For most of the four days and nights, to songs and prayers, they dance, as well as run toward the four directions. During this time, they also participate in and conduct sacred rituals, receiving and giving both gifts and blessings, and experiencing their own capacity to heal.
In the early 1900s, when the U.S. government banned Native American spiritual practices and rituals, conducting the Sunrise Ceremony was an illegal act; as a result, its practice diminished, and those ceremonies that did occur were conducted secretly.
Not until 1978, when the American Indian Religious Freedom Act
was passed, was the Sunrise Ceremony openly re-established on most reservations. But even
today, because of the expense and time involved - which also includes four days of
preparation and four days of teaching and recovery - some girls celebrate for one or two
days, rather than have four day ceremonies. The families of girls entering puberty in a
particular year may also sponsor joint Sunrise ceremonies, in which two or more newly
menstruating girls celebrate the rites of Changing Women together.
However, the world the People live in is not safe until White Painted Woman's sons kill the Owl Man Giant who has been terrorizing the tribe. When they return from their victory, bringing the meat they have hunted, White Painted Woman expresses a cry of triumph and delight, which later will be echoed by the godmother at the Sunrise Ceremony. She then is guided by spirits to establish a puberty rite to be given for all daughter born to her people, and to instruct the women of the tribe in the ritual, and the rites of womanhood.
When she becomes old, White Painted Woman walks east toward the sun until she meets
her younger self, merges with it, and becomes young again. Thus repeatedly, she is born
again and again, from generation to generation.
First, by re-enacting the Creation myth, and personifying White Painted Woman, the girl connects deeply to her spiritual heritage, which she experiences, often for the first time, as the core of her self. In her connection to Changing Woman/ White Painted Woman, she gains command over her weaknesses and the dark forces of her nature, and knows her own spiritual power, sacredness and her goodness. She also may discover her own ability to heal.
Second, she learns about what it means to become a woman, first through attunement to the physical manifestations of womanhood such as as menstruation (and learning about sexuality), as well as the development of physical strength and endurance. The rigorous physical training she must go through in order to survive four days of dancing and running is considerable, and surviving and triumphing during the "sacred ordeal" strengthens her both physically and emotionally. Most Apache women who have experienced the Sunrise Ceremony say afterwards that it significantly increased their self-esteem and confidence. When it ended, they no longer felt themselves to be a child; they truly experienced themselves as "becoming woman."
Third, the Apache girl entering womanhood experiences the interpersonal and communal manifestations of womanhood in her culture - the necessity to work hard, to meet the needs and demands of others, to exercise her power for others' benefit, and to present herself to the world, even when suffering or exhausted, with dignity and a pleasant disposition. Her temperament during the ceremony is believed to be the primary indicator of her temperament throughout her future life.
Not only does she give to the community - food, gifts, healings, blessings, but she also joyfully receives from the community blessings, acceptance and love. Throughout the ceremony, she receives prayers and heartfelt wishes for prosperity, wellbeing, fruitfulness, a long life, and a healthy old age.
Finally, the Sunrise ceremony serves the community as well as the girls entering
womanhood. It brings extended families and tribes together, strengthening clan
obligations, reciprocity and emotional bonds, and deepening the Apache's connection to his
or her own spiritual heritage.
Once the actual ceremony begins, the girl is guided by her sponsor and the medicine man through its many stages, including hours each day and night of dancing (the number of hours increasing each day and night), often in tandem with a companion whom she chooses as a means of support through the ceremony. Rituals of running are also important - running east toward the sun at dawn, and running toward all four directions - symbolically through the "four stages of life."
Other features of the ceremony include: re-enacting Changing Woman's story, the massaging the girl's body by her sponsor so that she is "molded" into Changing Woman, singing, chanting and praying throughout most of the night, the nightly dances of the Ga'an or Mountain Spirits and accompanying clown, and the throwing of buckskin blankets toward the four directions.
