According to a Robert Moog (inventor of the Moog) interview, he told that when he was showcasing his instrument at an expo, Garson (even then in his mid-40's) and an assortment of crazed geniuses decided to use it, among other electronic instruments to make a psychedelic pop / rock / spoken word concept album which turned out to be the first usage of the Moog on a commercial pop record from the West Coast. This was the album Zodiac Cosmic Sounds, recorded together with Jacques Wilson in 1967. It consisted of twelve "songs" composed as a suite on the twelve signs of the zodiac and where accompanied by Paul Beaver on electronic keyboards, including the Moog synthesizer. That same year Garson wrote and arranged another little masterpiece, the single credited to the Big Game Hunters.
Next album Electronic Hair Pieces from 1969 used the Moog to arrange some well-known pop hits. His third album was the electronic masterpiece The Wozard of Iz (also from 1969) sets to (Moog) music a socio-political satire built around the children's classic (Bernie Krause on "environmental sounds" and Nancy Sinatra as a co-narrator). His passion for the Moog took him to compose entire albums for A&M of music for each zodiacal sign(!) that predated new-age music by a decade: Signs of the Zodiac: Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagitarius, Capricorn, Aquarius and Pisces.

But he also made another record in 1971, which was very different. Under the devilish pseudonym "Lucifer", Garson released this record: Lucifer - Black Mass. It had his wildest hodgepodge of electronic sounds. Little is known about this release though.

(Instrumental album, no lyrics.)