolizes, along with the difference in height between a standing owner and kneeling kajira, the inferiority and lowly status of the slave. It also puts the slave in a position where she can be readily viewed. In addition, it puts enough space between the slave and master so that if the master desires to ravish the kajira, such desire will require an active decision to bridge that distance toward the girl. Thus, his desire will not be reflexively triggered. If a girl was to purposefully kneel very close to her master, this would be an indication of her desire to be ravished, hoping her master will act on his urges without consideration.
The position of a woman's knees when kneeling is very important. Free women will always keep their knees tightly closed, thus being modest. Tower and house slaves also commonly do the same. Tower and house slaves are generally assigned
domestic duties but there are times when they might also serve a master's pleasure. At those times, they might kneel with their knees open if commanded to do so. Pleasure slaves, and similar kajirae, generally always keep their knees wide open while kneeling. They are bereft of modesty and open for all to see.
The position of one's hands while kneeling is also important. Free women will rest their hands on their thighs, their palms face down. Tower and house slaves will keep their hands in front of them, usually crossed if not otherwise occupied. Pleasure slaves rest their hands on their thighs, either palm up or down, though in some cities they will keep their hands crossed behind
them. The palms of the hands, when facing upwards, is a way of signaling a girls' need, helplessness, and desire to please. It is a silent signal of a girl's desire for her master.
Bara![]() |
A slave lays on her belly, her forehead pressed to the floor. She crosses her ankles and places her wrists, also crossed, in the small of her back. She waits motionless to be bound. "Bara," I said to Feiqa. Both slaves went immediately to their bellies, their heads to the left, their wrists crossed behind their backs, their ankles also crossed. It is the common binding position. We did not bind them, however. It was enough that they lay there in this position. -- Mercenaries of Gor page 145.
"Bara, Kajira!" he said. She rolled quickly to her stomach, placing her wrists behind her, crossed, and crossing her ankles, ready to be bound. Explorers of Gor page 77. "Standard binding position," he said. I was prone. When a girl is prone, the standard binding position is to cross the wrists behind the back and to cross the ankles. I took this position instantaneously. -- Slave Girl of Gor page 125. |
Belly![]() |
A slave lays on her belly, parts her legs, shoulder-width apart and lays her arms by her sides, palms up, her forehead to the ground. She then crawls to her Master's feet, remaining on her belly as she does so. "There are many forms of bellying." -- Mercenaries of Gor page 410.
"Belly," he said to her, and she lay then on her belly beside the desk, in her chains. -- Mercenaries of Gor page 154. Weeping I tore away the robes, frenziedly, and, stripped, threw myself on my belly naked before him, he a Gorean male, he a master, I a slave girl. "Standard binding position," he said. I was prone. When a girl is prone, the standard binding position is to cross the wrists behind the back and to cross the ankles. I took this position instantaneously. -- Slave Girl of Gor page 125. |
Blanket | "I then threw the second blanket, the top blanket, over her, covering her completely. When a blanket, or cloak, or covering of any sort, is thrown over a slave like this she may not speak or rise. She must remain as she is, silent, until the master, or some free man, lifts the covering away." -- Explorers of Gor page 94. |
Bracelets![]() |
A slave kneels, thighs spread wide, back arched, and extends her arms before her, her wrists together in preparation for being bound. Her head is held high, her eyes lowered submissively. (A Master may require the wrists behind the back. An alternate is the standing position, where the slave spreads her legs shoulder width apart) "Bracelets," he snapped. She put her head in the air and placed her hands behind her back. --
Hunters of Gor page 146.