The girl is also painted (actually covered) with a sacred mixture of cornmeal and clay, which she must not wash off throughout the entire ceremony. During the last day, she blesses her people with pollen, as well as "heals" all members of her tribe who seek her healing touch and blessing; she also receives many gifts from her people.
The family take special care in choosing the godmother, who will be a role model and have a special relationship with the girl throughout her life. As her primary attendant in the Sunrise ceremony, the godmother will dance with her both day and night, massage her, help inspirit her and care for her when she is exhausted, give her food and drink, and prepare a huge dinner for all her relations. She therefore must be strong, energetic and committed.
When choosing a godmother, the family visits her residence at dawn, and places an eagle feather on her foot, offering her also a prayer stone and gifts as they request her to serve as godmother to their daughter. They may only ask four godmothers; acceptance is indicated by picking up the feather from her foot.
The medicine man also has an important role, and must be approached in a similar manner. He will preside over much of the ceremony, chanting dozens of songs and prayers, and both orchestrating and paying the singers and drummers that will accompany him.
Another female relative, usually an older sister or cousin, is also actively
involved, dancing along with the girl throughout much of her ceremony, supporting her when
her energy flags.
The work involved in
sponsoring a sunrise ceremony is enormous, as is the cost, which approximates $10,000 per
ceremony. The sponsoring godmother must be paid, as must the medicine man and the Gans
dancers, and food must be provided for four days to the entire community. In addition, the
girl's White Painted Woman costume and adornments are costly. For these reasons, extended
families contribute their time and/or money, and girls may sometimes wait a year or more
so that their families may join with other families to share the expenses and workload of
preparing the ceremony with the families of other girls soon to enter puberty.
The Navajo kinaalda involves daily running toward the east, singing and prayers, the molding of Changing Woman, the blessing of the people and the giving of gifts, but it does differ in a few significant ways from the Sunrise Ceremony. At the beginning, the girl washes her hair in suds from a yucca root and binds it back for the duration of the 2-4 day ritual. For the first three days, a considerable portion of her time is spent grinding more than 100 pounds of corn and wheat and preparing corn husks as she makes a giant cornmeal cake, heated in a firepit dug in the ground.
During the night and day of the kinalda, the girl must stay up all night, sitting
with her back straight and her legs in front of her, and not fall asleep through an entire
night of lengthy prayers. The next morning, she runs toward the sunrise again, and then
blesses the cake, which has cooked all night in a firepit dug in the ground. She then
offers the first piece of the cake to the Sun, and serves the rest to her people.
When a girl had her first menstrual period, a ceremony was held to purify her in preparation for becoming a woman and bearing children. Her family built a tipi and gathered the necessary objects for the ritual, which was conducted by a holy man.
On the day of the ceremony, sweetgrass was burned and all the objects purified with the smoke. The Pipe was smoked and prayer offered up to Wakan Tanka and to the four directions and to the Earth.
In the ceremony, a buffalo skull was a central object. It was painted with the red paint symbolizing the earth, and cherries and water were placed before it. Tobacco was spread in the shape of a cross, and blue paint put on it, symbolizing the coming together of earth and sky.
The holy man then gave the girl a piece of buffalo meat, and the water and cherries were passed to the members of her family.
A feast was held, and a giveaway took place. The goodness and holiness that came to the young girl also then extended to the whole tribe.
"All My Relatives". It is a saying that comes to us as a gift from the spiritual insight and way of living of the Dakota people. It is a marvelously brief but deep expression of what life is. In a few short words it includes everything that is real. It includes everything seen and unseen, everything that is real. It includes God who is the Great Spirit above all and in all. It includes all his spiritual messengers that move between God and humanity. It includes all the "ancient ones" --- those who have died to us but who are now alive to Him and gathered around Him in joy and peace. It includes all men and women, all children who are now living on the face of the earth. It includes the very earth itself and the air that surrounds it like a beautiful blanket.