"Bracelets!" I said in Gorean, harshly. The girl snapped to position, hands behind the small of her back, head lifted, chin up, turned to the left. In such a posture she may be conveniently put in bracelets, and leashed. ・Tribesmen of Gor page 78. |
Capture Position, Standard Supine: | The woman lays down upon her back, bending her knees to place her feet flat against the ground, her hands at her side and remains motionless. "On your back," he said, "knees raised, heels on the floor." I then lay before him, in a standard, supine capture position. -- Kajira of Gor page 422 |
Capture Position, Kneeling: | (female submission)"・#060;/font> the traditional fashion of the captive Gorean female, kneeling, lowering the head, and lifting and raising the arms, wrists crossed for binding." -- Outlaw of Gor page 247. |
Coffle: | "Kneel to be coffled," said one of the men. The girls knelt, closely, one behind the other, there were six wrist rings on the chain he carried. He placed the girl who had been whipped by Lady Sabina first in the coffle line. "Left wrist coffle," he said. They lifted their left wrists, frightened. Interestingly, the man snapping the wrist rings on the girls' left wrists did not put the first girl in the first ring, but the second. When the four maids were coffled there was, thus, an empty wrist ring both at the head and rear of the line. "Stand, Slaves," said the man. "Lower chain." The girls stood. Then, ordered, the lowered their wrists. They were then in line, standing, coffled. -- Slave Girl of Gor page 127. |
Crawl | A slave drops to all fours, her forearms flat on the ground, and lowers her head so that it is slightly above, but not touching, the ground, raising her ass high. She crawls to her Master until her head is by his boots I pointed to the stones at my feet. "Crawl," I said, in Gorean. The girl slipped to her belly, and, as a slave girl, crawled to my feet. She put her lips to my foot; I felt her hair over it. -- Tribesmen of Gor page 78. |
Display Position: | The slave stands with her feet about shoulders width apart, fingers laced behind the neck with elbows back, head up and eyes lowered."The auctioneer did not strike her with his whip. He merely took her arms and lifted them, so that the position chain, attached to each side of the sales collar lay across her upper arms. Then he had her clasp her hands behind the back of her neck, so that the chain, on each side of the collar, was in the crook of her arms, and she was exposed in such a way that she could be properly exhibited." -- Explorers of Gor pages 35-36. |
Gorean bow | A slave kneels, thighs spread wide, and leans over backwards until her head touches the floor. She then pulls herself up, arching her back. This exposes a slave's heat and breasts for her Master's enjoyment. Behind him stood a blond slave girl, naked, her hair falling to her waist. I gathered she belonged to him. "We are victorious!" said the man to her, brandishing the ring. Over her iron collar she wore a heavy leather Kur collar, high, heavily sewn, with its large ring. He thrust her two wrists, before her body, into the ring he had cut from the Kur. He then tied them inside, and to, the ring. He then, from his belt, took a long length of binding fiber and, doubling it, looped it, securing it at its center to the ring, leaving two long ends. He then threw her, on her back, over the body, head down, of the fallen Kur. He took the two loose ends of the binding fiber and, taking them under the body of the fallen Kur, dragged her wrists, elbows bent, over and above her head; he then, bending her knees, tied one of the loose ends about her left ankle, and the other about her right. It was the Gorean love bow." -- Marauders of Gor page 261. |
Hair![]() |
A slave remains in whatever position she is in but gathers her hair and offers it to her Master. "I looked at the girl. I nodded to her to approach me. She did so. I held my left hand open, at my waist. She stiffened, and looked at me, angrily. I opened and closed my left hand once. I saw her training in Gorean customs had been thorough. But she never thought that such a gesture would be used to her. She came beside me, and a bit behind me, and, crouching, put her head down, deeply. I fastened my hand in her hair. She winced. Women are helpless in this position." --
Beasts of Gor page 409.
"When a girl hears the command, 'Hair,' she must kneel, lowering her head so that her hair may be used for a variety of purposes, such as a wiping cloth or napkin, by means of which the free person, male or female, may remove stains, grease or crumbs from his or her hands. Similarly, a girl's hair, if it is sufficiently long, may be used for the washing and cleaning of floors. In this command, she is usually on her hands and kneels, naked and chained. The hair is used in conjunction with soap and water, being dipped in the appropriate buckets, wrung out and rinsed, and so on. However, hair is not used for the application of such things as waxes or varnishes because of the difficulty of removing such substances, and possibly necessitating the shearing of her hair and thus lowering her market value." -- Kajira of Gor pages 68-69. |
Heel | A slave kneels just behind her Master's left foot. As he moves she must remain just behind his foot, but never come in contact with it at any time. "Pet sleen are taught to heel; so, too, sometimes, are bondmaids; I was familiar with this sort of thing, of course; in the south it was quite common for slave girls, in various fashions in various cities, to heel their masters." Marauders of Gor page 123.
"Normally, the girl heels a right-handed master on the left, that she not encumber the movements of the weapon hand." Magicians of Gor page 117. |
High-Harness: | This position is used primarily with display slaves. The slave holds her head very high, exposing her neck. "Lift your head" he said. "Higher. Higher!" She looked up at him, her head far back, the leash on her throat... "You need not now keep your head in high-harness position," he said to the girl.-- Mercenaries of Gor pages 308-309. |
Ko-lar![]() |
The ko-lar, or collaring position, is also called "the Position of Female Submission." A slave kneels at her Master's feet, sitting on her heels. She extendes her arms upward, and crosses her wrists"Assume the posture of female submission," I told her. She did so, kneeling back on her heels, her arms extended, wrists crossed, her head between them, down. --
Tribesmen of Gor page 359.
"She had risen and walked across the room, her feet bare on the stone floor, and dropped to her knees before me, lowering her head and lifting and extending her hands to me, the wrists crossed. The ritual significance of the gesture of submission was not lost on me; her wrists were offered to me, as if for binding." -- Tarnsman of Gor page 67. "I saw her kneeling before her buyer, back on her heels, head down, arms extended, wrists crossed, as though for binding. It was the submission of the girl to her new master." -- Captive of Gor page 70.They knelt before me, back on their heels, head down, arms lifted and extended, wrists crossed as though for binding. "I submit myself," said each, in turn. They need not be bound. They need not be collared. They need not even have spoken. The posture of submission itself, assumed by them before me, constituted them my slaves. -- Hunters of Gor page 182. "He thrust the girl down to her knees. She was in the presence of free men. With the neck strap he pulled her head down and tied it down, fastening it to her ankles by means of the neck strap; the leather between her neck and ankles, which were now crossed and bound, was short and taut. Her rag, the brown, torn tunic of the she-urt, stolen from she who had been Sasi, was then cut from her. She knelt bound then, and naked, in one of several Gorean submission positions." -- Explorers of Gor page 67-68. "On your back," he said. "Throw your legs apart." Tears in my eyes, I obeyed. "Or on your stomach," he smiled, "or kneeling, bent over, or in any one of a thousand postures of submission and service." -- Dancer of Gor page 60. |
Leading position ![]() |
A slave approaches her Master's side and bends at the waist, gathering up her hair to present to her Master, so he may lead her by the hair. "In a moment I had left the building, pulling the captive behind me, her head held down at my waist, in leading position."
Mercenaries of Gor page 399-400.
"Leading position," said Drusus Rencius. I put my head down to his waist and he fastened his left hand in my hair... It was in this fashion, my head down, his hand in my hair, my head turned to the side, hair, too, about my face and features, obscuring them, that Drusus Rencius had chosen to convey me past strangers in the alleys, coming and going to the house of Kliomenes. Kajira of Gor page 134. "Leading position," he said. Sobbing, she rose to her feet and put her had down at what would be the height of a man's waist, her legs flexed. A guard walked over and fastened his hand in her hair. -- Rogue of Gor page 288. |
Leash ![]() |
A slave kneels with her back to her Master, her thighs spread wide, her back arched. She crosses her wrists in the small of her back for bracelets if required. She then turns her head to the left, her eyes lowered in submission, her lips slightly parted and awaits his leash. He then said, "Leash," and she looked at him angrily, then lifted her chin. He snapped the leash on her collar. Assassin of Gor page 215.
"Leash!" said the fellow, suddenly, harshly, behind the girl, in Gorean. She jumped, startled, and cried out, frightened, but she did not, as a reflex, lift her head, turning it to the left, nor did the muscles in her upper arms suddenly move as though thrusting her wrists behind her, to await the two snaps of the slave bracelets. -- Explorers of Gor page 66. |
Lesha High![]() |
A slave stands, her back to her Master, with her feet shoulder-width apart, her wrists crossed at the small of her back. She holds her head high, turning it to her left, her lips slightly parted and lowers her eyes in submission. She awaits his leash. "Lesha!" he said. Immediately, responsive to this command, I flung my wrists behind me, separated by some two inches, and lifted my chin, my head turned to the left. I felt slave bracelets flung, snapping shut, on my wrists. In another moment, I was leashed. Dancer of Gor page 365. "Lesha," snapped the second officer to the blond girl. She spun from facing him, and lifted her chin, turning her head to the left, placing her wrists behind her, as though for snapping them into slave bracelets. Explorers of Gor page 77. |
Nadu![]() |
A slave kneels with her thighs spread wide, her back arched, her head held high and her eyes lowered submissively. She lays her hands palms-up on her thighs"Nadu!" he snapped. She swiftly turned, facing him, and dropped to her knees. She knelt back on her heels, her back straight, her hands on her thighs, her head up, her knees wide. It was the position of the pleasure slave. -- Explorers of Gor page 77. |
Nestle: | "Nestle," I told her. "Yes, Master," she said. She nestled obediently in the crook of my left arm. Explorer's of Gor page 279. |
Obeisance![]() |
This "position" is often called "obedience" on many pages and/or "submission" ,it is a common position of slave submission, considered by masters to be a beautiful position. Eta then faced my captor. "La Kajira," she said, submissively inclining her head to him・Then Eta turned to me, laughing, pointing to my mouth. I did not understand. She pointed to her own mouth, again faced my captor, and again said, "La Kajira," again performing an obeisance before him. -- Slave Girl of Gor page 63-64. "First, kneel back on heels, knees wide apart, hands on your thighs, your back straight, breasts out, belly in, then lower head in deference, in submission. Second, kneeling in the same manner, but bend forward, placing the palms of your hands and your forehead to the ground. Then lift your head slight, moving forward slight, while keeping hold of this position, til your face is on the master's feet. Third, is a form of 'bellying.' There are many forms of such that may be combined with other subtle floor movements, writhing before the master, and such. The slave goes to her belly, then inches forward to the master's feet, lifting her head, licking and kissing his feet, and then, take his foot, gently placing it on her head briefly, before returning his foot to the ground, and again licking and kissing it." -- Mercenaries of Gor page 409-411."Swiftly we assumed a common form of slave obeisance, kneeling, the palms of our hands on the ground, our heads to the ground. Many masters require this position of their girls, usually when they first enter his presence, or find themselves as in a room which he has entered, in his presence." -- Dancer of Gor page 114. "You may do obeisance, my dear," said Kliomenes. The girl rose to her feet and went to Kliomenes. She knelt before him on the dais and put her head down. Gently, softly, she licked and kissed his feet. She then rose again to her feet, backed away, and then on the tiles again knelt. She put the palms of her hands on the tiles and lowered her head to the tiles. Then she straightened up, her back straight, assuming the position of the pleasure slave, thought keeping her head bowed deferentially. -- Rogue of Gor page 299."Heads to the dirt!" called a man. Swiftly we assumed a common form of slave obeisance, kneeling, the palms of our hands on the ground, our heads to the ground. Many masters, though it tends to be rather associated, usually, with given cities, require this position of their girls, usually when they first enter his presence, or find themselves, as in a room, which he has entered, in his prison. She is then, usually, when given permission, permitted to lift her head, but is to remain kneeling before him, beautifully, in a standard position, her knees closed if she is a house slave or tower slave, her knees open, if she was the sort of slave I was, whatever sort of slave that was supposed to be. It is almost universal, as far as I know, that a slave kneels in one fashion or another, when entering her master's presence, or if she should find herself in his presence. She also commonly kneels when spoken to by any free person. This is simply a matter of respect. To be sure, she can be slain, if she does not do so. The kneeling position, of course, which is usually required to break, is commonly an initial position. For example, after its deferential assumption, she may be dismissed from it, to other duties, such as cleaning, shopping or cooking. -- Dancer of Gor page 114. |