"All My Relatives". It is a saying that brings together all creation and the Creator into one great family. It extends kinship to everything "that lives and moves and has its being". Nothing can happen, therefore, to one part of this creation that does not in some small way happen to the rest of creation and its Creator. We are FAMILY whether we realize it or not at times, but the earth always realizes it, and the animals always realize it, and God the Spirit never forgets it. To all of them our kinsfolk, our family members, we owe our very lives, for they support us and keep us in existence. They form a great web of interdependence giving us daily, even second by second, what we need to stay alive. The spider-web can serve to give us a picture for our minds to dwell on, as to what this family can be likened. Everything is interwoven and interdependent. If one part is unraveling, then it begins to weaken the rest of the web. Conversely, if every part is strong and knows its place and what it is to do, then the entire web is strong and healthy. All creation is one, is harmonious and holy. Like the garment of Jesus, it is a "seamless garment" and must not be torn apart. Every part needs to be reverenced as holy and worthy of respect, so that it can have the freedom to carry out its duties and functions. The earth must not be poisoned and scraped away. The air must not be polluted. The waters must be kept clean. Animals must not be hunted down and killed to extinction. Humanity must be free to praise and glorify God by being alive and healthy, both in body and spirit. God must be free to love and care for us as only He knows how to do. He must be able to love us as a true relative --- a Father --- Ateunyapi, and we must remove within us whatever it is that keeps that love from flowing into us.
It is a tight-knit system and nothing is ever lost. Even when something or someone dies it still stays within the family. The flesh returns to the earth, and the spirit returns to the Creator. Things change from one place to another, or from one form to another, but they are never destroyed or lost to the family. Water can change to ice or steam, but it's always there. The sun can draw up water, but it always returns as rain to the earth. Animals and vegetables can be killed and eaten, but they give life to people who are eating them. People can lose their bodies, but their spirits join with God, like relatives returning home after a long journey. They are welcomed home with great joy and feasting.
The Dakota people can be proud of their tradition which has given us not only the words but the wisdom of MITAKUYE OWASIN. It is a wisdom that the world desperately needs to hear ---- that the entire world and all the people spread across its face, are one family. They are all kinsfolk, and, when they kill or oppress one group of people, they are killing and oppressing their family members, their relatives. Not only are they killing them, they are killing themselves. This is not so hard to understand and there is a little bit of local expression that puts it very well: "What goes around, comes around". Since the world is a great web of interdependence, what happens to one, happens to all somehow. Eventually, it sets up a chain-reaction which influences the entire earthly community.
The world, which presently lives under the shadow of the Atom bomb, desperately needs to hear about these words: ALL MY RELATIVES. They are the Truth, they are Real and they are the same words that Jesus was speaking in another time and place, but for all times and all places. "What you do to the least of my brethren, you do to me", He said. The Dakota people can be glad of their traditional wisdom -- as glad as Peter was that day when Jesus said to him: "Blessed are you Simon, son of Jonah, for flesh and blood have not revealed this to you, but my Father who is in heaven has revealed this to you."
God heard the cries and pleading of those Dakota people long ago, when they stood on lonely hill tops looking for guidance, and He answered them with the words: "MITAKUYE OWASIN --- ALL MY RELATIVES", and they received wisdom and sustenance for their earthly journey.
Today, when Jesus comes among the Dakota people, he hears the words "All My Relatives" and recognizes them as his own. It is like the Gospel story of the Good Shepherd and the sheep. Jesus said: "I know mine and mine know me". They recognize his voice, and He recognizes them when He sees them. And one other time He said: "I have not come to destroy, but to fulfill". Jesus loves and praises the good wherever He finds it, and when there is wisdom and goodness in a tradition, such as the Lakota tradition, Jesus praises it and brings it to fulfillment. With Jesus the tradition can come into its fullest flowering, and like all the flowers and plants in creation, it can lend its own unique color and smell for all to enjoy.
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