Pleasure Slave [Kneeling] Position: | A slave kneels with her thighs spread wide, arching her back slightly, lifting her breasts high, head held high and eyes lowered in submission, her hands lay palms-up on her thighs. The command to this position does not need to be spoken. In fact, it has been commanded through signals of the hand, for a slave girl to assume the pleasure slave position. "Come now, my pretty slaves," said Ginger, "kneel straight. Back straight, heads up. Back on your heels there! Spread those pretty knees. Yes, that is the way men like it. Put your hands, palms down, on your thighs. Good. good. Excellent!" The girls now knelt in the coffle as pleasure slaves. -- Savages of Gor page 155. "Nadu!" he snapped. She swiftly turned, facing him, and dropped to her knees. She knelt back on her heels, her back straight, her hands on her thighs, her head up, her knees wide. It was the position of the pleasure slave. -- Explorers of Gor page 77. "The position of the Pleasure Slave, incidentally, differs from the position of both the free woman and the Tower Slave. The hands of a Pleasure Slave normally rest on her thighs but, in some cities, for example, Thentis, I believe, they are crossed behind her. More significantly, for the free woman's hands may also rest on her thighs, there is a difference in the placing of the knees. In all these kneeling positions, incidentally, even that of the Pleasure Slave, the Gorean woman carries herself well; her back is straight and her chin is high." -- Priest-Kings of Gor page 46-47. "He suddenly snapped his fingers and, in the swift double gesture of a Gorean master, pointed to a place on the dirt floor before him, almost simultaneously turning his hand, spreading his first and index fingers, pointing downwards. I fled to him and knelt before him, my knees in the dirt, in the position of the pleasure slave, my head down, trembling." -- Captive of Gor page 143."A girl, incidentally, in the position of the Gorean pleasure slave, but who is not being kept in the position as a discipline, in which case she remains rigid, is allowed much subtle latitude, which she exploits, without breaking the position. Sometimes, as she becomes animated, she rises a bit from her heels, sometimes her hands move on her thighs, her shoulders and belly move, her head moves, her eyes are live and vital, she speaks and laughs, and, radiantly, every inch, every bit, of her alive, converses lyrically and delightedly. Any girl knows that an interesting body is a moving body. Even within the apparent restraint of the position of the pleasure slave a girl's body can be a subtle, provocative melody of motion. The interplay between the restraint of the position and her animation gives the position incredible power and beauty." -- Slave Girl of Gor page 36. "At a gesture from my master I knelt. I did so in the manner m which I had been taught, back on my heels, back straight, hands on thighs, head high, chin up. I did not neglect a further detail. I spread my knees, widely. It was the position, of course, as I would later learn, of the Gorean pleasure slave. I had seen Eta naturally, unconsciously, assume it when she knelt. Such a girl, in kneeling, does not close her knees before a free man." -- Slave Girl of Gor page 77. "Quickly I instructed the girl in the position of the pleasure slave, kneeling, back on heels, back straight, head high, hands on thighs, knees wide." -- Slave Girl of Gor page 400. "Swiftly she assumed the position of the pleasure slave. She knelt back on her heels, her knees wide, her hands on her thighs, her back straight, her head up." -- Beasts of Gor page 15. "She knelt back on her heels, her knees wide, her hands on her thighs, her back straight, her head down. It is a beautiful and significant position. It well betokens the submission of the female to the free man, her master." -- Beasts of Gor page 394. "When she had knelt facing Samos, she had knelt in the position of the pleasure slave. When she had knelt facing me, she had knelt in the position of the serving slave." -- Explorers of Gor page 13. "Frightened, Miss Blake-Alien straightened her back, and lifted her head. She knelt back on her heels, knees wide, hands on her thighs. It was the position of the Pleasure Slave. I had taught her the position. It is one of the first things a good-looking woman, fallen slave, is taught on Gor. -- Tribesmen of Gor page 53."Withdraw, slave," said Tasdron, proprietor of the tavern of Tasdron in Victoria, off the avenue of Lysurgus. "Yes Master," said Peggy, bowing her head, deferentially, and backing gracefully from the table as a slave. She was barefoot and wore a brief snatch of diaphanous yellow pleasure silk. Her long blond hair was tied back with a yellow ribbon. The close-fitting steel collar was lovely on her throat. The rustle of slave bells locked on her left ankle was subtle and sensual. She withdrew to the far side of the room and knelt there, back on her heels, knees wide, as befitted the sort of slave she was, a mere pleasure slave. -- Rogue of Gor page 226. "Kneel, back on your heels," said the trainer to the dark haired woman. "Straighten your back, suck in your gut, put your shoulders back, thrust out your breasts, spread your knees, widely, lift your chin, put your hands on your thighs. You are not going to be sold as a tower slave, Lady Tina. You are going to be sold as a pleasure slave." -- Kajira of Gor page 141. "In the corridors, in our movements through them, particularly in the upper levels, we would sometimes encounter slaves, usually employed in domestic tasks, such as running errands, carrying burdens, dusting or cleaning. These women were usually naked, except for their collars, which, I gathered, was the way women were usually kept in a slaver's house. At the approach of the free men, Hermidorus and Drusus, they would immediately position themselves, usually with their knees wide, kneeling back on their heels, their heads up, their bands on their thighs, in the position I had come to understand was that of the pleasure slave, but sometimes, instead; kneeling with the palms of their hands on the tiles, their heads down, too, to the same tiles." -- Kajira of Gor page 145."The knees of the pleasure slave, when she is in a kneeling position, are to be kept open before the master, and, indeed, before all free men." -- Kajira of Gor page 282. "Kneel," he said, "in the position of the pleasure slave." She knelt, then, back on her heels, her knees spread widely, her back straight, her shoulders back, her belly sucked in, her head up, her hands on her thighs. -- Kajira of Gor page 398. "Keep your knees open," he said. "Oh, please, Master!" I begged. His eyes were stern. Immediately I open my knees, widely, as was appropriate for the type of slave I was, a pleasure slave. "One might think almost," he said, musingly, "that you are not a virgin. It is interesting to speculate what you will be like when you have been adequately opened and regularly utilized." -- Dancer of Gor page 146. |
Position: | The command for a slave girl to return to the position she was holding, such as the pleasure slave position. "Look up," he said. "Kneel, kneel straightly. Put your hands on your thighs. Head up. Split your knees. More widely, slut!" I obeyed. I was then kneeling before him, straightly, my head up, my hands on my thighs, my knees widely spread, the chain from my collar dangling down before me, between my breasts, I could feel it on my body, and going back, between my knees, to a ring. -- Dancer of Gor page 51. "Put your hands, clasped, behind the back of your head, and put your head back," he said. I did so. "Farther back," he said. I put my head farther back・He walked about me・I shuddered, feeling the coils of the whip move on my stomach. "You may resume your original position," he said. I returned then to my former position, with my hands on my thighs. -- Dancer of Gor page 53. "Position," said he. I readjusted my position, improving it, kneeling, back on my heels, my back straight, my hands on my thighs, my knees spread. -- Dancer of Gor page 59."I am naked before you," I said. "I am on a chain. You have aroused me. You have made me show myself responsive. You have taken all pride from me. You despise me. You hate me. I gather that I am to be made to pay for my crimes, that men here will make me pay for them, for being a modern woman. I am ready to pay. Make me pay." "On your back," he said. "Throw your legs apart." Tears in my eyes, I obeyed. "Or on your stomach," he smiled, "or kneeling, bent over, or in any one of a thousand postures of submission and service." "Do you beg?" he asked. "Would you make me beg?" I cried. "Yes," he said. "Very well," I wept. "I beg!" "Surely you have forgotten something," he said. "What?" I asked, in misery. "You are a virgin," he said. I looked at him, wildly, tears in my eyes. "Kneel, as you were before, slut," he said. -- Dancer of Gor page 60. "Position," he said. Immediately, I released the chain and knelt as I had before, back straight, back on my heels, my hands on my thighs, my knees spread. -- Dancer of Gor page 62. "Position!" we heard. Immediately every girl on every platform assumed position. I looked about, as I could. Every girl that I saw has assumed, as I had, the open-kneed position. It was required of them. I gathered, as it was required of me. They were all attractive. I wondered what sort of slaves we were, that we must kneel in this fashion. -- Dancer of Gor page 119. |
Posture: | "Posture!" snapped Verna, from yards behind me. I straightened my body and, tears in my eyes, walked between the trees, in the moonlight. -- Captive of Gor page 131. I stumbled forward, and was now again walking before him. "Posture," he said. And so I walked well, as he wished, before him. -- Captive of Gor page 186. "Stand," I told them. "Stand straight, heads high. Place your wrists behind your back." I then picked up the slave silk they had worn and, under the throat tether of each, thrust the silk. Then, with the binding fiber I had earlier removed, I fastened their wrists behind their backs. -- Hunters of Gor Page 185. "Posture," I snapped. The girls stood perfectly... I regarded the slave girls, standing in the sand, in coffle, their wrists behind their backs, bound. They stood very still. They stood very straight. Their heads were very high. I had commanded them to stand so. -- Hunters of Gor page 186. "Posture!" I snapped. The girls again stood, backs straight, heads high. They were very beautiful. - Hunters of Gor page 188. |
Rebellion: | There is a mock rebellion which is sometimes permitted a slave girl, or even commanded of her, for the master's amusement. I felt a tear on my cheek. "Show rebellion," is a command which a girl must, as any other, obey. Yet it is a terribly cruel command. "Kneel," is the command which, commonly, puts an end to her rebellion. When a girl has been permitted defiance it is then all the sweeter, I gather, to bring her again to her knees before you. -- Slave Girl of Gor page 153."I had thought that perhaps he had been referring to something I had heard about in training, the dangerous, 'pretended disinterest' sometimes commanded by masters of their girls, usually with respect to supper guests to whom he intends to lend her for the night. She must then, even if her belly is raging for the touch of the guest, attempt to pretend to disinterest in him, and even loathing, if the master wishes, though she must, of course, serve him withperfection. She then, gradually, permits herself to let her true feelings appear, thus attempting to give the impression of having been seduced by him, and then, later, after a suitable time, she is honestly piteous, kneeling beside him, licking and kissing. He then sends her to his room, that she may prepare it, and herself, for him. most masters, however, do not do this sort of thing for it is meretricious, and, at best, a joke. Too, it can be dangerous to the girl, as she is usually under the obligation, at least by the seventh Ahn, if he has not penetrated to the heart of the matter by then, which is usually the case to inform the use master of her master's jest, which intelligence he might or might not appreciate. Many girls have been whipped for such things, which are not really their fault. They are only obeying, as they must. But then a girl must sometimes expect the whip, I suppose. She is, after all, a slave. On the other hand, few men will whip a girl for having pretended not to be attracted to him, if she is actually attracted to him, particularly if she has done so under her master's orders. Such devices, of course, but without the authenticity and ultimate surrender, are often resorted to by "lure girls," slaves who serve as bait for captains who need crewmen, masters of work gangs, and such. Such work can be very dangerous, given the astuteness of many Gorean masters. Such a pretense, however, can be maintained with many men for at least a few minutes, and with some men for an hour or so, which is generally more than enough time for the purposes of the master, and the master's men, unobtrusively, are usually near at hand. It is not unknown, of course, for a girl who serves at such a supper, and is genuinely disinterested, or repulsed, by a given guest, to be given to him for the night. Such things can amuse the master and the guest. Too, they tend to be good for the girl's discipline." -- Dancer of Gor page 244-245. |
Return: | I pointed to the stones at my feet. "Crawl," I said, in Gorean. The girl slipped to her belly, and, as a slave girl, crawled to my feet. She put her lips to my foot; I felt her hair over it. "Return," I told her. On her belly, head down, she returned to where she had knelt. -- Tribesmen of Gor page 78. |
Run![]() |
A slave runs toward her objective, taking small rapid steps, her legs almost straight, her feet barely leaving the floor. As she runs, her back is straight, her head is turned to the left, her arms are at her sides with palms facing outward. Upon reaching her objective she drops gracefully to her knees and typically resumes the position of Nadu. "I was amused, for she had run as a slave girl is sometimes taught to run, with rapid short steps, her legs almost straight, her feet scarcely leaving the ground, back straight, head turned to the left, arms at her sides, palms out at a forty-five degree angle, more of a dancer's motion than a true run." -- Assassin of Gor page 45. "Run, El-in-or," he said, "put it back, and return to me." I ran to the side of the tent and put back the wine crater, and fled back to his side. -- Captive of Gor page 333. |
She-Sleen(slave Rape)![]() |
A slaves gets down on her knees and elbows and clasps her hands over her head, raising her hips as she does so. She parts her thighs and arches her back, forcing her hips yet higher, exposing herself completely to his view or carress. She readies herself to be beaten or taken sexually like an animal, depending on her Master's whim. "The mating of sleen is interesting・It is a very fierce and marvelous spectacle. It is not unusual for slave girls, seeing this, to kneel at their master痴 feet and beg their caress... Sometimes slave girls are called she-sleen, but I do not think this expression is completely apt. Sexual congress in the human is not confined to a particular season. We are not she-sleen. The heat of the she-sleen occurs in the spring. We are slave girls. Our masters keep us in heat constantly." -- Slave Girl of Gor page 185-186. I went to the side of the room and picked up my sea bag. I threw it to the center of the room. She looked down at it puzzled. It was of heavy blue material, canvas, and tied with a white rope. "Lie down upon it," I told her, "on your back, your head to the floor." She did so. "No, please," she said, "not like this." It is a common position for a disciplinary slave rape. In it the woman feels very vulnerable, very helpless. I then took her. --Explorer's of Gor page 202. He knelt me there. "Put your head down, to the floor,"he said. "Clasp your hands, firmly, behind the back of your neck." "Yes, Master," I moaned. He was then behind me. He put his hands, under my arms, on my breasts, sweetly and firmly. Then he moved his bands back, caressing my flanks. My head was down. My fingers were together, behind the back of my neck. I was in his collar. It was steel, I could not remove it. I belonged to him. My body hurt, from his whip,that of my master. My head hurt, from my hair, where I had been conducted, unceremoniously, to this location. "Please, Master," I sobbed. "Not like this! Not you, please!" "The slave is pretty," he remarked. "Oh!" I cried. "Oh!" "You have a lovely ass," he said. "Ohhh!" I said. "You may thank me," he said. "Thank you, Master!" I said. I tried not to move. It was difficult. Please do not treat me like this!" "I will do with you as I please," he said. "Please do not make me yield like this, please!" -- Kajira of Gor page 434. I lay now on love furs, at the foot of his couch. He had put a chain on my neck... I leaned over and kissed him, delicately, intimately. "She-sleen!" he said, and then, with a rattle of a chain, threw me again beneath him. -- Kajira of Gor page 437. Later in the afternoon, when we had rested, and he had had food brought in, and we had eaten, he put me again in such a place, but this time I must face his feet and my hands were held behind me. In such a way, sometimes, a captured free woman, stripped, is placed backwards on a kaiila, her hands bound behind her. This is usually done only when she is being led to slavery. In such a way, then, he used me. My slavery was again well impressed upon me. This type of position, it might be mentioned, is also used by Gorean masters with the woman facing forward, where he can see her face, but with her hands tied, say, before her or behind her, or at her collar, bound either with actual thongs or, most cruelly, "by his will," that form of "tie" in which a woman must keep her hands in a given position, for example, holding them as if bound, or, say, keeping them on her hips or clasped behind the back of her neck. If she breaks such a position, of course, she is subject to terrible discipline. She must then, as he lies slothful and recumbent beneath her, at his ease, observing her, perhaps amused, writhe upon command and thus serve, and eventually cap, his volcano. Later he taught me this sort of thing first-hand. He used the collar tie and, mercifully with real thongs, when he was finished I had not only learned again that I was a slave but that this general sort of position, even with the female facing forward, has no intrinsic connection with female dominance. He had let me experience it in that fashion to see what it was like. He had then returned me to total bondage. "But was it necessary," I asked, "that you used me as you did earlier, after you had whipped me?" "How was that?" he asked. -- Kajira of Gor page 439. "Master!" I protested. Then I saw that he wished to make me speak. "when you made me kneel, with my head down," I said, embarrassed. "No," he said. "It was not necessary.""Then why did you do it?" I asked. "It amused me," he said. "Surely there was more to it than ,that," I said. "Yes," he said, "it is a useful way to show a woman, one who may be proud, or not clear on the matter, that she is a slave." "Might I ever again be put under such a discipline?" I asked. "Perhaps," he said. I looked at him. "Perhaps if you beg prettily enough," he said. "Do you recall the position?" he asked. "Yes," I said. "Speak," he said."The girl kneels, with her head down, her hands clasped behind her neck," I said. "You recall the position perfectly," he admitted. -- Kajira of Gor page 440. "Assume it," he said. -- Kajira of Gor page 441. |
She-Quadruped: | "Though this is not technically a position, it is definitely a command most commonly used for punishment or simply to remind the slave that she is, in fact, only an animal. When commanded to assume she-quadruped, the slave stays on all fours, like an animal, and cannot speak or reach for things with her hands. She is kept as only a mute pet. Sometimes the slave is even taught tricks she must learn without the help of verbal clues. In this form of slavery, which is commonly used for disciplinary purposes, or for the amusement of the Master, the woman is not permitted to arise from all fours; similarly she is not permitted human speech, though she may signify needs and desires by such means as cringing, and moaning and whimpering. Not permitted the use of her hands, save as a means of locomotion, she must also eat and drink from pans set on the floor, or, sometimes to satisfy her thirst, she must lap the water permitted to her from puddles or lick pillages from the tiles; too, it is no uncommon to chain her near her master's feet, while he dines, that he may, if he wishes, throw her scraps of food. She will also be taught tricks, through which paces she may be put for the entertainment of her master's guests, such things as begging, lying down, rolling over, and fetching his sandals in her teeth. And, needless to say, when her master wishes to use her sexually, it will be a position common to the she-quadruped." -- Guardsman of Gor page 225 |
Slave Lips![]() |
A girl who is commanded to make "slave lips," or who receives the command "slave lips," must form her mouth for kissing. She then, commonly, is not permitted to break this lip position until either shekisses or is kissed... The command which commonly follows the "Slave-lips" is "Please me." -- Blood Brothers of Gor page 111 |
Submission | See Obeisance |
Sula![]() |
A slave lays flat on the floor on her back, her feet spread shoulder width apart. her hands palms down to the floor... knees slightly bent.. Her eyes remain lowered in submission and she silently awaits her Master's pleasure. "Sula, Kajira!" said the man. She slid her legs from under her and lay on her back, her hands at her sides, palms up, her legs open. -- Explorers of Gor page 77. |
Table![]() |
A slave has many uses to her Master, one of which is to present herself as a table, to support his feet or drink. She goes to all fours making sure her back is level, her head held straight, her eyes lowered in submission. The girl should ensure she is stable, so as not to risk spilling the drink, or disturbing her Master, and should remain totally motionless. Stability can be increased if a girl ensures her thighs are parted widely and her elbows locked |
Tahari Whipping Position: | I opened the small square gate in the alcove, set in the bars, some ten inches from the floor. The opening is about eighteen inches square... I would use a standard Tahari tie... The door is opened that the girl's beauty not be hurt against the closed bars of the tiny gate. "Oh!" she cried. I thrust her, holding her by her arms from behind, on her knees, belly tight, against the flat iron piece over which the door swings, in closing. Her knees were thus through the bars, on the inside of the cell. With a length of binding fiber, about her knees and behind and over the bars I secured her in position. She could not fall backwards. I then took her wrists up, one at a time, she, startled, not resisting, and tied them, on the outside, each to a separate bar, on either side of the small iron gate.. The right side of her face was pressed against the flat iron bar, some two inches high, at the top of the opening, against which the gate, when closed, rests. "Do you realize what you have done?" What?" I asked. "You have put me in Tahari whipping position," she said. -- Tribesmen of Gor page 355-356. |
Tower![]() |
A slave kneels with her knees modestly together, back straight, eyes lowered. Her palms lay down upon her thighs; if the slave is not busy, the palms will lay down upon her thighs wrists crossed, differing it from the FW Tower. "When she had knelt facing Samos, she had knelt in the position of the pleasure slave. When she had knelt facing me, she had knelt in the position of the serving slave." --
Explorers of Gor page 13.
"Incidentally," I said, "when you kneel before the free woman in your carefully prepared modest garb. . .be certain to kneel with your knees closely together." "Of course master," she said, "She is female, not a male." "But even more importantly," I said, "insofar as you can, before her, and before any other free women you might be in attendance upon her, conceal your sexuality. Do not let them suspect it. Let them think that you are as inert and meaningless as they are." "That is common by slave girls before free women, Master," she said. --
Magicians of Gor page 355.
"Kneel, back on your heels," said the trainer to the dark haired woman. "Straighten your back, suck in your gut, put your shoulders back, thrust out your breasts, spread your knees, widely, lift your chin, put your hands on your thighs. You are not going to be sold as a tower slave, Lady Tina. You are going to be sold as a pleasure slave." -- Kajira of Gor page 141. |
Walk![]() |
When this command is given, a slave turns gracefully, her hair carressing her body as she turns. She walks quietly across the room or camp, her feet hardly seeming to leave the ground, her hips swaying sensually, her body erect and proud. When she reaches her objective she halts and stands, her body erect, her shoulders back, her chest thrust forward, her belly in. She turns her hips out a bit, her hands at her sides, and points one foot. Her chin is held high and her eyes are lowered. "Turn," he said. "Walk about. Then return and stand before me." Happily I moved about in the garment. "Do you not know how to walk?" he asked. "Forgive me, Master," I said. I then walked as a slave, proudly, my shoulders back, gracefully and beautifully, as a woman owned by men・-- Dancer of Gor page 156. I returned then to the foot of the dais, to stand there before Hendow, of the tavern of Hendow, on Dock Street, in Brundisium. -- Dancer of Gor page 158. |
Whipping
Position(kneeling to the whip)![]() |
A slave quickly drops to her knees and raises her hips. She places her head to the floor and then crosses her arms across her belly. She waits motionless ready to accept her Master's punishment. Slave's with long hair will pull their hair from their backs so their backs are exposed for the whip. "Kneel to the whip," he said. I obeyed. I put my head down, and, beneath my body, crossed my wrists, as though they were bound. My back was bowed, ready for whatever punishment he might see fit to administer to me. -- Slave Girl of Gor page 436. "I crossed my wrists beneath me and touched my head to the floor, exposing the bow of my back. It is the submissive posture of a slave girl who is to be punished. It is called Kneeling to the Whip." -- Captive of Gor page 200. "Kneel to the whip!" I cried. Terrified the girl scrambled to her knees and knelt down, making herself small, her head to the furs. Her wrists crossed under her as though bound. -- Rogue of Gor page 21. "Kneel to the whip!" said Samos. Piteously she knelt, a slave girl. Her wrists were crossed under her, as though bound, her head was to the floor, the bow of her back was exposed. -- Marauders of Gor page 13. He then, crouching near me, reaching about me, put the whip to my lips. I kissed it, frightened, again and again. "Kneel now, in the following fashion," he said. "Do not waste time." He then had me kneel with my head to the floor, my hands clasped tightly behind the back of my neck, I cried out, grasped, fixedly held, put to his fierce, disciplinary purposes. -- Dancer of Gor page 268 |